The copy of Michelangelo’s David in the he Piazza della Signoria in the centre of Florence (Photograph: Patrick Comerford)
Patrick Comerford
We have returned to Ordinary Time in the Church Calendar. This week began with Trinity Sunday (31 May 2026), and yesterday was the Feast of Corpus Christi (4 June 2026) or the Day of Thanksgiving for the Institution of Holy Communion. The calendar of the Church of England in Common Worship today recalls Saint Boniface (Wynfrith) of Crediton (754), Bishop of Mainz, Apostle of Germany and Martyr.
After yesterday’s length return journey from Luton to Dublin, I got back last night, and am in back in Stony Stratford. Before today begins, I am taking some quiet time this morning to give thanks, to reflect, to pray and to read in these ways:
1, reading today’s Gospel reading;
2, a short reflection;
3, a prayer from the USPG prayer diary;
4, the Collects and Post-Communion prayer of the day.
King David in a stained glass window in Saint George’s Church, Belfast (Photograph: Patrick Comerford)
Mark 12: 35-37 (NRSVA):
35 While Jesus was teaching in the temple, he said, ‘How can the scribes say that the Messiah is the son of David? 36 David himself, by the Holy Spirit, declared,
“The Lord said to my Lord,
‘Sit at my right hand,
until I put your enemies under your feet’.”
37 David himself calls him Lord; so how can he be his son?’ And the large crowd was listening to him with delight.
‘David himself calls him Lord; so how can he be his son?’ (Mark 12: 37) … a forlorn statue in an abandoned workshop in Georgioupoli, Crete (Photograph: Patrick Comerford)
Today’s Reflections:
The scribes and the Pharisees regarded themselves as the experts in Biblical interpretation. But Christ, who is teaching in the temple and responding to their questions, now asks them some questions (verses 35, 42), to the delight of the large crowd that is listening to him.
At the time, the general understanding and expectation among the people was for a political ‘Messiah’ who was descended from David, ‘the son of David’.
At the time it was also thought that David was inspired by the Spirit to write the Psalms. But Christ asks how it is that David refers to the Messiah as ‘Lord’ (overlord), in writing ‘The Lord’ God (Yahweh) ‘said to my Lord’ (in other words, David’s overlord, whom Christ presents in this dialogue as the Messiah) ‘sit ...’
So, how can the Messiah be both David’s son and his overlord?
While in English and Greek, the word ‘Lord’ (κύριος, kurios) occurs three times in this reading, Christ may have quoted Psalm 110: 1 in Hebrew; there the words are different. He was probably not unique in taking ‘my Lord’ there to be the Messiah, for a political Messiah would defeat his ‘enemies’.
And so the Pharisees too are shown not to understand the Scriptures.
Which leads me to think this morning of how often passages of scripture that are neither not fully understood or are apparently contradictory on the surface are still used by people who promote themselves as experts in Biblical interpretation to advance oppressive and bigoted teachings.
King David (right) in a stained glass window in Saint Editha’s Church, Tamworth (Photograph: Patrick Comerford)
Today’s Prayers (Friday 5 June 2026):
A new edition of Pray with the World Church, the prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel), was published last week, in time for the USPG conference in the High Leigh, Hertfordshire, which opened on Tuesday (2 June) and ended yesterday (4 June). The theme this week, from 31 May to 6 June 2026 (pp 6-7), is ‘Peacebuilding in the Gulf’. This theme was introduced on Sunday with a reflection from Saint Christopher’s Cathedral in Bahrain.
The USPG Prayer Diary today (Friday 5 June 2026) invites us to pray:
Lord, we pray for an end to violence across the Gulf region, and for dialogue and diplomacy to bring a swift and just peace.
The Collect:
God our redeemer,
who called your servant Boniface
to preach the gospel among the German people
and to build up your Church in holiness:
grant that we may preserve in our hearts
that faith which he taught with his words
and sealed with his blood,
and profess it in lives dedicated to your Son
Jesus Christ our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
The Post-Communion Prayer:
Eternal God,
who gave us this holy meal
in which we have celebrated the glory of the cross
and the victory of your martyr Boniface:
by our communion with Christ
in his saving death and resurrection,
give us with all your saints the courage to conquer evil
and so to share the fruit of the tree of life;
through Jesus Christ our Lord.
Yesterday’s Reflections
Continued Tomorrow
King David (left) and King Solomon in a stained glass window in Saint Brendan’s Cargedral, Clonfert, Co Galway. Tamworth (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
Showing posts with label Clonfert Cathedral. Show all posts
Showing posts with label Clonfert Cathedral. Show all posts
05 June 2026
Daily prayer in Ordinary Time 2026:
29, Friday 5 June 2026
Labels:
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20 February 2025
Daily prayer in Ordinary Time 2025:
18, Thursday 20 February 2025
Saint Peter depicted in one of the paired east windows in Saint Brendan’s Cathedral, Clonfert, Co Galway (Photograph: Patrick Comerford)
Patrick Comerford
We are in Ordinary Time in the Church Calendar. Ash Wednesday and the beginning of Lent are now less than two weeks away (5 March 2025).
Before this day begins, I am taking some quiet time this morning to give thanks, to reflect, to pray and to read in these ways:
1, today’s Gospel reading;
2, a short reflection;
3, a prayer from the USPG prayer diary;
4, the Collects and Post-Communion prayer of the day.
A large statue of Saint Peter in the portico of Saint Peter and Saint Paul Church, Singapore (Photograph: Patrick Comerford, 2024)
Mark 8: 27-33 (NRSVA):
27 Jesus went on with his disciples to the villages of Caesarea Philippi; and on the way he asked his disciples, ‘Who do people say that I am?’ 28 And they answered him, ‘John the Baptist; and others, Elijah; and still others, one of the prophets.’ 29 He asked them, ‘But who do you say that I am?’ Peter answered him, ‘You are the Messiah.’ 30 And he sternly ordered them not to tell anyone about him.
31 Then he began to teach them that the Son of Man must undergo great suffering, and be rejected by the elders, the chief priests, and the scribes, and be killed, and after three days rise again. 32 He said all this quite openly. And Peter took him aside and began to rebuke him. 33 But turning and looking at his disciples, he rebuked Peter and said, ‘Get behind me, Satan! For you are setting your mind not on divine things but on human things.’
The large bronze statue of Saint Peter in the Church of Mary Immaculate, Inchicore, Dublin (Photograph: Patrick Comerford)
Today’s Reflection:
Today’s Gospel reading (Mark 8: 27-33) is set on the road between Bethsaida and the villages of Caesarea Philippi, in today’s Golan Heights.
We read yesterday Saint Mark’s story of an unnamed blind man who is healed gradually at Bethsaida (Mark 8: 22-26), but is warned against going ‘even … into the village.’ In today’s reading, after Simon Peter’s confession of faith, You are the Messiah’, the disciples are warned sternly not to tell anyone about is said. When Simon Peter then challenges Jesus’ teaching, he is rebuked sternly and told, ‘Get behind me, Satan! For you are setting your mind not on divine things but on human things.’
Saint Peter is so like me. He trips and stumbles constantly. He often gets it wrong, even later on in life. He gives the wrong answers, he comes up with silly ideas, he easily stumbles on the pebbles and stones that are strewn across the pathway of life. But eventually, it is not his own judgment, his own failing judgment, that marks Peter out as someone special. It is his faith, his rock solid faith.
What did Peter believe in?
What did Peter not believe in?
After this experience, Peter must have thought again about what he needed to speak out about and needed to reexamine his beliefs once again.
It is one month today since the inauguration of Donald Trump as President of the United States in Washington on 20 January 2025. Since then, many of us, I am sure, have had to reexamine our beliefs, our commitments, and to ask once again when we need to speak out and what we need to strength to speak out.
At the Founder’s Day Eucharist with USPG and SPCK in Saint James’s Church, Piccadilly, earlier this week, we used this Affirmation of Faith, adapted from a church in Indonesia:
All: I believe in God, who is love and who has given the earth to all people.
I believe in Jesus Christ, who came to heal us, and to free us from all forms of oppression.
I believe in the Spirit of God, who works in and through all who are turned towards truth.
I believe in the community of faith, which is called to be at the service of all people.
I believe in God’s promise to finally destroy the power of sin in us all, and to establish the kingdom of justice and peace for all humankind.
People to the Leader’s Right: I do not believe in the right of the strongest, nor the force of arms, or the power of oppression.
People to the Leader’s Left: I believe in the rights of the weak, in the solidarity of all people, in the power of non-violence.
People to the Leader’s Right: I do not believe in racism, sexism or casteism, in the power that comes from wealth and privilege, or in any established order that enslaves.
People to the Leader’s Left: I believe that all of God’s children are equally human, that order based on violence and injustice is not order.
People to the Leader’s Right: I do not believe that war and hunger are inevitable and peace unattainable.
People to the Leader’s Left: I believe in the beauty of simplicity, in love with open hands, in peace on earth.
All: I do not believe that suffering need be in vain, that death is end, that the disfigurement of the world is what God intended. But I dare to believe, always and in spite of everything, in God’s power to transform and transfigure, fulfilling the promise of a new heaven and a new earth where justice and peace will flourish. Amen.
Despite all his human failings, despite his often-tactless behaviour, despite all his weaknesses, despite all the denials, Peter is able to say who Christ is for him. He has a simple but rock-solid faith, summarised in that simple, direct statement: ‘You are the Messiah, the Son of the living God’. It does not matter that Saint Peter was capable of some dreadful gaffes and misjudgements. I am like that too … constantly. But Christ calls us in our weaknesses. And in our weaknesses, he finds our strengths.
The keys of Saint Peter displayed at the gates of Saint Peter Mancroft Church, Norwich (Photograph: Patrick Comerford, 2024)
Today’s Prayers (Thursday 20 February 2025):
The theme this week in ‘Pray With the World Church’, the Prayer Diary of the Anglican mission agency USPG (United Society Partners in the Gospel), is ‘The Struggle for Indigenous Land Rights in Brazil.’ This theme was introduced on Sunday with a Programme Update by the Revd Dr Rodrigo Espiúca dos Anjos Siqueira, Coordinator of the Department of Advocacy, Human, Environmental and Territorial Rights of the Anglican Diocese of Brasília. Pastor of Espírito Santo Parish, Novo Gama, Goiás.
The USPG Prayer Diary today (Thursday 20 February 2025, World Day of Social Justice) invites us to pray:
We pray that churches, faith communities and religious organisations will discover their role in eliminating injustice and defending the rights of the most vulnerable.
The Collect:
Almighty God,
who alone can bring order
to the unruly wills and passions of sinful humanity:
give your people grace
so to love what you command
and to desire what you promise,
that, among the many changes of this world,
our hearts may surely there be fixed
where true joys are to be found;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
The Post-Communion Prayer:
Merciful Father,
who gave Jesus Christ to be for us the bread of life,
that those who come to him should never hunger:
draw us to the Lord in faith and love,
that we may eat and drink with him
at his table in the kingdom,
where he is alive and reigns, now and for ever.
Additional Collect:
Eternal God,
whose Son went among the crowds
and brought healing with his touch:
help us to show his love,
in your Church as we gather together,
and by our lives as they are transformed
into the image of Christ our Lord.
Yesterday’s Reflection
Continued Tomorrow
‘Brasil! Brasil! The Birth of Modernism’ is the current exhibition at the Royal Academy of Arts in Piccadilly … the USPG prayer diary this week focusses on the struggle for Indigenous land rights in Brazil (Photograph: Patrick Comerford, 2025)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
Patrick Comerford
We are in Ordinary Time in the Church Calendar. Ash Wednesday and the beginning of Lent are now less than two weeks away (5 March 2025).
Before this day begins, I am taking some quiet time this morning to give thanks, to reflect, to pray and to read in these ways:
1, today’s Gospel reading;
2, a short reflection;
3, a prayer from the USPG prayer diary;
4, the Collects and Post-Communion prayer of the day.
A large statue of Saint Peter in the portico of Saint Peter and Saint Paul Church, Singapore (Photograph: Patrick Comerford, 2024)
Mark 8: 27-33 (NRSVA):
27 Jesus went on with his disciples to the villages of Caesarea Philippi; and on the way he asked his disciples, ‘Who do people say that I am?’ 28 And they answered him, ‘John the Baptist; and others, Elijah; and still others, one of the prophets.’ 29 He asked them, ‘But who do you say that I am?’ Peter answered him, ‘You are the Messiah.’ 30 And he sternly ordered them not to tell anyone about him.
31 Then he began to teach them that the Son of Man must undergo great suffering, and be rejected by the elders, the chief priests, and the scribes, and be killed, and after three days rise again. 32 He said all this quite openly. And Peter took him aside and began to rebuke him. 33 But turning and looking at his disciples, he rebuked Peter and said, ‘Get behind me, Satan! For you are setting your mind not on divine things but on human things.’
