17 November 2019
I have been staying at Markree Castle, near Collooney, Co Sligo, taking part in a family wedding in Sligo Cathedral.
Markree Castle is a small family-run hotel, owned by the Corscadden family who also own Cabra Castle Hotel, Co Cavan, Ballyseede Castle Hotel, Co Kerry, and Bellingham Castle, Co Louth.
The hymn-writer Cecil Frances Alexander (1818-1895) is said to have written the hymn All Things Bright and Beautiful while she was a guest of the Cooper family here in 1848.
But, in the midst of all that is beautiful, this may also be the coldest place in Ireland too. The temperature rose above 9°C this afternoon, but it had been hovering around 3°C here this weekend, and it has been even colder here in the past: Ireland’s lowest officially recognised air temperature, −19.1°C (−2.4°F), was recorded at Markree Castle on 16 January 1881.
During the 1830s, the observatory on the grounds of the castle had the largest refracting telescope in the world. What is known today as the asteroid 9 Metis was discovered in the 1840s by the staff at the Coopers family’s observatory.
The Royal Astronomical Society reported in 1851, ‘The Observatory of Mr Cooper of Markree Castle – undoubtedly the most richly furnished private observatory known – is worked with great activity by Mr Cooper himself and by his very able assistant, Mr Andrew Graham.’
Markree Castle, which is partially moated by the River Unshin, is the ancestral seat of the Cooper family. But before that, this was once a fortified castle that belonged to the McDonagh Clan, and it guarded the ford across the River Unsin.
The castle, as we see it today, dates from 1802 with exterior changes by the architect Francis Johnston. Some later changes, mainly to the interior, were made in in the late 1860s and in the 1890s.
Edward Cooper was a cornet or junior officer in a Cromwell’s army in a Cromwellian regiment of horse commanded by his cousin, Colonel Coote. Later, Cooper was allotted the 14th-century Markree Castle and the surrounding lands and moved in here in 1663.
Edward Cooper married Marie Rua O’Brien, widow of Conor O’Brien, who was killed at Limerick during the Cromwellian wars. Later they went to live with her two sons at Dromoland Castle, Co Clare. One son, Donough, inherited Dromoland Castle, while Edward Cooper’s son, Arthur Cooper, inherited Markree Castle.
During the Williamite wars at the end of the 17th century, the Cooper family fled Markree Castle while it was occupied by the army of James II. They returned to live at Markree Castle after William III’s victory at the Battle of the Boyne in 1690, and continued to live here until very recently.
Over the generations, the Coopers intermarried with other prominent local families, including the Cootes, Wynnes and Synges, and by the 1720s, Joshua Cooper (1694-1757) was one of the largest landowners in Co Sligo, with over 40,000 acres.
Edward Synge Cooper (1762-1830), MP for Sligo (1806-1830), married Ann, daughter of Henry Vansittart (1732-1770), Governor of Bengal. Their eldest son, Colonel Edward Joshua Cooper (1798-1863), MP for Sligo (1830-1841, 1857-1859), set up Markree Observatory in the castle grounds in 1830, and for a time Cooper’s telescope was the largest in the world.
The observatory remained active until the death of Colonel Edward Henry Cooper (1827-1902), MP for Sligo (1865-1868).
The castle was inherited by his son, Major Bryan Ricco Cooper (1884-1930), who was born in Simla in India. He was briefly a Unionist MP for South Country Dublin (1910), and was involved in the Gallipoli landings during World War I.
During the Irish Civil War in the 1920s, Markree Castle was again occupied briefly by the Irish Free State army.
Brian Cooper returned to live at Markree Castle, and was one of the few former Westminster MPs to be elected to Dáil Éireann. He was an Independent and later a Cumann na nGaedheal (Fine Gael) TD for South Country Dublin (1923-1930). He sold most of the 30,000-acre estate surrounding Markree Castle, but lived on at the castle with his family until he died in 1930.
After World War II, Markree Castle fell on hard times and stood empty and derelict for many years. It featured on the front cover of The Vanishing Country Houses of Ireland in 1988, illustrating the sad state of decay of many great houses at the time.
Charles Cooper transformed his ancestral castle into a hotel in 1989. The castle’s restoration was featured in a television documentary, and the renewed facilities included a hotel and restaurant.
Markree Castle was run as a hotel by Charles and Mary Cooper, the tenth generation of the family to live here. After four centuries, the castle finally changed hands in 2015 when it was sold for an undisclosed sum after being on the market with an asking price of €3.12 million. The hotel is now run by the Corscadden family.
The Markree Castle we see today was built in 1802 over the raised basement stone of the former Cooper family mansion known until then as Mercury, and contains parts of the earlier houses.
The castle is an imposing and impressive example of the Gothic Revival style. It is a 12-bay, three-storey country house, built in stone, with a raised basement. It was designed by Francis Johnston (1760-1825) ca 1802-1805 for Joshua Edward Cooper, incorporating parts of the earlier houses and tower houses on the site.
Francis Goodwin (1784-1835) designed the Gothic gate lodge in 1832.
The castle was extensively enlarged, remodelled and rebuilt from 1866 by the Edinburgh-born architect James Maitland Wardrop (1824-1884) for Colonel Edward Henry Cooper.
Wardrop’s additions in the late 1860s and early 1870s include the Gothic Revival porte-cochere, the battlemented and machicolated square tower with a two-storey, square profile oriel window, the chapel on the north front, and the two-storey, canted bay window on the west front. The ornamental doorway at the garden front was added in 1896.
