18 September 2017
The blackberries are ripening in the fields in the glebe land behind and beside the Rectory in Askeaton.
Sunday afternoon [17 September 2017] was almost like a summer’s day, with warm, bright sunshine and blue skies. After two church services – in Saint Mary’s, Askeaton, and Saint Brendan’s, Kilnaughtin – two of us went picking blackberries in the warm autumn sunshine.
They are growing high on the other sides of the walls of the rectory garden, and many of them are now in full fruit, plump, juicy and ready for eating.
I was surprised earlier this summer when I was at High Leigh in Hoddesdon for the USPG conference, and noticed during my walks in the countryside that the blackberries were already ripening at that early stage on the laneways and by the roadside in East Anglia.
But as we were picking the blackberries yesterday, I was reminded of childhood days at this time of the year in the 1950s or the 1960s, picking blackberries in the laneways and narrow roads close to my grandmother’s farm outside Cappoquin, Co Waterford, and the childhood joys that stayed with me as an adult in more recent years picking blackberrries before Michaelmas and the end of the blackberry-picking season in Kilcoole or Greystones in Co Wicklow, or along Cross in Hand Lane in Lichfield.
I was reminded too of the poem ‘Blackberry-Picking’, written in the 1960s by the late Seamus Heaney for Philip Hobsbaum.
Blackberry-Picking, by Seamus Heaney
Late August, given heavy rain and sun
For a full week, the blackberries would ripen.
At first, just one, a glossy purple clot
Among others, red, green, hard as a knot.
You ate that first one and its flesh was sweet
Like thickened wine: summer’s blood was in it
Leaving stains upon the tongue and lust for
Picking. Then red ones inked up and that hunger
Sent us out with milk cans, pea tins, jam-pots
Where briars scratched and wet grass bleached our boots.
Round hayfields, cornfields and potato-drills
We trekked and picked until the cans were full,
Until the tinkling bottom had been covered
With green ones, and on top big dark blobs burned
Like a plate of eyes. Our hands were peppered
With thorn pricks, our palms sticky as Bluebeard’s.
We hoarded the fresh berries in the byre.
But when the bath was filled we found a fur,
A rat-grey fungus, glutting on our cache.
The juice was stinking too. Once off the bush
The fruit fermented, the sweet flesh would turn sour.
I always felt like crying. It wasn’t fair
That all the lovely canfuls smelt of rot.
Each year I hoped they’d keep, knew they would not.
Source: Death of a Naturalist (1966)
Last week I visited the Mount Vincent campus of Mary Immaculate College on O’Connell Avenue in Limerick. The expansion of the college on this campus gives Limerick’s oldest third-level institution a physical imprint that extends from the Dock Road to the main city thoroughfare.
The buildings at Mount Vincent, backing onto the MIC buildings on the South Circular Road, are the former Sisters of Mercy Mount Vincent convent complex, a landmark 19th century building in Limerick.
The new space, now named the John Henry Newman Campus, recalls the 19th century Tractarian and cardinal who was the author of the seminal The Idea of the University and who preached a mission in Saint Michael’s Church, Limerick, for establishing Mount Vincent as an orphanage run by the Sisters of Mercy.
Mount Vincent takes its name from the French Saint Vincent de Paul, but the site was known as Mount Kenneth before the convent was built here in 1851. The Sisters of Mercy were founded by Mother Catherine McAuley in 1831, and first came to Limerick in 1838, with the support of Bishop Ryan of Limerick. They flourished in the city and county, and had convents in Limerick, Newcastle West, Rathkeale and Adare.
The new convent, chapel and orphanage at Mount Vincent were designed for the Sisters of Mercy by John Neville (1813/1814-1889) in the Early English and Tudor styles.
At the time, Neville was also the county surveyor for Co Louth (1840-1886). He was born in in Co Limerick in 1813 or 1814, and seems to have been the son of John Neville, the architect who was employed by Sir Vere Hunt, in 1813-1814 to work at Curragh Chase, near Askeaton, Co.Limerick, and on the new town Hunt planned at New Birmingham, Co Tipperary.
The training and early career of the younger John Neville is not known. He was living in Clonmel, Co Tipperary, in 1836 but seems to have returned to Limerick and worked on the Shannon navigation in 1836-1838 and as a road contractor in 1838-1840.