The large bronze statue of Saint Peter in the Church of Mary Immaculate, Inchicore, Dublin (Photograph: Patrick Comerford)
Today’s Reflection:
Today’s Gospel reading (Mark 8: 27-33) is set on the road between Bethsaida and the villages of Caesarea Philippi, in today’s Golan Heights.
We read yesterday Saint Mark’s story of an unnamed blind man who is healed gradually at Bethsaida (Mark 8: 22-26), but is warned against going ‘even … into the village.’ In today’s reading, after Simon Peter’s confession of faith, You are the Messiah’, the disciples are warned sternly not to tell anyone about is said. When Simon Peter then challenges Jesus’ teaching, he is rebuked sternly and told, ‘Get behind me, Satan! For you are setting your mind not on divine things but on human things.’
Saint Peter is so like me. He trips and stumbles constantly. He often gets it wrong, even later on in life. He gives the wrong answers, he comes up with silly ideas, he easily stumbles on the pebbles and stones that are strewn across the pathway of life. But eventually, it is not his own judgment, his own failing judgment, that marks Peter out as someone special. It is his faith, his rock solid faith.
What did Peter believe in?
What did Peter not believe in?
After this experience, Peter must have thought again about what he needed to speak out about and needed to reexamine his beliefs once again.
It is one month today since the inauguration of Donald Trump as President of the United States in Washington on 20 January 2025. Since then, many of us, I am sure, have had to reexamine our beliefs, our commitments, and to ask once again when we need to speak out and what we need to strength to speak out.
At the Founder’s Day Eucharist with USPG and SPCK in Saint James’s Church, Piccadilly, earlier this week, we used this Affirmation of Faith, adapted from a church in Indonesia:
All: I believe in God, who is love and who has given the earth to all people.
I believe in Jesus Christ, who came to heal us, and to free us from all forms of oppression.
I believe in the Spirit of God, who works in and through all who are turned towards truth.
I believe in the community of faith, which is called to be at the service of all people.
I believe in God’s promise to finally destroy the power of sin in us all, and to establish the kingdom of justice and peace for all humankind.
People to the Leader’s Right: I do not believe in the right of the strongest, nor the force of arms, or the power of oppression.
People to the Leader’s Left: I believe in the rights of the weak, in the solidarity of all people, in the power of non-violence.
People to the Leader’s Right: I do not believe in racism, sexism or casteism, in the power that comes from wealth and privilege, or in any established order that enslaves.
People to the Leader’s Left: I believe that all of God’s children are equally human, that order based on violence and injustice is not order.
People to the Leader’s Right: I do not believe that war and hunger are inevitable and peace unattainable.
People to the Leader’s Left: I believe in the beauty of simplicity, in love with open hands, in peace on earth.
All: I do not believe that suffering need be in vain, that death is end, that the disfigurement of the world is what God intended. But I dare to believe, always and in spite of everything, in God’s power to transform and transfigure, fulfilling the promise of a new heaven and a new earth where justice and peace will flourish. Amen.
Despite all his human failings, despite his often-tactless behaviour, despite all his weaknesses, despite all the denials, Peter is able to say who Christ is for him. He has a simple but rock-solid faith, summarised in that simple, direct statement: ‘You are the Messiah, the Son of the living God’. It does not matter that Saint Peter was capable of some dreadful gaffes and misjudgements. I am like that too … constantly. But Christ calls us in our weaknesses. And in our weaknesses, he finds our strengths.
The keys of Saint Peter displayed at the gates of Saint Peter Mancroft Church, Norwich (Photograph: Patrick Comerford, 2024)
Today’s Prayers (Thursday 20 February 2025):
The theme this week in ‘Pray With the World Church’, the Prayer Diary of the Anglican mission agency USPG (United Society Partners in the Gospel), is ‘The Struggle for Indigenous Land Rights in Brazil.’ This theme was introduced on Sunday with a Programme Update by the Revd Dr Rodrigo Espiúca dos Anjos Siqueira, Coordinator of the Department of Advocacy, Human, Environmental and Territorial Rights of the Anglican Diocese of Brasília. Pastor of Espírito Santo Parish, Novo Gama, Goiás.
The USPG Prayer Diary today (Thursday 20 February 2025, World Day of Social Justice) invites us to pray:
We pray that churches, faith communities and religious organisations will discover their role in eliminating injustice and defending the rights of the most vulnerable.
The Collect:
Almighty God,
who alone can bring order
to the unruly wills and passions of sinful humanity:
give your people grace
so to love what you command
and to desire what you promise,
that, among the many changes of this world,
our hearts may surely there be fixed
where true joys are to be found;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
The Post-Communion Prayer:
Merciful Father,
who gave Jesus Christ to be for us the bread of life,
that those who come to him should never hunger:
draw us to the Lord in faith and love,
that we may eat and drink with him
at his table in the kingdom,
where he is alive and reigns, now and for ever.
Additional Collect:
Eternal God,
whose Son went among the crowds
and brought healing with his touch:
help us to show his love,
in your Church as we gather together,
and by our lives as they are transformed
into the image of Christ our Lord.
Yesterday’s Reflection
Continued Tomorrow
‘Brasil! Brasil! The Birth of Modernism’ is the current exhibition at the Royal Academy of Arts in Piccadilly … the USPG prayer diary this week focusses on the struggle for Indigenous land rights in Brazil (Photograph: Patrick Comerford, 2025)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
19 February 2021
Praying in Lent and Easter 2021:
3, Saint Brendan’s Cathedral, Clonfert
The great west door of Saint Brendan’s Cathedral, Clonfert, Co Galway, has been described as the ‘crowning achievement’ of the Hiberno-Romanesque style (Photograph: Patrick Comerford)
Patrick Comerford
During Lent and Easter this year, I am taking some time each morning to reflect in these ways:
1, a photograph of a church or place of worship that has been significant in my spiritual life;
2, the day’s Gospel reading;
3, a prayer from the prayer diary of the Anglican mission agency USPG (United Society, Partners in the Gospel).
This week, as Lent begins, I am offering photographs of the four cathedrals where I have been a chapter member. This morning’s photograph is of Saint Brendan’s Cathedral, Clonfert, Co Galway, where I have been the Precentor since my installation in the joint chapter of Limerick, Killaloe and Ardfert four years ago, on Sunday 19 March 2017.
Matthew 9: 14-15 (NRSVA):
14 Then the disciples of John came to him, saying, ‘Why do we and the Pharisees fast often, but your disciples do not fast?’ 15 And Jesus said to them, ‘The wedding-guests cannot mourn as long as the bridegroom is with them, can they? The days will come when the bridegroom is taken away from them, and then they will fast.’
Prayer in the USPG Prayer Diary:
The Prayer in the USPG Prayer Diary today (Friday 19 February 2021) invites us to pray:
Let us pray that during this season of prayer, fasting and giving, our world might experience a conversion of love for all.
Yesterday’s reflection
Continued tomorrow
The Precentor’s stall in the choir in Saint Brendan’s Cathedral, Clonfert, Co Galway (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
Patrick Comerford
During Lent and Easter this year, I am taking some time each morning to reflect in these ways:
1, a photograph of a church or place of worship that has been significant in my spiritual life;
2, the day’s Gospel reading;
3, a prayer from the prayer diary of the Anglican mission agency USPG (United Society, Partners in the Gospel).
This week, as Lent begins, I am offering photographs of the four cathedrals where I have been a chapter member. This morning’s photograph is of Saint Brendan’s Cathedral, Clonfert, Co Galway, where I have been the Precentor since my installation in the joint chapter of Limerick, Killaloe and Ardfert four years ago, on Sunday 19 March 2017.
Matthew 9: 14-15 (NRSVA):
14 Then the disciples of John came to him, saying, ‘Why do we and the Pharisees fast often, but your disciples do not fast?’ 15 And Jesus said to them, ‘The wedding-guests cannot mourn as long as the bridegroom is with them, can they? The days will come when the bridegroom is taken away from them, and then they will fast.’
Prayer in the USPG Prayer Diary:
The Prayer in the USPG Prayer Diary today (Friday 19 February 2021) invites us to pray:
Let us pray that during this season of prayer, fasting and giving, our world might experience a conversion of love for all.
Yesterday’s reflection
Continued tomorrow
The Precentor’s stall in the choir in Saint Brendan’s Cathedral, Clonfert, Co Galway (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
29 February 2020
A grave in Saint Mary’s
recalls Charles Graves,
scholarly Bishop of Limerick
The head of the Celtic Cross on the grave of Bishop Charles Graves shows the Lamb of God surrounded by symbols of the Four Evangelists (Photograph: Patrick Comerford, 2020)
Patrick Comerford
Leaving the south porch of Saint Mary’s Cathedral, Limerick, after a meeting earlier this week, the two most striking graves in the cathedral churchyard are those of the Bernal family and Bishop Charles Graves.
Charles Graves (1812-1899) was Bishop of Limerick from 1866 until he died in 1899. His memorial is the style of an Irish High Cross, a style made fashionable by the Celtic Revival.
The cross has an epitaph in three languages: Irish, Latin and English. The Irish-language version was written by Graves’s friend, Douglas Hyde, later the first President of Ireland; the Latin version was composed by RY Tyrrell, Registrar of Trinity College Dublin; and the English text was written by the bishop’s own son, the poet and musician Alfred Perceval Graves, father of the better-known poet Robert Graves.
As well as being a prominent bishop before and after the disestablishment of the Church of Ireland, Charles Graves was a mathematician and academic.
An image of Bishop Charles Graves on his grave at Saint Mary’s Cathedral, Limerick (Photograph: Patrick Comerford, 2020)
Charles Graves was born at 12 Fitzwilliam Square, Dublin, on 6 November 1812. His father, John Crosbie Graves (1776-1835), a barrister, Commissioner of Bankruptcy and the Chief Magistrate for Dublin, and a son of the Very Revd Thomas Ryder Graves, Dean of Ardfert (1785-1802), and Dean of Connor (1802-1811) and Rector of Rincurran, Cork (1811-1828).
The Graves family came from Yorkshire to Co Limerick in the mid-17th century, and Dean Thomas Graves was a younger brother of the Very Revd Richard Graves (1763-1829), Regius Professor of Greek at Trinity College Dublin and Dean of Ardagh.
His mother Helena Perceval (1786-1850) was a daughter and co-heiress of the Revd Charles Perceval (1751-1795) of Bruhenny, Co Cork, and a second cousin of Lady Frances Perceval (1748-1830) who married Lord Redesdale, Lord Chancellor of Ireland (1802-1806), so introducing a distant connection with the later prominent Mitford sisters.
His brothers included the jurist and mathematician John Graves, and the writer and priest the Revd Robert Perceval Graves.
Charles attended a private school near Bristol and entered Trinity College Dublin at the age of 16. At TCD, he was a Scholar in classics and graduated BA in mathematics in 1835. His later degrees were MA (1838), BD and DD (1851), as well as a DCL from Oxford University (1881).
He played cricket for Trinity and later in life spent much time boating and fly-fishing. The family hoped he would join the 18th (Royal Irish) Regiment of Foot under his uncle, Major-General James William Graves (1774-1845). Instead, he became a Fellow of Trinity College Dublin in 1836, and was ordained deacon in 1838 and priest the following year.
He went on to become Erasmus Smith’s Professor of Mathematics at TCD (1843-1862), and was President of the Royal Irish Academy (1861-1866). He was also secretary to the Brehon Law Commission and vice-chair of the Endowed Schools Commission.
He published Two Geometrical Memoirs on the General Properties of Cones of the Second Degree and on the Spherical Conics in 1841, a translation of Aperçu historique sur l'origine et le développement des méthodes en géométrie (1837) by Michel Chasles, but including many new results of his own.
Bishop Charles Graves is buried on the south side of Saint Mary’s Cathedral, Limerick (Photograph: Patrick Comerford, 2020)
Graves published over 30 mathematical papers, and continued to publish after he had left TCD. Most of his research was published in either the Proceedings or the Transactions of the Royal Irish Academy. In 1841, Graves published an original mathematical work and he embodied further discoveries in his lectures and in papers read before and published by the Royal Irish Academy.
He was a colleague of Sir William Rowan Hamilton and when Hamilton died Graves gave a presidential address that included an account both of Hamilton’s scientific labours and of his literary attainments.
Graves was interested in Irish antiquarian subjects. He discovered the key to the ancient Ogham script on stone monuments. He was elected a Fellow of the Royal Society (FRS) in 1880.
While he was still professor of mathematics at TCD, he became Dean of the Chapel Royal, Dublin Castle (1860-1864). He was then Dean of Saint Brendan’s Cathedral, Clonfert, Co Galway (1864-1866).
He was appointed Bishop of Limerick, Ardfert and Aghadoe on 28 April 1866. He was consecrated in the Chapel of Trinity College Dublin on 20 June 1866 by Archbishop Richard Chenevix Trench of Dublin, assisted by Bishop Robert Knox of Down, Connor and Dromore, and Bishop William Fitzgerald of Killaloe and Clonfert. He was enthroned in Saint Mary’s Cathedral, Limerick, on 4 July 1866.