The porte-cochére was a fashionable architectural statement at the time. In 1876, Lady Beaumont added one to Drishane Castle at Millstreet, Co Cork, where it is a fine example of theatrical architecture, and there are similar features at Farmeligh House in Dublin, Muckross House in Killarney, and Cahermoyle House in Co Limerick.
The main roof is hidden from view behind a battlemented parapet wall, dressed limestone diagonally-set, corbelled chimney stacks, cast-iron down pipes, and octagonal turrets.
The entrance contains a monumental staircase that leads to a wonderful hall, from where a second staircase in carved wood leads to the 30 guest rooms. A large stained glass window on the staircase fancifully traces the Cooper family tree from Victorian times back to the reign of King John.
Inside, the castle is opulently decorated in decorated in a florid, classical style, and the castle retains much of its original or early fabric, including fine-stained glass windows. The dining room, where we had dinner last night, is decorated in Louis Philippe-style stucco plasterwork.
The 300-acre estate surrounding the castle is home to an array of wild life including red squirrels, otters, and kingfishers.
The Tales from the Vienna Woods is a waltz by the composer Johann Strauss II (1825-1899), written just over a century and a half ago, in 1868. Although Strauss was baptised in the Roman Catholic Church, he was born into a prominent Jewish family. Because the Nazis had a particular penchant for Strauss’s music, they tried to conceal and even deny the Jewish identity of the Strauss family.
However, the stories of Vienna’s Jews cannot be hidden, and many of those stories from Vienna are told in the exhibits in the Jewish Museum in its two locations, at the Palais Eskeles on Dorotheergasse and in the Misrachi-Haus in Judenplatz.
Rather than describe both museums in detail in one or two blog postings, I have decided over the next few days or weeks to re-tell some of these stories, celebrating a culture and a community whose stories should never be forgotten.
Two portraits in an exhibition the Jewish Museum on Dorotheergasse tell the story of bankers and financiers and how they were mistreated by the Habsburg imperial court.
Samuel Oppenheimer (1630-1703) was a business genius who financed the Emperor’s war against the Ottoman Turks, amongst other things. Without his aid, the defence of Vienna in 1683 would not have been successful.
Although the Jews had been recently expelled from Vienna in 1670, the emperor permitted Oppenheimer to settle in city, together with his Gesinde, his followers, who included a number of Jewish families. He even received the privilege of building a mansion in the heart of Vienna.
Oats were one of his most important trading commodities. As the ‘fuel’ for horses, oats were of great importance to the army.
Oppenheimer was also a man of scholarship. Prince Eugene of Savoy secured for him a large number of valuable Hebrew manuscripts from Turkey, which became the nucleus of the David Oppenheim Library, now part of the Bodleian Library in Oxford.
The portrait in the exhibition shows Oppenheimer at the peak of his career, as an elegantly dressed Austrian nobleman.
When Oppenheimer died in 1703, the imperial court refused to pay its debt of 5 million guilders and simply declared Oppenheimer bankrupt. His entire assets were lost as a consequence. Later, his family were expelled from Vienna.
One of Oppenheimer's sons, Simon Wolf Oppenheimer, established a banking house in Hanover. Simon Wolff’s son, Jakob Wolf Oppenheimer continued the family banking house. It was there, from 1757 to 1763, that Mayer Amschel Rothschild apprenticed and learned the banking business that would become synonymous with that family name.
Oppenheimer’s descendants include the composer Felix Mendelssohn.
After Oppenheimer’s death, Samson Wertheimer (1658-1724) became the most important lender to the Habsburg court. Like Oppenheimer, he supported the poor, helped to build synagogues, and financed the printing of Hebrew scripts.
The portrait shows Wertheimer not only as a man of the world but as a pious scholar, with a parchment and a quill in his hands. He was the Chief Rabbi of Hungary and Moravia, and rabbi of Eisenstadt.
Jewish women of the time also carried out charitable activities in Vienna. For example, Miriam Sinzheim, a granddaughter of Samuel Oppenheimer, supported building a Jewish house of learning in Worms and donated the Torah scroll and ritual objects to it.
Other postings in this series:
1, the chief rabbi and a French artist’s ‘pogrom’
2, a ‘positively rabbinic’ portrait of an Anglican dean
3, portraits of two imperial court financiers
4, portrait of Sigmund Freud, founder of psychoanalysis
5, Lily Renée, from Holocaust Survivor to Escape Artist
6, Sir Moses Montefiore and a decorative Torah Mantle
7, Theodor Herzl and the cycle of contradictions
8, Simon Wiesenthal and the café in Mauthausen
9, Leonard Cohen and ‘The Spice-Box of Earth’
10, Ludwig Wittgenstein and his Jewish grandparents
11, Wolfgang Amadeus Mozart and his Jewish librettist
12, Salomon Mayer von Rothschild and the railways in Vienna
13, Gustav Mahler and the ‘thrice homeless’ Jew
14, Beethoven at 250 and his Jewish connections in Vienna
15, Martin Buber and the idea of the ‘I-Thou’ relationship
16, Three Holocaust survivors who lived in Northern Ireland.
17, Schubert’s setting of Psalm 92 for the synagogue.
18, Bert Linder and his campaign against the Swiss banks.
19, Adele Bloch-Bauer and Gustav Klimt’s ‘Lady in Gold’.
20, Max Perutz, Nobel laureate and ‘the godfather of molecular biology’.