He was appointed county surveyor for Co Louth in 1840, and he remained in office for 46 years. He was also the borough surveyor for Drogheda (1852-1869) and Dundalk (1861-1871), and engineer-in-chief to Dundalk Harbour Commissioners (1864-1886).
Although Neville was a Roman Catholic, he was also a prominent Freemason. In 1849, he married Constance Cox, a daughter of John Cox, of Bruree, Co Limerick, a member of the Church of Ireland, in Bruree Parish Church.
Neville also ran his own private practice, and his pupils and assistants included William Sidney Cox, James Gaskin and Eugene O’Brien McSwiney. His other works included the O’Connell Monument in Ennis, Co Clare, the Convents of Mercy in Limerick, Ardee, Dundalk and Roscommon, and the Loreto convent in Omagh.
A year after the Mercy sisters moved into his convent at Mount Vincent, Neville was seriously injured in a railway accident near Straffan, Co Kildare, in 1853, when 16 people were killed and many more were injured. He was the subject of strong criticism in the Dundalk Democrat in 1881 when he evicted tenants from land he held in Crossmaglen, Co Armagh.
Neville resigned as Louth county surveyor in 1886 because of ill-health and went to live with his eldest son, Dr William Neville, a gynaecologist, at 71 Lower Baggot Street, Dublin. He died there on 10 June 1889 aged 76. His two daughters, Barbara and Mary, both became nuns.
Neville’s convent is the principal building within the complex at Mount Vincent. The convent and former female orphanage buildings are typical of the institutional architecture of the mid-19th century, with Gothic Revival flourishes to suggest their religious use, without distracting from the serious purpose of the composition.
The foundation stone of the convent was laid on 5 July 1851, and the Sisters of Mercy had moved in by November 1852. The building contractors were Duggan and McLean and the total cost was estimated at about £6,000.
The convent building itself is a nine-bay, three-storey over basement limestone building, with two-bay three-storey gabled breakfront end bays, and a centrally-placed entrance porch with cruciform finial to apex.
The former female orphan school is 17-bay three-storey over basement building linked to the convent by a six-stage square-plan campanile, and distinguished by a gabled entrance breakfront.
Look out for the gabled front door porch with angle corner buttresses and a cruciform recess to the gable with profiled limestone coping surmounted by a cruciform finial. There are Tudor-arched door openings, Gothic paned lights, Gothicised timber doors and panels, trefoil-arched panels, timber ceilings, timber door architraves, marble chimney-pieces, timber staircases with Gothicised tread ends, and encaustic tiles.
The convent chapel was built in 1861. This is a four-bay double-height limestone chapel, built in the Gothic Revival style on a T-shaped plan, with transepts, a three-stage tower and an octagonal spire.
There are corner buttresses, corbelled eaves, pointed arch nave windows, Perpendicular Gothic limestone tracery at the nave side elevations, curvilinear tracery to the chancel and entrance elevation, encaustic tiles and leaded stained-glass windows. porch platform.
Although I did not get inside the chapel last week, I understand the decorative work includes male busts crowned with bishops’ mitres, plastered walls, a timber-framed choir gallery, a cast-iron spiral stairs, an exposed timber roof, Tudor-arched door openings, and marble reredos with a pinnacled tabernacle.
The convent chapel was completed by 1863, and the spire can be seen from afar contributing to the skyline of spires in Limerick. The convent and orphanage buildings now form the John Henry Newman Centre, and part of Mary Immaculate College (MIC).
A pathway leads from the John Henry Newman Campus at Mount Vincent to the main campus of Mary Immaculate College, between the South Circular Road and the Dock Road.
MIC was founded in 1898 by the Sisters of Mercy and the Bishop Edmund T O’Dwyer, and is the oldest third level-institution in Limerick. When the foundation stone was laid on 8 December 1898, the plan was to provide professional training for female teachers for Catholic national schools.
The architect was WH Byrne, who also designed the Church of the Holy Name on Beechwood Avenue in Ranelagh, Dublin. His son, Ralph Henry Byrne (1877-1946), designed the chapel at the Good Shepherd Convent and Magdalene laundry on Clare Street, Limerick, inspired, to a greater or lesser degree, by Baldassare Longhena’s plans for the octagonal Church of Santa Maria della Salute on the Grand Canal in Venice (1630).
Mary Immaculate College was built at an estimated cost of £18,501, and 75 young women were enrolled as trainee teachers in 1901. Today, this is a Catholic college of education and the liberal arts, offering programmes at undergraduate and postgraduates level to over 3,000 students.