As Bishop of Limerick, his official residence was at the Bishop’s Palace on Henry Street, Limerick. But since the 1850s he had leased Parknasilla House, 3 km from Sneem, Co Kerry, as a summer residence.
He was on the best of terms with his Roman Catholic counterpart in Limerick, Bishop Edward O’Dwyer. They shared Latin jokes with each other, discussed fine points of scholarship and it is said they did not take their religious differences too seriously.
Bishop O’Dwyer once joked at the size of Graves’s family of nine children. Graves retorted with the text about the blessedness of the man who has his quiver full of arrows; O’Dwyer replied, ‘The ancient Jewish quiver only held six.’
The inscription at the base of the cross is in English, Latin and Irish (Photograph: Patrick Comerford, 2020)
Charles Graves married Selina Cheyne, daughter of John Cheyne, on 15 September 1840. Their children included the poet Alfred Perceval Graves (1846-1931); Arnold Felix Graves (1847-1930), founder of Kevin Street Technical College, which went on to become Dublin Institute of Technology and now the Technological University Dublin; the writer and critic Charles Larcom Graves (1856-1944); the diplomat Sir Robert Wyndham Graves (1858-1934); and the writer Ida Margaret Graves Poore.
Their grandchildren included the poet and classicist Robert Graves (1895-1985), the journalist Philip Graves (1876-1953) who exposed the Protocols of the Elders of Zion as an antisemitic fraud; the journalist and travel writer Charles Patrick Graves (1899-1971); and Sir Cecil Graves (1892-1957), Director General of the BBC.
Bishop Graves bought out the lease of Parknasilla House in 1892, with a further 114 acres (0.46 sq km) of land that included some islands. He sold the house to Great Southern Hotels in 1894; the hotel opened in 1895, and is celebrating its 125th anniversary this year.
He died at Portobello House, Dublin, on 17 July 1899, and was buried in the churchyard on the south side of Saint Mary’s Cathedral, Limerick.
The Irish inscription, composed by Douglas Hyde, is partially obscured by a neighbouring gravestone (Photograph: Patrick Comerford, 2020)
The inscriptions at the base of the Celtic cross on his grave include:
In Loving Memory of Charles Graves, DD, DCL, FRS,
Born Nov 6 1812. Died July 17 1899
Qui pietate gravis doctrina spledidus almus
Vixerit externis commodus atque suis
Huic ipse cineres spirant opobalsama Laetas
Submittit flores funebris ipse rogus
Erected by his 7 surviving children, his 3 sons-in-law, his nephew and niece 1901
To God, his steadfast soul, his starry mind
To Science, a gracious heart to kid and kind
His living gave. Then let each fair bloom
Of Faith and Hope breathe balm around his tomb
After his death, his estate was valued at £48,901 equivalent to about €6 million today. But he had lived to an age that far exceeded that on which the commutation capital had been calculated, so that the General Synod of the Church of Ireland had to draw from its other funds to provide a large grant to help the Diocese of Limerick to maintain the income of the future bishop.
Bishop Charles Graves died in Dublin but was buried in Limerick (Photograph: Patrick Comerford, 2020)
Patrick Comerford
Leaving the south porch of Saint Mary’s Cathedral, Limerick, after a meeting earlier this week, the two most striking graves in the cathedral churchyard are those of the Bernal family and Bishop Charles Graves.
Charles Graves (1812-1899) was Bishop of Limerick from 1866 until he died in 1899. His memorial is the style of an Irish High Cross, a style made fashionable by the Celtic Revival.
The cross has an epitaph in three languages: Irish, Latin and English. The Irish-language version was written by Graves’s friend, Douglas Hyde, later the first President of Ireland; the Latin version was composed by RY Tyrrell, Registrar of Trinity College Dublin; and the English text was written by the bishop’s own son, the poet and musician Alfred Perceval Graves, father of the better-known poet Robert Graves.
As well as being a prominent bishop before and after the disestablishment of the Church of Ireland, Charles Graves was a mathematician and academic.
An image of Bishop Charles Graves on his grave at Saint Mary’s Cathedral, Limerick (Photograph: Patrick Comerford, 2020)
Charles Graves was born at 12 Fitzwilliam Square, Dublin, on 6 November 1812. His father, John Crosbie Graves (1776-1835), a barrister, Commissioner of Bankruptcy and the Chief Magistrate for Dublin, and a son of the Very Revd Thomas Ryder Graves, Dean of Ardfert (1785-1802), and Dean of Connor (1802-1811) and Rector of Rincurran, Cork (1811-1828).
The Graves family came from Yorkshire to Co Limerick in the mid-17th century, and Dean Thomas Graves was a younger brother of the Very Revd Richard Graves (1763-1829), Regius Professor of Greek at Trinity College Dublin and Dean of Ardagh.
His mother Helena Perceval (1786-1850) was a daughter and co-heiress of the Revd Charles Perceval (1751-1795) of Bruhenny, Co Cork, and a second cousin of Lady Frances Perceval (1748-1830) who married Lord Redesdale, Lord Chancellor of Ireland (1802-1806), so introducing a distant connection with the later prominent Mitford sisters.
His brothers included the jurist and mathematician John Graves, and the writer and priest the Revd Robert Perceval Graves.
Charles attended a private school near Bristol and entered Trinity College Dublin at the age of 16. At TCD, he was a Scholar in classics and graduated BA in mathematics in 1835. His later degrees were MA (1838), BD and DD (1851), as well as a DCL from Oxford University (1881).
He played cricket for Trinity and later in life spent much time boating and fly-fishing. The family hoped he would join the 18th (Royal Irish) Regiment of Foot under his uncle, Major-General James William Graves (1774-1845). Instead, he became a Fellow of Trinity College Dublin in 1836, and was ordained deacon in 1838 and priest the following year.
He went on to become Erasmus Smith’s Professor of Mathematics at TCD (1843-1862), and was President of the Royal Irish Academy (1861-1866). He was also secretary to the Brehon Law Commission and vice-chair of the Endowed Schools Commission.
He published Two Geometrical Memoirs on the General Properties of Cones of the Second Degree and on the Spherical Conics in 1841, a translation of Aperçu historique sur l'origine et le développement des méthodes en géométrie (1837) by Michel Chasles, but including many new results of his own.
Bishop Charles Graves is buried on the south side of Saint Mary’s Cathedral, Limerick (Photograph: Patrick Comerford, 2020)
Graves published over 30 mathematical papers, and continued to publish after he had left TCD. Most of his research was published in either the Proceedings or the Transactions of the Royal Irish Academy. In 1841, Graves published an original mathematical work and he embodied further discoveries in his lectures and in papers read before and published by the Royal Irish Academy.
He was a colleague of Sir William Rowan Hamilton and when Hamilton died Graves gave a presidential address that included an account both of Hamilton’s scientific labours and of his literary attainments.
Graves was interested in Irish antiquarian subjects. He discovered the key to the ancient Ogham script on stone monuments. He was elected a Fellow of the Royal Society (FRS) in 1880.
While he was still professor of mathematics at TCD, he became Dean of the Chapel Royal, Dublin Castle (1860-1864). He was then Dean of Saint Brendan’s Cathedral, Clonfert, Co Galway (1864-1866).
He was appointed Bishop of Limerick, Ardfert and Aghadoe on 28 April 1866. He was consecrated in the Chapel of Trinity College Dublin on 20 June 1866 by Archbishop Richard Chenevix Trench of Dublin, assisted by Bishop Robert Knox of Down, Connor and Dromore, and Bishop William Fitzgerald of Killaloe and Clonfert. He was enthroned in Saint Mary’s Cathedral, Limerick, on 4 July 1866.
As Bishop of Limerick, his official residence was at the Bishop’s Palace on Henry Street, Limerick. But since the 1850s he had leased Parknasilla House, 3 km from Sneem, Co Kerry, as a summer residence.
He was on the best of terms with his Roman Catholic counterpart in Limerick, Bishop Edward O’Dwyer. They shared Latin jokes with each other, discussed fine points of scholarship and it is said they did not take their religious differences too seriously.
Bishop O’Dwyer once joked at the size of Graves’s family of nine children. Graves retorted with the text about the blessedness of the man who has his quiver full of arrows; O’Dwyer replied, ‘The ancient Jewish quiver only held six.’
The inscription at the base of the cross is in English, Latin and Irish (Photograph: Patrick Comerford, 2020)
Charles Graves married Selina Cheyne, daughter of John Cheyne, on 15 September 1840. Their children included the poet Alfred Perceval Graves (1846-1931); Arnold Felix Graves (1847-1930), founder of Kevin Street Technical College, which went on to become Dublin Institute of Technology and now the Technological University Dublin; the writer and critic Charles Larcom Graves (1856-1944); the diplomat Sir Robert Wyndham Graves (1858-1934); and the writer Ida Margaret Graves Poore.
Their grandchildren included the poet and classicist Robert Graves (1895-1985), the journalist Philip Graves (1876-1953) who exposed the Protocols of the Elders of Zion as an antisemitic fraud; the journalist and travel writer Charles Patrick Graves (1899-1971); and Sir Cecil Graves (1892-1957), Director General of the BBC.
Bishop Graves bought out the lease of Parknasilla House in 1892, with a further 114 acres (0.46 sq km) of land that included some islands. He sold the house to Great Southern Hotels in 1894; the hotel opened in 1895, and is celebrating its 125th anniversary this year.
He died at Portobello House, Dublin, on 17 July 1899, and was buried in the churchyard on the south side of Saint Mary’s Cathedral, Limerick.
The Irish inscription, composed by Douglas Hyde, is partially obscured by a neighbouring gravestone (Photograph: Patrick Comerford, 2020)
The inscriptions at the base of the Celtic cross on his grave include:
In Loving Memory of Charles Graves, DD, DCL, FRS,
Born Nov 6 1812. Died July 17 1899
Qui pietate gravis doctrina spledidus almus
Vixerit externis commodus atque suis
Huic ipse cineres spirant opobalsama Laetas
Submittit flores funebris ipse rogus
Erected by his 7 surviving children, his 3 sons-in-law, his nephew and niece 1901
To God, his steadfast soul, his starry mind
To Science, a gracious heart to kid and kind
His living gave. Then let each fair bloom
Of Faith and Hope breathe balm around his tomb
After his death, his estate was valued at £48,901 equivalent to about €6 million today. But he had lived to an age that far exceeded that on which the commutation capital had been calculated, so that the General Synod of the Church of Ireland had to draw from its other funds to provide a large grant to help the Diocese of Limerick to maintain the income of the future bishop.
Bishop Charles Graves died in Dublin but was buried in Limerick (Photograph: Patrick Comerford, 2020)
14 November 2018
The traditional role of the
Precentor in the chapter
of an Anglican cathedral
By the banks of the River Shannon in Killaloe, Co Clare, before a chapter meeting in Saint Flannan’s Cathedral (Photograph: Patrick Comerford, 2018; click on images for full-screen views)
Patrick Comerford
I spent much of yesterday in Killaloe, Co Clare, taking part in meetings of the joint chapter of the three cathedrals in this diocese: Saint Mary’s Cathedral, Limerick, Saint Flannan’s Cathedral, Killaloe, and Saint Brendan’s Cathedral, Clonfert, Co Galway.
I am the Precentor in the joint chapter, and as such also the Prebendary of Ballycahane. As Precentor, I was asked by the Dean of Limerick and the Dean of Killaloe to present this short paper on the traditional role of a Precentor in the chapters of Anglican cathedrals:
The traditional role of the Precentor in
the chapter of an Anglican cathedral
Patrick Comerford
Most Anglican cathedrals have a precentor whose role is traditionally related to the organisation of liturgy and worship.
In many cathedrals of the Church of England and the Church of Ireland, the precentor was traditionally a residentiary canon or prebendary, and was often assisted by a succentor, particularly in the daily task of leading choral singing.
The word precentor comes from the Latin praecentor, from praecinere, to sing before, lead in singing, or from the Latin preces cantor, the singer of the prayers.
There are different uses of the term precentor in other faith traditions. Jewish precentors, like cantors, are song or prayer leaders, leading synagogue music. In many churches in the Presbyterian churches tradition, where worship follows the tradition of singing a cappella, the precentor leads the singing, often by means of conducting techniques, but sometimes just by singing from within the congregation, and is not normally an ordained person.
In Church of England cathedrals of the ‘Old Foundation, the precentor is a member of the cathedral chapter and officially ranks next to the dean. His or her musical duties are often performed by the succentor, one of the vicars choral.
In cathedrals of the ‘New Foundation,’ the precentor is not a member of the chapter but is one of the minor canons. This includes Canterbury Cathedral and Westminster Abbey, where the Precentor is a minor canon, and therefore part of the Foundation, but not part of the Chapter.
Traditionally, the precentor’s stall in an Anglican cathedral is on the opposite side of the quire from that of the dean, leading to the traditional division of the singers into decani or the dean’s side, and cantoris, the precentor’s side.
In the Church of Ireland, the two cathedrals in Dublin, Saint Patrick’s Cathedral and Christ Church Cathedral, the precentors – Canon Peter Campion and Canon Roy Byrne – work well with the traditional understanding of the role of the precentor, and in the past Canon Bob Read was virtually a full-time residentiary precentor in Saint Patrick’s Cathedral.
But in other dioceses and cathedrals in the Church of Ireland, the Precentors often overlap with roles in their associated cathedrals, if only to effect a unified chapter. For example, in the neighbouring diocese of Cashel, Ferns and Ossory, the Precentor of Cashel is the Dean of Waterford, the Precentor of Waterford is the Dean of Lismore, the Precentor of Lismore is the Dean of Waterford, the Precentor of Ossory is the Dean of Ferns, the Precentor of Leighlin is the Dean of Ossory. Similarly, Precentor of Cork is the Dean of Cloyne; the Precentor of Kildare is the Dean of Clonmacnoise (Saint Patrick’s Cathedral, Trim).
A number of cathedral chapters in Ireland no longer have a precentor, including Cloyne, Derry, Killala, Kilmore, Raphoe, Ross, Sligo, Trim and Tuam.
In Lichfield Cathedral, Canon Andrew Stead is Canon Precentor and holds responsibility for the cathedral’s worship, music, and for the way in which the Cathedral seeks to build up its communities in faith, knowledge and understanding. The Chancellor’s roles are in education and outreach, and the Treasurer has oversight of property and fabric.
In Wells Cathedral, the Precentor is also the Prebendary of Whitchurch – just as in the Chapter of the three cathedral in this diocese the Precentor is also the Prebendary of Ballycahane. The Precentor’s role in Wells involves the oversight, planning and direction of the cathedral’s daily round of worship as well as the many special services throughout the year.
The Precentor also oversees the Music Foundation on behalf of the chapter, working closely with the Cathedral musicians, for whom he also has pastoral care.
In Durham Cathedral, where they are appointing a new precentor, the precentor attends monthly chapter meetings, informal meetings with senior colleagues three or four times a year to discuss wider strategy, and an annual 48-hour residential conference.
There are termly meetings of the Chorister School governing body, of which Chapter members are by statute ex officio members. The Canon Precentor chairs the Worship, Music Outreach, Diary and Corporate Safeguarding (Management) Committees, and is expected to attend the annual College of Canons meeting and sub-committees of the Chorister School.
As a residentiary canon, the Canon Precentor attends meetings of the Fabric Advisory Committee, and is eligible to sit on other cathedral and diocesan committees or bodies, such as the review of diocesan support for liturgy and the Diocesan Safeguarding Board.
Beyond the governance role as a member of chapter, the Canon Precentor is a key leader within the cathedral, taking an executive role in leading and managing Heads of Department.
The job description has said the new Canon Precentor is expected to:
• Lead on all aspects of liturgy and music, including the line management of the Precentorial Department, Master of the Choristers and Head Verger.
• Lead the Cathedral in achieving its strategic goals of developing both traditional and innovative forms of worship and extending its engagement through worship.
• Act as ‘Custos’ of the Chorister School, being the first point of contact for day-to-day liaison with the school community, line managing the Headmaster and offering pastoral care to staff and pupils.
• As Vice-Dean, elected annually by Chapter, act in all things in the absence of the Dean.
• Lead on parish Patronage and charitable giving; oversight of all groups supporting regular and special services.
• Develop areas of strategic leadership or involvement in ministerial formation.
The Canon Precentor carries out canon-in-residence duties in the daily offices for periods of a week or a fortnight at a time, up to 13 weeks a year. All residentiary canons share this responsibility, which the canon-in-residence leads, as well as preaching at Matins on the Sunday of his/her residence cover.
In case of need, the Dean and other canons are always ready to cover for one another.
The Canon Precentor is fully involved in the liturgical life of the cathedral, including regular Sunday celebrations, presiding at weekday Eucharists and preaching. The rotas are drawn up well in advance, and where possible external invitations, especially in the Diocese of Durham, are supported. Residentiary canons will normally attend the daily offices as part of their commitment to corporate worship.
The Precentor’s own robing area in Saint Flannan’s Cathedral, Killaloe, Co Clare (Photograph: Patrick Comerford, 2018)
This paper was prepared for a meeting in Saint Flannan’s Cathedral, Killaloe, of the joint chapter of Saint Mary’s Cathedral, Limerick, Saint Flannan’s Cathedral, Killaloe, and Saint Brendan’s Cathedral, Clonfert.
A window in the Chapter Room in Saint Flannan’s Cathedral, Killaloe, Co Clare (Photograph: Patrick Comerford, 2018)
Patrick Comerford
I spent much of yesterday in Killaloe, Co Clare, taking part in meetings of the joint chapter of the three cathedrals in this diocese: Saint Mary’s Cathedral, Limerick, Saint Flannan’s Cathedral, Killaloe, and Saint Brendan’s Cathedral, Clonfert, Co Galway.
I am the Precentor in the joint chapter, and as such also the Prebendary of Ballycahane. As Precentor, I was asked by the Dean of Limerick and the Dean of Killaloe to present this short paper on the traditional role of a Precentor in the chapters of Anglican cathedrals:
The traditional role of the Precentor in
the chapter of an Anglican cathedral
Patrick Comerford
Most Anglican cathedrals have a precentor whose role is traditionally related to the organisation of liturgy and worship.
In many cathedrals of the Church of England and the Church of Ireland, the precentor was traditionally a residentiary canon or prebendary, and was often assisted by a succentor, particularly in the daily task of leading choral singing.
The word precentor comes from the Latin praecentor, from praecinere, to sing before, lead in singing, or from the Latin preces cantor, the singer of the prayers.
There are different uses of the term precentor in other faith traditions. Jewish precentors, like cantors, are song or prayer leaders, leading synagogue music. In many churches in the Presbyterian churches tradition, where worship follows the tradition of singing a cappella, the precentor leads the singing, often by means of conducting techniques, but sometimes just by singing from within the congregation, and is not normally an ordained person.
In Church of England cathedrals of the ‘Old Foundation, the precentor is a member of the cathedral chapter and officially ranks next to the dean. His or her musical duties are often performed by the succentor, one of the vicars choral.
In cathedrals of the ‘New Foundation,’ the precentor is not a member of the chapter but is one of the minor canons. This includes Canterbury Cathedral and Westminster Abbey, where the Precentor is a minor canon, and therefore part of the Foundation, but not part of the Chapter.
Traditionally, the precentor’s stall in an Anglican cathedral is on the opposite side of the quire from that of the dean, leading to the traditional division of the singers into decani or the dean’s side, and cantoris, the precentor’s side.
In the Church of Ireland, the two cathedrals in Dublin, Saint Patrick’s Cathedral and Christ Church Cathedral, the precentors – Canon Peter Campion and Canon Roy Byrne – work well with the traditional understanding of the role of the precentor, and in the past Canon Bob Read was virtually a full-time residentiary precentor in Saint Patrick’s Cathedral.
But in other dioceses and cathedrals in the Church of Ireland, the Precentors often overlap with roles in their associated cathedrals, if only to effect a unified chapter. For example, in the neighbouring diocese of Cashel, Ferns and Ossory, the Precentor of Cashel is the Dean of Waterford, the Precentor of Waterford is the Dean of Lismore, the Precentor of Lismore is the Dean of Waterford, the Precentor of Ossory is the Dean of Ferns, the Precentor of Leighlin is the Dean of Ossory. Similarly, Precentor of Cork is the Dean of Cloyne; the Precentor of Kildare is the Dean of Clonmacnoise (Saint Patrick’s Cathedral, Trim).
A number of cathedral chapters in Ireland no longer have a precentor, including Cloyne, Derry, Killala, Kilmore, Raphoe, Ross, Sligo, Trim and Tuam.
In Lichfield Cathedral, Canon Andrew Stead is Canon Precentor and holds responsibility for the cathedral’s worship, music, and for the way in which the Cathedral seeks to build up its communities in faith, knowledge and understanding. The Chancellor’s roles are in education and outreach, and the Treasurer has oversight of property and fabric.
In Wells Cathedral, the Precentor is also the Prebendary of Whitchurch – just as in the Chapter of the three cathedral in this diocese the Precentor is also the Prebendary of Ballycahane. The Precentor’s role in Wells involves the oversight, planning and direction of the cathedral’s daily round of worship as well as the many special services throughout the year.
The Precentor also oversees the Music Foundation on behalf of the chapter, working closely with the Cathedral musicians, for whom he also has pastoral care.
In Durham Cathedral, where they are appointing a new precentor, the precentor attends monthly chapter meetings, informal meetings with senior colleagues three or four times a year to discuss wider strategy, and an annual 48-hour residential conference.
There are termly meetings of the Chorister School governing body, of which Chapter members are by statute ex officio members. The Canon Precentor chairs the Worship, Music Outreach, Diary and Corporate Safeguarding (Management) Committees, and is expected to attend the annual College of Canons meeting and sub-committees of the Chorister School.
As a residentiary canon, the Canon Precentor attends meetings of the Fabric Advisory Committee, and is eligible to sit on other cathedral and diocesan committees or bodies, such as the review of diocesan support for liturgy and the Diocesan Safeguarding Board.
Beyond the governance role as a member of chapter, the Canon Precentor is a key leader within the cathedral, taking an executive role in leading and managing Heads of Department.
The job description has said the new Canon Precentor is expected to:
• Lead on all aspects of liturgy and music, including the line management of the Precentorial Department, Master of the Choristers and Head Verger.
• Lead the Cathedral in achieving its strategic goals of developing both traditional and innovative forms of worship and extending its engagement through worship.
• Act as ‘Custos’ of the Chorister School, being the first point of contact for day-to-day liaison with the school community, line managing the Headmaster and offering pastoral care to staff and pupils.
• As Vice-Dean, elected annually by Chapter, act in all things in the absence of the Dean.
• Lead on parish Patronage and charitable giving; oversight of all groups supporting regular and special services.
• Develop areas of strategic leadership or involvement in ministerial formation.
The Canon Precentor carries out canon-in-residence duties in the daily offices for periods of a week or a fortnight at a time, up to 13 weeks a year. All residentiary canons share this responsibility, which the canon-in-residence leads, as well as preaching at Matins on the Sunday of his/her residence cover.
In case of need, the Dean and other canons are always ready to cover for one another.
The Canon Precentor is fully involved in the liturgical life of the cathedral, including regular Sunday celebrations, presiding at weekday Eucharists and preaching. The rotas are drawn up well in advance, and where possible external invitations, especially in the Diocese of Durham, are supported. Residentiary canons will normally attend the daily offices as part of their commitment to corporate worship.
The Precentor’s own robing area in Saint Flannan’s Cathedral, Killaloe, Co Clare (Photograph: Patrick Comerford, 2018)
This paper was prepared for a meeting in Saint Flannan’s Cathedral, Killaloe, of the joint chapter of Saint Mary’s Cathedral, Limerick, Saint Flannan’s Cathedral, Killaloe, and Saint Brendan’s Cathedral, Clonfert.
A window in the Chapter Room in Saint Flannan’s Cathedral, Killaloe, Co Clare (Photograph: Patrick Comerford, 2018)
Labels:
Cathedrals,
Clonfert Cathedral,
Co Clare,
Durham,
Durham Cathedral,
Killaloe,
Lichfield,
Lichfield Cathedral,
Liturgy,
Ministry,
River Shannon,
River walks,
Saint Mary’s Cathedral
11 November 2018
Three poems by war poets
for Remembrance Sunday
Wilting poppies in Comberford (Photograph: Patrick Comerford)
Patrick Comerford
Sunday 11 November 2018,
11 a.m., Remembrance Sunday,
Holy Trinity Church, Rathkeale, Co Limerick
May I speak to you in the name of God, + Father, Son and Holy Spirit, Amen.
Instead of preaching a sermon this morning, I thought it would be more appropriate to read three short poems by three war poets of World War I.
One was English-born but was posted to Limerick during World War I; the second was English-born but had strong family roots in these dioceses and regarded himself as Irish; and the third was an Irish Nationalist MP before he enlisted and died in the trenches in 1916.
1, ‘Aftermath’ by Siegfried Sassoon
The first poem, ‘Aftermath,’ was written by Siegfried Sassoon (1886-1967) in 1919, during the time of his demobilisation. He was born to a Jewish father and an Anglo-Catholic mother and was much-decorated in World War I. During the war, he was stationed for some time in Limerick, along with his close friend Robert Graves (1895-1985), a grandson of Charles Graves (1812-1899), Bishop of Limerick (1866-1899).
During this time in Limerick during the war, Siegfried Sassoon wrote about his impressions of the streets of Limerick, and of his time riding to hounds in west Limerick.
In the years immediately after World War I, his poem ‘Aftermath’ was often broadcast on Armistice Day. It is rich, haunting, and bursting with the enormities of war:
Have you forgotten yet?...
For the world’s events have rumbled on since those gagged days,
Like traffic checked while at the crossing of city-ways:
And the haunted gap in your mind has filled with thoughts that flow
Like clouds in the lit heaven of life; and you’re a man reprieved to go,
Taking your peaceful share of Time, with joy to spare.
But the past is just the same – and War’s a bloody game...
Have you forgotten yet?...
Look down, and swear by the slain of the War that you’ll never forget.
Do you remember the dark months you held the sector at Mametz –
The nights you watched and wired and dug and piled sandbags on parapets?
Do you remember the rats; and the stench
Of corpses rotting in front of the front-line trench –
And dawn coming, dirty-white, and chill with a hopeless rain?
Do you ever stop and ask, ‘Is it all going to happen again?’
Do you remember that hour of din before the attack –
And the anger, the blind compassion that seized and shook you then
As you peered at the doomed and haggard faces of your men?
Do you remember the stretcher-cases lurching back
With dying eyes and lolling heads – those ashen-grey
Masks of the lads who once were keen and kind and gay?
Have you forgotten yet?...
Look up, and swear by the green of the spring that you’ll never forget.
2, ‘Waste,’ by Geoffrey Studdert Kennedy
The Revd Geoffrey Anketell Studdert Kennedy, MC (1883-1929), was an Anglican priest and poet who was known as ‘Woodbine Willie’ during World War I because he gave away cigarettes along with spiritual and pastoral assistance to injured and dying soldiers.
His father, the Revd William Studdert Kennedy, Vicar of Saint Mary’s, Quarry Hill, in Leeds, was from Blackrock, Co Dublin, and was the Rector of Saint Doulagh’s in north Co Dublin for 14 years before moving to England. Woodbine Willie’s mother, Jeanette (née Anketell), was from Co Clare.
His grandfather, the Very Revd Robert Mitchell Kennedy (1798-1864), had preceded Bishop Graves as Dean of Saint Brendan’s Cathedral, Clonfert, Co Galway (1850-1864), and was also Precentor of Saint Patrick’s Cathedral, Dublin.
Woodbine Willie always saw himself as an Irishman, and he graduated in classics and divinity from Trinity College Dublin in 1904. At the outbreak of World War I, he volunteered as a chaplain on the Western Front. He was decorated with the Military Cross after he ran through shells into ‘no man’s land’ to obtain supplies of morphine.
His turning point came when he stopped talking to and started listened to the troops and their views on war, the monarchy and poverty. After his discharge in 1919, he spoke throughout Britain against war and calling for an end to unemployment and poverty, and he published several volumes of religious poetry and a collection of sermons.
His later poems and prose work express his Christian socialism and pacifism. He gave away his possessions and donated the large royalties from his poems to charity.
On one of his speaking tours on behalf of the Industrial Christian Fellowship, he died in Liverpool in 1929. He was exhausted although he was only 45. The Dean of Westminster Abbey refused him a burial because, he said, he was a socialist. But, still, poor people flocked to his funeral in Worcester.
Robert Graves, Siegfried Sassoon and Wilfred Owen were among 16 Great War poets commemorated on a slate stone unveiled in Poets’ Corner in Westminster Abbey on this day 33 years ago 11 November 1985 – but not ‘Woodbine Willie.’ Yet his close friend William Temple became Archbishop of Canterbury in 1942, and his writings have inspired many modern theologians, including Desmond Tutu and Jürgen Moltmann.
Towards the end of World War I, Woodbine Willie wrote his poem ‘Waste.’
Waste of Muscle, waste of Brain,
Waste of Patience, waste of Pain,
Waste of Manhood, waste of Health,
Waste of Beauty, waste of Wealth,
Waste of Blood and waste of Tears,
Waste of Youth's most precious years,
Waste of ways the Saints have trod,
Waste of Glory, waste of God –
War!
3, ‘To My Daughter Betty, the Gift of God,’ by Tom Kettle
Thomas Michael Kettle (1880-1916) was an economist, journalist, barrister, writer, poet, soldier and Home Rule politician. As a member of the Irish Parliamentary Party, Tom Kettle, was MP for East Tyrone (1906-1910).
His close friends included James Joyce, Francis Sheehy-Skeffington and Oliver St John Gogarty.
He joined the Irish Volunteers in 1913, and then enlisted in the army on the outbreak of World War I in 1914. He was killed in action on the Western Front in Autumn 1916.
Kettle’s best-known poem is a sonnet, ‘To My Daughter Betty, the Gift of God,’ written just days before his death. The last lines are an answer to those who criticised Irishmen for fighting in the army:
In wiser days, my darling rosebud, blown
To beauty proud as was your Mother’s prime.
In that desired, delayed, incredible time,
You’ll ask why I abandoned you, my own,
And the dear heart that was your baby throne,
To die with death. And oh! they’ll give you rhyme
And reason: some will call the thing sublime,
And some decry it in a knowing tone.
So here, while the mad guns curse overhead,
And tired men sigh with mud for couch and floor,
Know that we fools, now with the foolish dead,
Died not for flag, nor King, nor Emperor,
But for a dream, born in a a herdsman’s shed,
And for the secret Scripture of the poor.
And so, may all we think, say and do be to the praise, honour and glory of God, + Father, Son and Holy Spirit, Amen.
A prayer for peace in Westminster Abbey (Photograph: Patrick Comerford)
Patrick Comerford
Sunday 11 November 2018,
11 a.m., Remembrance Sunday,
Holy Trinity Church, Rathkeale, Co Limerick
May I speak to you in the name of God, + Father, Son and Holy Spirit, Amen.
Instead of preaching a sermon this morning, I thought it would be more appropriate to read three short poems by three war poets of World War I.
One was English-born but was posted to Limerick during World War I; the second was English-born but had strong family roots in these dioceses and regarded himself as Irish; and the third was an Irish Nationalist MP before he enlisted and died in the trenches in 1916.
1, ‘Aftermath’ by Siegfried Sassoon
The first poem, ‘Aftermath,’ was written by Siegfried Sassoon (1886-1967) in 1919, during the time of his demobilisation. He was born to a Jewish father and an Anglo-Catholic mother and was much-decorated in World War I. During the war, he was stationed for some time in Limerick, along with his close friend Robert Graves (1895-1985), a grandson of Charles Graves (1812-1899), Bishop of Limerick (1866-1899).
During this time in Limerick during the war, Siegfried Sassoon wrote about his impressions of the streets of Limerick, and of his time riding to hounds in west Limerick.
In the years immediately after World War I, his poem ‘Aftermath’ was often broadcast on Armistice Day. It is rich, haunting, and bursting with the enormities of war:
Have you forgotten yet?...
For the world’s events have rumbled on since those gagged days,
Like traffic checked while at the crossing of city-ways:
And the haunted gap in your mind has filled with thoughts that flow
Like clouds in the lit heaven of life; and you’re a man reprieved to go,
Taking your peaceful share of Time, with joy to spare.
But the past is just the same – and War’s a bloody game...
Have you forgotten yet?...
Look down, and swear by the slain of the War that you’ll never forget.
Do you remember the dark months you held the sector at Mametz –
The nights you watched and wired and dug and piled sandbags on parapets?
Do you remember the rats; and the stench
Of corpses rotting in front of the front-line trench –
And dawn coming, dirty-white, and chill with a hopeless rain?
Do you ever stop and ask, ‘Is it all going to happen again?’
Do you remember that hour of din before the attack –
And the anger, the blind compassion that seized and shook you then
As you peered at the doomed and haggard faces of your men?
Do you remember the stretcher-cases lurching back
With dying eyes and lolling heads – those ashen-grey
Masks of the lads who once were keen and kind and gay?
Have you forgotten yet?...
Look up, and swear by the green of the spring that you’ll never forget.
2, ‘Waste,’ by Geoffrey Studdert Kennedy
The Revd Geoffrey Anketell Studdert Kennedy, MC (1883-1929), was an Anglican priest and poet who was known as ‘Woodbine Willie’ during World War I because he gave away cigarettes along with spiritual and pastoral assistance to injured and dying soldiers.
His father, the Revd William Studdert Kennedy, Vicar of Saint Mary’s, Quarry Hill, in Leeds, was from Blackrock, Co Dublin, and was the Rector of Saint Doulagh’s in north Co Dublin for 14 years before moving to England. Woodbine Willie’s mother, Jeanette (née Anketell), was from Co Clare.
His grandfather, the Very Revd Robert Mitchell Kennedy (1798-1864), had preceded Bishop Graves as Dean of Saint Brendan’s Cathedral, Clonfert, Co Galway (1850-1864), and was also Precentor of Saint Patrick’s Cathedral, Dublin.
Woodbine Willie always saw himself as an Irishman, and he graduated in classics and divinity from Trinity College Dublin in 1904. At the outbreak of World War I, he volunteered as a chaplain on the Western Front. He was decorated with the Military Cross after he ran through shells into ‘no man’s land’ to obtain supplies of morphine.
His turning point came when he stopped talking to and started listened to the troops and their views on war, the monarchy and poverty. After his discharge in 1919, he spoke throughout Britain against war and calling for an end to unemployment and poverty, and he published several volumes of religious poetry and a collection of sermons.
His later poems and prose work express his Christian socialism and pacifism. He gave away his possessions and donated the large royalties from his poems to charity.
On one of his speaking tours on behalf of the Industrial Christian Fellowship, he died in Liverpool in 1929. He was exhausted although he was only 45. The Dean of Westminster Abbey refused him a burial because, he said, he was a socialist. But, still, poor people flocked to his funeral in Worcester.
Robert Graves, Siegfried Sassoon and Wilfred Owen were among 16 Great War poets commemorated on a slate stone unveiled in Poets’ Corner in Westminster Abbey on this day 33 years ago 11 November 1985 – but not ‘Woodbine Willie.’ Yet his close friend William Temple became Archbishop of Canterbury in 1942, and his writings have inspired many modern theologians, including Desmond Tutu and Jürgen Moltmann.
Towards the end of World War I, Woodbine Willie wrote his poem ‘Waste.’
Waste of Muscle, waste of Brain,
Waste of Patience, waste of Pain,
Waste of Manhood, waste of Health,
Waste of Beauty, waste of Wealth,
Waste of Blood and waste of Tears,
Waste of Youth's most precious years,
Waste of ways the Saints have trod,
Waste of Glory, waste of God –
War!
3, ‘To My Daughter Betty, the Gift of God,’ by Tom Kettle
Thomas Michael Kettle (1880-1916) was an economist, journalist, barrister, writer, poet, soldier and Home Rule politician. As a member of the Irish Parliamentary Party, Tom Kettle, was MP for East Tyrone (1906-1910).
His close friends included James Joyce, Francis Sheehy-Skeffington and Oliver St John Gogarty.
He joined the Irish Volunteers in 1913, and then enlisted in the army on the outbreak of World War I in 1914. He was killed in action on the Western Front in Autumn 1916.
Kettle’s best-known poem is a sonnet, ‘To My Daughter Betty, the Gift of God,’ written just days before his death. The last lines are an answer to those who criticised Irishmen for fighting in the army:
In wiser days, my darling rosebud, blown
To beauty proud as was your Mother’s prime.
In that desired, delayed, incredible time,
You’ll ask why I abandoned you, my own,
And the dear heart that was your baby throne,
To die with death. And oh! they’ll give you rhyme
And reason: some will call the thing sublime,
And some decry it in a knowing tone.
So here, while the mad guns curse overhead,
And tired men sigh with mud for couch and floor,
Know that we fools, now with the foolish dead,
Died not for flag, nor King, nor Emperor,
But for a dream, born in a a herdsman’s shed,
And for the secret Scripture of the poor.
And so, may all we think, say and do be to the praise, honour and glory of God, + Father, Son and Holy Spirit, Amen.
A prayer for peace in Westminster Abbey (Photograph: Patrick Comerford)
06 June 2018
Continuing Ministerial Education:
Visiting three cathedrals
The ‘field trip’ ended with a lively discussion in the churchyard at Saint Brendan’s Cathedral, Clonfert (Photograph: Patrick Comerford)
The following half-page news report and photographs are published in the current [July 2018] edition of ‘Newslink, the Diocesan Magazine in Limerick, Killaloe and Ardfert:
A large group of priests and readers visited the three cathedrals in the united dioceses as part of the diocesan programme of training and education in ministry. These three cathedrals function in a variety of ways, from city cathedral to parish church, to a church in a rural setting. Each has a unique story and historical dimension and attracts tourists for very different reasons.
The field trip began in Saint Mary’s Cathedral, Limerick, where Noreen Ellerker brought the group on a tour of the cathedral, which is celebrating its 850th anniversary. She introduced the history of the cathedral, from its foundation in 1168, to recent changes and innovations introduced by the Dean, the Very Revd Niall Sloane.
In Killaloe, Co Clare, the group was taken on a tour of Saint Flannan’s Cathedral by the Dean, the Very Revd Gary Paulsen, and climbed the cathedral tower for views of Saint Flannan’s Oratory and sweeping, breath-taking views of the River Shannon, before enjoying lunch in the town.
The field trip continued on by road to Saint Brendan’s Cathedral, Clonfert, Co Galway, with its unique Hiberno-Romanesque doorway and the grave of Saint Brendan. The visit concluded with a celebration of the Eucharist.
Later, Clonfert parishioners welcomed the visiting group with tea and coffee.
During the day, the participants crossed the Shannon many times, and travelled through all three provinces and many of the counties embraced by this diocese.
‘This was an interesting way to get to know and understand the different dimensions of cathedral life in our dioceses,’ said Canon Patrick Comerford, who organised the day. ‘The best way to learn history is to visit the very places where history was made and to experience it at first-hand. We saw sites associated with the early Celtic church and saints, the Viking invasions, and the Anglo-Norman and mediaeval churches, as well as seeing the changes made to these buildings as the needs and fashions of liturgy and worship changed over the centuries.’
The ‘field trip’ participants enjoy coffee with the parishioners of Saint Brendan’s Cathedral, Clonfert (Photograph: Patrick Comerford)
The following half-page news report and photographs are published in the current [July 2018] edition of ‘Newslink, the Diocesan Magazine in Limerick, Killaloe and Ardfert:
A large group of priests and readers visited the three cathedrals in the united dioceses as part of the diocesan programme of training and education in ministry. These three cathedrals function in a variety of ways, from city cathedral to parish church, to a church in a rural setting. Each has a unique story and historical dimension and attracts tourists for very different reasons.
The field trip began in Saint Mary’s Cathedral, Limerick, where Noreen Ellerker brought the group on a tour of the cathedral, which is celebrating its 850th anniversary. She introduced the history of the cathedral, from its foundation in 1168, to recent changes and innovations introduced by the Dean, the Very Revd Niall Sloane.
In Killaloe, Co Clare, the group was taken on a tour of Saint Flannan’s Cathedral by the Dean, the Very Revd Gary Paulsen, and climbed the cathedral tower for views of Saint Flannan’s Oratory and sweeping, breath-taking views of the River Shannon, before enjoying lunch in the town.
The field trip continued on by road to Saint Brendan’s Cathedral, Clonfert, Co Galway, with its unique Hiberno-Romanesque doorway and the grave of Saint Brendan. The visit concluded with a celebration of the Eucharist.
Later, Clonfert parishioners welcomed the visiting group with tea and coffee.
During the day, the participants crossed the Shannon many times, and travelled through all three provinces and many of the counties embraced by this diocese.
‘This was an interesting way to get to know and understand the different dimensions of cathedral life in our dioceses,’ said Canon Patrick Comerford, who organised the day. ‘The best way to learn history is to visit the very places where history was made and to experience it at first-hand. We saw sites associated with the early Celtic church and saints, the Viking invasions, and the Anglo-Norman and mediaeval churches, as well as seeing the changes made to these buildings as the needs and fashions of liturgy and worship changed over the centuries.’
The ‘field trip’ participants enjoy coffee with the parishioners of Saint Brendan’s Cathedral, Clonfert (Photograph: Patrick Comerford)
01 May 2018
Visiting Clonfert Cathedral
for the first time since
becoming Precentor
A detail in the great west doorway of Saint Brendan’s Cathedral, Clonfert, Co Galway (Photograph: Patrick Comerford, 2018)
Patrick Comerford
The Diocesan Training Programme for priests and readers in Limerick and Killaloe had a lively field trip yesterday [30 April 2018] to the three functioning cathedrals in the diocese.
We began in the morning in Saint Mary’s Cathedral, Limerick, moved on to Saint Flannan’s Cathedral, Killaloe, Co Clare, where we were shown around by the Dean of Killaloe, the Very Revd Gary Paulsen, before lunch, and finished at Saint Brendan’s Cathedral, Clonfert, Co Galway, where local parishioners welcomed us warmly and where I presided at our closing Eucharist.
It was a long day that no only took us to three cathedral, but also brought us through three provinces – Munster, Leinster and Connaught – and through five counties: Limerick, Clare, Tipperary, Offaly and Galway.
Although I have visited the cathedrals in Killaloe and Clonfert in the past, and have preached in Saint Flannan’s at an ordination in 1999 and again in 2016, this was my first time to visit both these cathedrals since I was installed as Precentor in the joint chapter of the three cathedrals on 19 February 2017, and my first opportunity to see the precentor’s stall in both Killaloe and Clonfert.
Saint Brendan’s Cathedral, Clonfert, was built in the 12th century at the site of an earlier 6th century monastic church said to have been founded by Saint Brendan.
The Diocese of Clonfert was definitively mapped out at the Synod of Rath Breasail in 1111, but the first stone cathedral on this site was not built for another half a century, ca 1167-1180.
The great west door of the cathedral has been described as the ‘crowning achievement’ of the Hiberno-Romanesque style (Photograph: Patrick Comerford, 2018)
The great west door of the cathedral has been described as the ‘crowning achievement’ of the Hiberno-Romanesque style in architecture and Irish Romanesque carving. It is a scheme depicting Christ in creation, with the Trinitarian theme of the pediment repeated in the triangles separating the human faces of the redeemed that project above animal heads, vegetable forms, animal-like inter-lacings, and the solid, mineral world.
The doorway consists of eight orders of jambs, all inclined inwards, surmounted first by seven orders of arches and then by a triangular pediment, bordered by carvings similar to rolled ropes or cables.
The rest of this doorway is an extraordinary mediaeval picture gallery. Above the apex of the pediment, two human heads protrude from the wall. In the pediment itself, ten more human heads – some bearded, some young and unshaven – appear between triangles with richly-carved ornamentations. Below this stage, more human heads are contained in the arches of a blind arcade immediately above the outermost order of the arch.
The orders of the arches display a variety of ornament, including flowers and beasts’ heads. The capitals are a veritable zoo of animal heads, including cats, horses, donkeys and dragons.
The innermost order is a replacement dating from the 15th century, and is a blue-grey limestone. Here, the carvings include an abbot, a bishop, a scroll of vine leaves and an angel.
Above the doorway, a pointed hood encloses triangles alternating with bizarre human heads. Below this, an arcade encloses more human heads. The supporting arches of the tower at the west end of the cathedral are also decorated with 15th century heads.
The chancel, altar and Romanesque windows in the chancel of Saint Brendan’s Cathedral, Clonfert (Photograph: Patrick Comerford, 2018)
I robed in the barrel-vaulted sacristy, off the north side of the chancel. This sacristy dates from the 15th century and has a fireplace as an unusual feature.
In the chancel, the early 13th century east windows are fine examples of late Romanesque windows. The stained-glass windows, depicting Saint Peter on the north and Saint Paul on the south, were donated by Thomas O’Connor in 1897 to celebrate Queen Victoria’s diamond jubilee.
The chancel arch was inserted in the 15th century, and is decorated with angels, a rosette and a mermaid holding a comb and mirror – perhaps a reference to the stories that grew up around Saint Brendan’s fabled voyages. The chancel floor is covered with encaustic tiles dating from 1870-1880.
A mermaid on the chancel arch in Saint Brendan’s Cathedral, Clonfert, Co Galway (Photograph: Patrick Comerford, 2018)
The cathedral had a Romanesque south transept, which is now in ruins, and a Gothic north transept, which has been removed.
The soft sandstone structure had weathered severely over the centuries. In 2000, Clonfert Cathedral was included in the 2000 World Monuments Watch by the World Monuments Fund. Because the cathedral has a small congregation and few parishioners with limited resources, outside support has been received from many organisations.
The bishop’s throne on the south side of the chancel dates from about 1850, and the altar, chapter stalls and pulpit date from around the same time, all beautifully carved in local oak.
The Precentor’s stall in the choir in Saint Brendan’s Cathedral, Clonfert, Co Galway (Photograph: Patrick Comerford, 2018)
The 16 stalls do not bear the titles of dignitaries or the names of prebendaries, but the Precentor’s stall is presumably the stall on the north side of the choir, opposite the dean’s stall.
Indeed, many reports in the 1830s and 1840s said repeatedly: ‘In the chapters of Tuam, Derry, Raphoe and Clonfert, there is neither precentor, chancellor, nor treasurer; in those of Elphin, Killalla and Achonry, there is neither chancellor nor treasurer; in those of Clogher and Emly, there is no treasurer; in those of Kildare and Waterford, the archdeacons are not members of the chapters.’
However, there is long list of Precentors of Clonfert, and one of my predecessors in this office was Robert Taylour (1689-1744), who built Ardgillan Castle, near Balbriggan, Co Dublin, in 1738.
Taylor was born in Cheshire, and studied at Trinity College, Dublin, before he was appointed Archdeacon of Kilmacduagh in 1714. He was appointed Precentor of Clonfert in 1722, while his brother-in-law, William Fitzgerald, was Bishop of Clonfert. Four years later , he was appointed Dean of Clonfert in 1726 succession to John Burdett.
Robert Taylor died unmarried in May 1744 and Ardgillan, together with its estate, passed to his eldest brother Sir Thomas Taylor (1686-1757), 2nd Baronet, of Headfort House, father of Thomas Taylor (1724-1795), 1st Earl of Bective.
The second earl became Marquess of Headfort and generations of the main branch of the Taylor or Taylour family continued to live at Headfort, Co Meath, and in Virginia, Co Cavan, while another branch of the family continued to live at Ardgillan Castle until 1962. The estate was sold in 1982 to Fingal County Council, which renovated the house, and it officially opened to the public in 1992.
Inside Saint Brendan’s Cathedral, Clonfert, Co Galway (Photograph: Patrick Comerford, 2018)
Patrick Comerford
The Diocesan Training Programme for priests and readers in Limerick and Killaloe had a lively field trip yesterday [30 April 2018] to the three functioning cathedrals in the diocese.
We began in the morning in Saint Mary’s Cathedral, Limerick, moved on to Saint Flannan’s Cathedral, Killaloe, Co Clare, where we were shown around by the Dean of Killaloe, the Very Revd Gary Paulsen, before lunch, and finished at Saint Brendan’s Cathedral, Clonfert, Co Galway, where local parishioners welcomed us warmly and where I presided at our closing Eucharist.
It was a long day that no only took us to three cathedral, but also brought us through three provinces – Munster, Leinster and Connaught – and through five counties: Limerick, Clare, Tipperary, Offaly and Galway.
Although I have visited the cathedrals in Killaloe and Clonfert in the past, and have preached in Saint Flannan’s at an ordination in 1999 and again in 2016, this was my first time to visit both these cathedrals since I was installed as Precentor in the joint chapter of the three cathedrals on 19 February 2017, and my first opportunity to see the precentor’s stall in both Killaloe and Clonfert.
Saint Brendan’s Cathedral, Clonfert, was built in the 12th century at the site of an earlier 6th century monastic church said to have been founded by Saint Brendan.
The Diocese of Clonfert was definitively mapped out at the Synod of Rath Breasail in 1111, but the first stone cathedral on this site was not built for another half a century, ca 1167-1180.
The great west door of the cathedral has been described as the ‘crowning achievement’ of the Hiberno-Romanesque style (Photograph: Patrick Comerford, 2018)
The great west door of the cathedral has been described as the ‘crowning achievement’ of the Hiberno-Romanesque style in architecture and Irish Romanesque carving. It is a scheme depicting Christ in creation, with the Trinitarian theme of the pediment repeated in the triangles separating the human faces of the redeemed that project above animal heads, vegetable forms, animal-like inter-lacings, and the solid, mineral world.
The doorway consists of eight orders of jambs, all inclined inwards, surmounted first by seven orders of arches and then by a triangular pediment, bordered by carvings similar to rolled ropes or cables.
The rest of this doorway is an extraordinary mediaeval picture gallery. Above the apex of the pediment, two human heads protrude from the wall. In the pediment itself, ten more human heads – some bearded, some young and unshaven – appear between triangles with richly-carved ornamentations. Below this stage, more human heads are contained in the arches of a blind arcade immediately above the outermost order of the arch.
The orders of the arches display a variety of ornament, including flowers and beasts’ heads. The capitals are a veritable zoo of animal heads, including cats, horses, donkeys and dragons.
The innermost order is a replacement dating from the 15th century, and is a blue-grey limestone. Here, the carvings include an abbot, a bishop, a scroll of vine leaves and an angel.
Above the doorway, a pointed hood encloses triangles alternating with bizarre human heads. Below this, an arcade encloses more human heads. The supporting arches of the tower at the west end of the cathedral are also decorated with 15th century heads.
The chancel, altar and Romanesque windows in the chancel of Saint Brendan’s Cathedral, Clonfert (Photograph: Patrick Comerford, 2018)
I robed in the barrel-vaulted sacristy, off the north side of the chancel. This sacristy dates from the 15th century and has a fireplace as an unusual feature.
In the chancel, the early 13th century east windows are fine examples of late Romanesque windows. The stained-glass windows, depicting Saint Peter on the north and Saint Paul on the south, were donated by Thomas O’Connor in 1897 to celebrate Queen Victoria’s diamond jubilee.
The chancel arch was inserted in the 15th century, and is decorated with angels, a rosette and a mermaid holding a comb and mirror – perhaps a reference to the stories that grew up around Saint Brendan’s fabled voyages. The chancel floor is covered with encaustic tiles dating from 1870-1880.
A mermaid on the chancel arch in Saint Brendan’s Cathedral, Clonfert, Co Galway (Photograph: Patrick Comerford, 2018)
The cathedral had a Romanesque south transept, which is now in ruins, and a Gothic north transept, which has been removed.
The soft sandstone structure had weathered severely over the centuries. In 2000, Clonfert Cathedral was included in the 2000 World Monuments Watch by the World Monuments Fund. Because the cathedral has a small congregation and few parishioners with limited resources, outside support has been received from many organisations.
The bishop’s throne on the south side of the chancel dates from about 1850, and the altar, chapter stalls and pulpit date from around the same time, all beautifully carved in local oak.
The Precentor’s stall in the choir in Saint Brendan’s Cathedral, Clonfert, Co Galway (Photograph: Patrick Comerford, 2018)
The 16 stalls do not bear the titles of dignitaries or the names of prebendaries, but the Precentor’s stall is presumably the stall on the north side of the choir, opposite the dean’s stall.
Indeed, many reports in the 1830s and 1840s said repeatedly: ‘In the chapters of Tuam, Derry, Raphoe and Clonfert, there is neither precentor, chancellor, nor treasurer; in those of Elphin, Killalla and Achonry, there is neither chancellor nor treasurer; in those of Clogher and Emly, there is no treasurer; in those of Kildare and Waterford, the archdeacons are not members of the chapters.’
However, there is long list of Precentors of Clonfert, and one of my predecessors in this office was Robert Taylour (1689-1744), who built Ardgillan Castle, near Balbriggan, Co Dublin, in 1738.
Taylor was born in Cheshire, and studied at Trinity College, Dublin, before he was appointed Archdeacon of Kilmacduagh in 1714. He was appointed Precentor of Clonfert in 1722, while his brother-in-law, William Fitzgerald, was Bishop of Clonfert. Four years later , he was appointed Dean of Clonfert in 1726 succession to John Burdett.
Robert Taylor died unmarried in May 1744 and Ardgillan, together with its estate, passed to his eldest brother Sir Thomas Taylor (1686-1757), 2nd Baronet, of Headfort House, father of Thomas Taylor (1724-1795), 1st Earl of Bective.
The second earl became Marquess of Headfort and generations of the main branch of the Taylor or Taylour family continued to live at Headfort, Co Meath, and in Virginia, Co Cavan, while another branch of the family continued to live at Ardgillan Castle until 1962. The estate was sold in 1982 to Fingal County Council, which renovated the house, and it officially opened to the public in 1992.
Inside Saint Brendan’s Cathedral, Clonfert, Co Galway (Photograph: Patrick Comerford, 2018)
05 August 2012
A tour of ancient church sites on the banks of the Shannon
Saint Brendan’s Cathedral, Clonfert ... so small and so remote it is hard to imagine this was the centre of a cathedral city (Photograph: Patrick Comerford, 2012)
Patrick Comerford
It was one of those summer days filled with sunshine – and there have been some of them this summer. I was staying in Athlone, and found the town was a good base for visiting some of the most Ireland’s earliest monastic sites on the both banks of the River Shannon.
In the course of that one summer’s day, I visited Saint Brendan’s Cathedral in Clonfert, the ruins of Portumna Priory and Clonmacnoise, where I was brought on a journey through Irish church history from the time of Saint Patrick through the arrival of the Anglo-Normans, the mediaeval changes and the Reformation to the Church of Ireland of today.
A small and remote cathedral
The West Doorway of Clonfert Cathedral is the greatest Hiberno-Romanesque masterpiece (Photograph: Patrick Comerford, 2012)
Saint Brendan’s Cathedral in Clonfert, south Co Galway, is one of four cathedrals still open in the United Dioceses of Limerick and Killaloe. Sunday services are only four or five times a year and the cathedral is so small and so remote, it is hard to imagine that this sleepy village was once a cathedral city.
Saint Brendan the Navigator, who is buried here, founded a monastery in Clonfert in 563. The monastery predates stories of the saint’s voyages, and Clonfert became one of the foremost monastic schools in Ireland and the inspiration for many great missionary ventures across Europe.
Saint Peter and Saint Paul ... Victorian glass in the early 13th century east windows (Photographs: Patrick Comerford, 2012)
The monastery was burned in 1016, 1164, and again in 1179, but in its heyday Clonfert may have had 3,000 monks. The centuries-old Yew Walk, with its cross-shaped paths, looks like church transept with a green ceiling. Local lore says the monks walked under the trees in silence, reading their daily office. However, the Diocese of Clonfert was not organised until 1111 and the diocesan boundaries were not fixed until 1152.
The first stone cathedral here was built around 1167 by Bishop Petrus Ua Mórda, and the earliest part of the cathedral dates from this period. The West Doorway is the crowning glory of the cathedral and the greatest masterpiece of Hiberno-Romanesque work, and the cathedral is listed in the 2000 World Monuments Watch.
The doorway has eight orders of jambs, surmounted by seven orders of arches and crowned by a triangular pediment bordered by carved ropes. The triangular pointed hoods and decorations form a unique mediaeval gallery with a truly fabulous variety of motifs, including human faces, bizarre beasts, formalised flowers and interlacing geometrical shapes, representing the way all creation points to the Trinity.
Inside, the early 13th century east windows in the chancel are among the best late Romanesque windows, filled with Victorian glass of a paired Saint Peter and Saint Paul, each decorated with strange swastika-shaped halos.
A mermaid, with a comb and mirror in the 15th century chancel arch (Photograph: Patrick Comerford, 2012)
The chancel arch, inserted in the 15th century, displays angels, a rosette and a mermaid holding a mirror and a comb. The supporting arches of the west tower are decorated with 15th century heads. The vestry at the north side of the cathedral also dates from the 15th century.
The cathedral also has a 15th century carved font and gravestones of great antiquity, one with a Celtic cross and a Latin inscription in Celtic lettering. At one time, there were two transepts, but the Gothic north transept has been demolished and the Romanesque south transept is now in ruins.
Impoverished diocese
Clonfert was such a remote, small and impoverished diocese that many mediaeval bishops refused to live there, and there were lengthy periods when it was without a bishop.
Robert, a Benedictine monk who became Bishop of Clonfert in 1296, was also a suffragan bishop in the Diocese of Canterbury. Robert Petit, a Franciscan friar who became bishop in 1320, was a suffragan bishop in Worcester and Exeter. Another Franciscan, Seán Ó hEidhin, was made Bishop of Clonfert twice, in 1438 and again in 1441, but was challenged by three rival claimants and probably never took office. Instead, he was a suffragan bishop in Worcester, London and Exeter, and when he died was a vicar in Essex.
The monastery survived until the 16th century. During the reign of Elizabeth I, there were proposals for a university in Clonfert, but the university went to Dublin instead.
Clonfert Palace was built in 1640 by Bishop Robert Dawson, and was home to the bishops until Christopher Butson died in 1836. When Clonfert and Kilmacduagh were united with Killaloe and Kilfernora, the palace was sold to the Trench family. The last tenant was the British fascist leader Sir Oswald Mosley. The palace was destroyed by fire in 1954, and the ruins are now covered in ivy, with trees growing in and around it.
Clonfert is part of a wider parish spread through three counties – Galway, Tipperary and Offaly – and three provinces – Connacht, Munster and Leinster. The Revd Alan Nevin is Rector and the other churches are in Eyrecourt, Portumna and Banagher.
A ruined priory
Portumna is on the northern shores of Lough Derg, where the Shannon divides Co Galway from Co Tipperary. (Photograph: Patrick Comerford, 2012)
Heading south, I stayed in the parish as I passed through Eyrecourt to Portumna on the northern shores of Lough Derg, where the Shannon divides Co Galway from Co Tipperary. The lawns to the south of Portumna Castle sweep down to the lake shores, with the ruins of Portumna Priory a few paces to the east.
The lawns to the south of Portumna Castle sweep down to the shores of Lough Derg (Photograph: Patrick Comerford, 2012)
The priory was built around 1254 by Cistercian monks from Dunbrody Abbey, Co Wexford, but became a Dominican priory around 1426 at the insistence of Pope Martin V.
The ruined priory in Portumna once served as the Church of Ireland parish church (Photograph: Patrick Comerford, 2012)
The priory was dissolved at the Reformation and passed to the Earls of Clanricarde, who built Portumna Castle. The priory was revived in 1640, and Patrick Sarsfield was married there in 1689. But the friars left again in 1712 and the priory church served the Church of Ireland parish until a new church was built at the castle gates in 1832.
The ruined cloisters in Portumna Priory (Photograph: Patrick Comerford, 2012)
The ruined priory is now a national monument. The church has fine windows in the east wall and south transept, an unusual west doorway surmounted by a window, and partially restored cloisters.
River-side monastery
Clonmacnoise, on the banks of the Shannon, stands at the crossroads of Ireland (Photograph: Patrick Comerford, 2012)
From Portumna, I crossed the Shannon and followed the road north through Banagher, along the east banks of the Shannon, to Clonmacnoise in Co Offaly. This ancient monastic site stands at the crossroads of Ireland where the main east-west road along the Esker Ridge crossed the river as it flowed from north to south through the Midlands.
Clonmacnoise was founded in 548 by Saint Ciarán and seven companions. He died of the yellow plague within a year later but Clonmacnoise grew and expanded, despite constant raids and attacks. The early wooden buildings gave way to stone structures and the population grew to 2,000 by the 11th century, making the monastery a major centre of learning and creativity.
The rich heritage of Clonmacnoise includes the Cathedral, several churches, high crosses and towers, and numerous carved mediaeval graves (Photograph: Patrick Comerford, 2012)
Clonmacnoise had links with both the Kings of Connacht and the Kings of Tara, and many of them are buried here. In the 12th century, Clonmacnoise became the seat of a diocese, but it was always overshadowed by the neighbouring, richer and more powerful Diocese of Meath.
In the late 12th century, as Athlone became the main trading town in the midlands and the pivotal crossing-point on the Shannon, the monastery fell into decline. The people living in the monastic city drifted north to Athlone and – apart from the ruined castle – none of the domestic buildings now survive.
The arrival of continental religious orders, including the Augustinians, Benedictines, Cistercians and Franciscans, hastened the decline of the monastery. It was finally laid in ruins by the English garrison in Athlone in 1522.
High crosses and round towers
The Cathedral is the largest church in Clonmacnoise (Photograph: Patrick Comerford, 2012)
The site has a rich heritage that includes the Cathedral, the Church of Ireland parish church, several other churches, high crosses, round towers, and numerous carved mediaeval grave slabs.
The Cathedral, the largest church, was built in 909 by Flann Sinna, King of Tara, and Abbot Colmán. The last High King, Rory O’Connor, was buried near the altar in 1198. The west doorway dates from 1200 and the Gothic-style north doorway or “Whispering Arch” was inserted by in the 1450s by Odo, Dean of Clonmacnoise. The carved images over the north door represent Saint Dominic, Saint Patrick and Saint Francis.
The Gothic-style north doorway or ‘Whispering Arch’ was inserted by in the cathedral by Odo, Dean of Clonmacnoise, in the 1450s (Photograph: Patrick Comerford, 2012)
Temple Melaghlin (1200) is also known as the King’s Church, and generations of Melaghlin Kings of Meath are buried here.
Temple Dowling and the South Cross ... of the three great high crosses at Clonmacnoise (Photograph: Patrick Comerford 2012)
Temple Dowling is a tiny tenth century church but is named after Edward Dowling, who renovated and extended it in 1689, placing a stone carving of his coat of arms above the door. Temple Hurpan, a 17th century annex, was once used for burials.
Temple Finghín, a 12th century Romanesque church ... the earliest example of a church and round tower in a single structure (Photograph: Patrick Comerford, 2012)
Temple Finghín is a 12th century Romanesque church with a round tower belfry, McCarthy’s Tower, where the nave and chancel meet – perhaps the earliest example of a church and round tower in a single structure. When the church was vandalised in 1864, the Royal Society of Antiquaries of Ireland initiated a landmark prosecution and later repaired the cap of the tower.
Temple Connor, or Saint Kieran’s Church, dating from the early 13th century, has been the Church of Ireland parish church since the 18th century (Photograph: Patrick Comerford, 2012)
Temple Connor, or Saint Kieran’s Church, dating from the early 13th century, has been the Church of Ireland parish church since the 18th century. Clonmacnoise is part of the Athlone union of parishes in the Diocese of Meath, and during the summer a service is held here at 4 p.m. each Sunday and on Saint Ciarán’s Day (9 September) and an annual open-air service takes place on the third Sunday in July.
Temple Ciarán, the smallest church, is traditionally the burial place of Saint Ciarán. But, while excavations unearthed the Clonmacnoise Crosier, no saintly remains were found. To the west, low-lying stones are all that remain of Temple Kelly.
The Round Tower was built as a free-standing belfry by Turlough O’Connor, King of Connacht, and Abbot Gilla Chroist O Malone in 1124. It was hit by lightning 11 years later, and has been rebuilt in stages in the centuries that followed.
The three main High Crosses on the site have been moved to the visitors’ centre and replicas now stand at their original locations.
The Cross of the Scriptures is one of Ireland’s finest surviving high crosses, and has panels with Biblical scenes, including the Crucifixion, Christ in the Tomb, and the Last Judgment. The shaft and base are all that survive of the North Cross, the oldest of the High Crosses. Its decorations, which have been compared with the Book of Kells, include people, animals and geometrical interlacing. The South Cross has a rough carving of the Crucifixion on its west face.
Clomacnoise has been a national monument since 1877, and the Church of Ireland handed it to the Government in 1955. For centuries, the title of Dean of Clonmacnoise has been held by the Rectors of Trim. But Clonmacnoise, with its churches, towers, high crosses, and castle ruins, all on the banks of the River Shannon, remains one of the most important and picturesque ecclesiastical sites in Ireland.
Canon Patrick Comerford is Lecturer in Anglicanism and Liturgy, the Church of Ireland Theological Institute, and a canon of Christ Church Cathedral, Dublin. This essay was first published in the Church Review (Dublin and Glendalough) in August 2012.
Patrick Comerford
It was one of those summer days filled with sunshine – and there have been some of them this summer. I was staying in Athlone, and found the town was a good base for visiting some of the most Ireland’s earliest monastic sites on the both banks of the River Shannon.
In the course of that one summer’s day, I visited Saint Brendan’s Cathedral in Clonfert, the ruins of Portumna Priory and Clonmacnoise, where I was brought on a journey through Irish church history from the time of Saint Patrick through the arrival of the Anglo-Normans, the mediaeval changes and the Reformation to the Church of Ireland of today.
A small and remote cathedral
The West Doorway of Clonfert Cathedral is the greatest Hiberno-Romanesque masterpiece (Photograph: Patrick Comerford, 2012)
Saint Brendan’s Cathedral in Clonfert, south Co Galway, is one of four cathedrals still open in the United Dioceses of Limerick and Killaloe. Sunday services are only four or five times a year and the cathedral is so small and so remote, it is hard to imagine that this sleepy village was once a cathedral city.
Saint Brendan the Navigator, who is buried here, founded a monastery in Clonfert in 563. The monastery predates stories of the saint’s voyages, and Clonfert became one of the foremost monastic schools in Ireland and the inspiration for many great missionary ventures across Europe.
Saint Peter and Saint Paul ... Victorian glass in the early 13th century east windows (Photographs: Patrick Comerford, 2012)
The monastery was burned in 1016, 1164, and again in 1179, but in its heyday Clonfert may have had 3,000 monks. The centuries-old Yew Walk, with its cross-shaped paths, looks like church transept with a green ceiling. Local lore says the monks walked under the trees in silence, reading their daily office. However, the Diocese of Clonfert was not organised until 1111 and the diocesan boundaries were not fixed until 1152.
The first stone cathedral here was built around 1167 by Bishop Petrus Ua Mórda, and the earliest part of the cathedral dates from this period. The West Doorway is the crowning glory of the cathedral and the greatest masterpiece of Hiberno-Romanesque work, and the cathedral is listed in the 2000 World Monuments Watch.
The doorway has eight orders of jambs, surmounted by seven orders of arches and crowned by a triangular pediment bordered by carved ropes. The triangular pointed hoods and decorations form a unique mediaeval gallery with a truly fabulous variety of motifs, including human faces, bizarre beasts, formalised flowers and interlacing geometrical shapes, representing the way all creation points to the Trinity.
Inside, the early 13th century east windows in the chancel are among the best late Romanesque windows, filled with Victorian glass of a paired Saint Peter and Saint Paul, each decorated with strange swastika-shaped halos.
A mermaid, with a comb and mirror in the 15th century chancel arch (Photograph: Patrick Comerford, 2012)
The chancel arch, inserted in the 15th century, displays angels, a rosette and a mermaid holding a mirror and a comb. The supporting arches of the west tower are decorated with 15th century heads. The vestry at the north side of the cathedral also dates from the 15th century.
The cathedral also has a 15th century carved font and gravestones of great antiquity, one with a Celtic cross and a Latin inscription in Celtic lettering. At one time, there were two transepts, but the Gothic north transept has been demolished and the Romanesque south transept is now in ruins.
Impoverished diocese
Clonfert was such a remote, small and impoverished diocese that many mediaeval bishops refused to live there, and there were lengthy periods when it was without a bishop.
Robert, a Benedictine monk who became Bishop of Clonfert in 1296, was also a suffragan bishop in the Diocese of Canterbury. Robert Petit, a Franciscan friar who became bishop in 1320, was a suffragan bishop in Worcester and Exeter. Another Franciscan, Seán Ó hEidhin, was made Bishop of Clonfert twice, in 1438 and again in 1441, but was challenged by three rival claimants and probably never took office. Instead, he was a suffragan bishop in Worcester, London and Exeter, and when he died was a vicar in Essex.
The monastery survived until the 16th century. During the reign of Elizabeth I, there were proposals for a university in Clonfert, but the university went to Dublin instead.
Clonfert Palace was built in 1640 by Bishop Robert Dawson, and was home to the bishops until Christopher Butson died in 1836. When Clonfert and Kilmacduagh were united with Killaloe and Kilfernora, the palace was sold to the Trench family. The last tenant was the British fascist leader Sir Oswald Mosley. The palace was destroyed by fire in 1954, and the ruins are now covered in ivy, with trees growing in and around it.
Clonfert is part of a wider parish spread through three counties – Galway, Tipperary and Offaly – and three provinces – Connacht, Munster and Leinster. The Revd Alan Nevin is Rector and the other churches are in Eyrecourt, Portumna and Banagher.
A ruined priory
Portumna is on the northern shores of Lough Derg, where the Shannon divides Co Galway from Co Tipperary. (Photograph: Patrick Comerford, 2012)
Heading south, I stayed in the parish as I passed through Eyrecourt to Portumna on the northern shores of Lough Derg, where the Shannon divides Co Galway from Co Tipperary. The lawns to the south of Portumna Castle sweep down to the lake shores, with the ruins of Portumna Priory a few paces to the east.
The lawns to the south of Portumna Castle sweep down to the shores of Lough Derg (Photograph: Patrick Comerford, 2012)
The priory was built around 1254 by Cistercian monks from Dunbrody Abbey, Co Wexford, but became a Dominican priory around 1426 at the insistence of Pope Martin V.
The ruined priory in Portumna once served as the Church of Ireland parish church (Photograph: Patrick Comerford, 2012)
The priory was dissolved at the Reformation and passed to the Earls of Clanricarde, who built Portumna Castle. The priory was revived in 1640, and Patrick Sarsfield was married there in 1689. But the friars left again in 1712 and the priory church served the Church of Ireland parish until a new church was built at the castle gates in 1832.
The ruined cloisters in Portumna Priory (Photograph: Patrick Comerford, 2012)
The ruined priory is now a national monument. The church has fine windows in the east wall and south transept, an unusual west doorway surmounted by a window, and partially restored cloisters.
River-side monastery
Clonmacnoise, on the banks of the Shannon, stands at the crossroads of Ireland (Photograph: Patrick Comerford, 2012)
From Portumna, I crossed the Shannon and followed the road north through Banagher, along the east banks of the Shannon, to Clonmacnoise in Co Offaly. This ancient monastic site stands at the crossroads of Ireland where the main east-west road along the Esker Ridge crossed the river as it flowed from north to south through the Midlands.
Clonmacnoise was founded in 548 by Saint Ciarán and seven companions. He died of the yellow plague within a year later but Clonmacnoise grew and expanded, despite constant raids and attacks. The early wooden buildings gave way to stone structures and the population grew to 2,000 by the 11th century, making the monastery a major centre of learning and creativity.
The rich heritage of Clonmacnoise includes the Cathedral, several churches, high crosses and towers, and numerous carved mediaeval graves (Photograph: Patrick Comerford, 2012)
Clonmacnoise had links with both the Kings of Connacht and the Kings of Tara, and many of them are buried here. In the 12th century, Clonmacnoise became the seat of a diocese, but it was always overshadowed by the neighbouring, richer and more powerful Diocese of Meath.
In the late 12th century, as Athlone became the main trading town in the midlands and the pivotal crossing-point on the Shannon, the monastery fell into decline. The people living in the monastic city drifted north to Athlone and – apart from the ruined castle – none of the domestic buildings now survive.
The arrival of continental religious orders, including the Augustinians, Benedictines, Cistercians and Franciscans, hastened the decline of the monastery. It was finally laid in ruins by the English garrison in Athlone in 1522.
High crosses and round towers
The Cathedral is the largest church in Clonmacnoise (Photograph: Patrick Comerford, 2012)
The site has a rich heritage that includes the Cathedral, the Church of Ireland parish church, several other churches, high crosses, round towers, and numerous carved mediaeval grave slabs.
The Cathedral, the largest church, was built in 909 by Flann Sinna, King of Tara, and Abbot Colmán. The last High King, Rory O’Connor, was buried near the altar in 1198. The west doorway dates from 1200 and the Gothic-style north doorway or “Whispering Arch” was inserted by in the 1450s by Odo, Dean of Clonmacnoise. The carved images over the north door represent Saint Dominic, Saint Patrick and Saint Francis.
The Gothic-style north doorway or ‘Whispering Arch’ was inserted by in the cathedral by Odo, Dean of Clonmacnoise, in the 1450s (Photograph: Patrick Comerford, 2012)
Temple Melaghlin (1200) is also known as the King’s Church, and generations of Melaghlin Kings of Meath are buried here.
Temple Dowling and the South Cross ... of the three great high crosses at Clonmacnoise (Photograph: Patrick Comerford 2012)
Temple Dowling is a tiny tenth century church but is named after Edward Dowling, who renovated and extended it in 1689, placing a stone carving of his coat of arms above the door. Temple Hurpan, a 17th century annex, was once used for burials.
Temple Finghín, a 12th century Romanesque church ... the earliest example of a church and round tower in a single structure (Photograph: Patrick Comerford, 2012)
Temple Finghín is a 12th century Romanesque church with a round tower belfry, McCarthy’s Tower, where the nave and chancel meet – perhaps the earliest example of a church and round tower in a single structure. When the church was vandalised in 1864, the Royal Society of Antiquaries of Ireland initiated a landmark prosecution and later repaired the cap of the tower.
Temple Connor, or Saint Kieran’s Church, dating from the early 13th century, has been the Church of Ireland parish church since the 18th century (Photograph: Patrick Comerford, 2012)
Temple Connor, or Saint Kieran’s Church, dating from the early 13th century, has been the Church of Ireland parish church since the 18th century. Clonmacnoise is part of the Athlone union of parishes in the Diocese of Meath, and during the summer a service is held here at 4 p.m. each Sunday and on Saint Ciarán’s Day (9 September) and an annual open-air service takes place on the third Sunday in July.
Temple Ciarán, the smallest church, is traditionally the burial place of Saint Ciarán. But, while excavations unearthed the Clonmacnoise Crosier, no saintly remains were found. To the west, low-lying stones are all that remain of Temple Kelly.
The Round Tower was built as a free-standing belfry by Turlough O’Connor, King of Connacht, and Abbot Gilla Chroist O Malone in 1124. It was hit by lightning 11 years later, and has been rebuilt in stages in the centuries that followed.
The three main High Crosses on the site have been moved to the visitors’ centre and replicas now stand at their original locations.
The Cross of the Scriptures is one of Ireland’s finest surviving high crosses, and has panels with Biblical scenes, including the Crucifixion, Christ in the Tomb, and the Last Judgment. The shaft and base are all that survive of the North Cross, the oldest of the High Crosses. Its decorations, which have been compared with the Book of Kells, include people, animals and geometrical interlacing. The South Cross has a rough carving of the Crucifixion on its west face.
Clomacnoise has been a national monument since 1877, and the Church of Ireland handed it to the Government in 1955. For centuries, the title of Dean of Clonmacnoise has been held by the Rectors of Trim. But Clonmacnoise, with its churches, towers, high crosses, and castle ruins, all on the banks of the River Shannon, remains one of the most important and picturesque ecclesiastical sites in Ireland.
Canon Patrick Comerford is Lecturer in Anglicanism and Liturgy, the Church of Ireland Theological Institute, and a canon of Christ Church Cathedral, Dublin. This essay was first published in the Church Review (Dublin and Glendalough) in August 2012.
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