13 August 2024

The Iveagh Gardens, one
of the best-kept secrets
in Dublin, and the challenge
to defend human rights

The Iveagh Gardens in Dublin were designed by Ninian Niven in a mixture of the ‘French Formal’ and the ‘English Landscape’ styles (Photograph: Patrick Comerford, 2024)

Patrick Comerford

Tucked away behind the south side of Saint Stephen’s Green and National Concert Hall on Earlsfort Terrace, the Iveagh Gardens are among the finest, but least known, of Dublin’s parks and gardens. I only got to know the gardens in recent years, and so it was a pleasure to have time to explore them with Charlotte when we were back in Dublin for a quick overnight visit at the end of last week.

The Iveagh Gardens claim to be Dublin’s best-kept secret. They were designed by Ninian Niven in 1865 as the grounds for the Dublin Exhibition Palace – a space ‘where the citizens might meet for the purposes of rational amusement blended with instruction’. But for too long, this open area close to Harcourt Street and Hatch Street was a private garden, owned at different times by the Guinness family, when they also owned Iveagh House, and then by University College Dublin, with its main building on Earlsfort Terrace, now the National Concert Hall.

The Iveagh Gardens are an oasis of tranquillity and beauty near the city centre, close to Saint Stephen’s Green and Grafton Street. They include cascades, rustic grottos, sunken lawns, fountains, woodlands, a maze, a rose garden, rockeries and archery grounds.

The Maze in the Iveagh Gardens is a miniature copy of the maze at Hampton Court in London (Photograph: Patrick Comerford, 2024)

The Iveagh Gardens is a national property, rather a municipal park, almost completely surrounded by buildings making the place a little difficult to find. I was staying on Harcourt Street on Friday night, opposite the former site of the High School, and entered the Iveagh Gardens from Upper Hatch Street and left at Clonmel Street.

The site was known as Leeson’s Fields in 1756, when it was owned by Joseph Leeson (1701-1783), 1st Earl of Milltown. He gives his name to Leeson Street and built Russborough House, near Blessington, Co Wicklow. Some years later, Lord Milltown leased the land to John Hatch (1720-1797), MP for Swords and the principal developer of Harcourt Street and Hatch Street in 1777-1784.

Hatch, who was an ancestor of the playwright John Millington Synge, sold the site to John Scott (1739-1798), 1st Earl of Clonmell, as his private gardens, and it became known as Clonmell Lawns. Scott was the Attorney General and then Lord Chief Justice of Ireland, and due to his heavy drinking he was known as ‘Copper-Faced Jack’ – remembered in the name of a night club in the area, Copper Face Jack’s.

He gave Clonmel Street its name and his subsidiary title of Lord Earlsfort gives Earlsfort Terrace its name. An underground passage brought Lord Clonmell Earl from his house on Harcourt Street to the gardens without him having to walk on Harcourt Street or Clonmel Street.

There was a plan to continue Clonmel Street through the site of the gardens, linking Harcourt Street to the newly-built Earlsfort Terrace. But this plan never materialised; nor was Lord Clonmell’s tunnel found during archaeological explorations when the Luas line was being built.

Lord Clonmell’s house on Harcourt Street later became the National Children’s Hospital, and is now modern offices. Meanwhile, when he died in 1798, his title and his properties, including Clonmell Gardens, were inherited by his 14-year-old son, Thomas Scott (1783-1838), as the 2nd Earl of Clonmell. The estate was sold in 1810 and when the gardens were opened for public use in 1817 they were named Coburg Gardens after the royal family of Saxe-Coburg.

The entrance to the Coburg Gardens was then from the south side of Saint Stephen’s Green, known as the Royal Horse Bazaar. Several Orangemen were badly injured during a major riot in the park in August 1835. The gardens had fallen into disrepair by 1860, when they were used for grazing sheep and dumping waste.

The Iveagh Gardens were acquired by the Guinness family in 1862 and opened to the public in 1992 (Photograph: Patrick Comerford, 2024)

Sir Benjamin Lee Guinness (1798-1868) acquired the 17-acre site when he co-founded the Dublin Exhibition Palace and Winter Garden Company in 1862 to provide a permanent exhibition of Irish arts and manufactures as well as public reading rooms, flower gardens, and a gas-lit winter garden, modelled on the Crystal Palace in London. He transferred the site to the company, and it was the venue for the Dublin Exhibition Palace and Winter Garden, officially opened by Prince Albert Edward, Prince of Wales, in 1865.

The Iveagh Gardens were designed by Ninian Niven in 1865, as an intermediate design between the ‘French Formal’ and the ‘English Landscape’ styles. A large sunken lawn near the Earlsfort Terrace entrance is one of only two purpose-built archery fields in Ireland. At its east end was a pond and boating tower, now inside the walls of Iveagh House. The cascade, or waterfall flows over an immense rockery, with rocks from each of the 32 counties. The maze is a miniature copy of the maze at Hampton Court in London.

The horticulturist and landscape gardener Ninian Niven (1799-1879) worked for most of his life in Ireland, but was born in Kelvingrove, Glasgow. He came to Ireland in 1827 as the head gardener of the grounds of the official residence of the Chief Secretary for Ireland in the Phoenix Park. Over the course of eight years, he developed his landscaping skills and remodelled the garden.

He became the curator of the Botanic Gardens, Glasnevin in 1834. Four years later, visitor numbers had risen from 7,000 a year to over 20,000, and he established the first horticultural training courses. In 1838, he established the Garden Farm nursery in Clonturk Lodge, Drumcondra.

Niven designed the gardens of many Irish country houses, influenced by his visit to France in the 1830s. In the Phoenix Park, he designed the gardens of the Viceregal Lodge, now Áras and Uachtaráin, the Chief Secretary’s Lodge, and the Under-Secretary’s Lodge, as well as the People’s Garden.

A large sunken lawn near the Earlsfort Terrace entrance is one of only two purpose-built archery fields in Ireland (Photograph: Patrick Comerford, 2024)

Sir Benjamin’s sons, Edward Cecil Guinness (1847-1927), later Lord Iveagh (1891), and Arthur Edward Guinness (1840-1915), later Lord Ardilaun (1880), bought back the Iveagh Gardens and the buildings in 1870. The site hosted an exhibition of Irish arts and manufactures in 1872. However, this was not a success, the Winter Gardens were sold and removed to England in 1882, and the gardens returned to private ownership and the Guinness family.

Lord Iveagh sold the buildings in 1883 to house the new Royal University of Ireland, but the Guinness family continued to own the gardens. The buildings were adapted after University College Dublin (UCD) was set up in 1908, and the present façade on Earlsfort Terrace was designed by the architect Rudolph Maximilian Butler and built in 1918.

When Éamon de Valera was both Taoiseach and chancellor of UCD, he began talks with Rupert Guinness, 2nd Earl of Iveagh, about the state acquiring Iveagh House at 80 Saint Stephen’s Green and the Iveagh Gardens. The request was turned down in 1937, but Lord Iveagh offered the house and gardens as a gift to the nation in 1939, insisting the Iveagh Gardens must not be built on and must remain a ‘lung’ for Dublin. His gift was accepted and Iveagh House became the Department of Foreign Affairs, while the Iveagh Gardens were re-united with UCD’s buildings on Earlsfort Terrace.

With growing student numbers, UCD had plans in 1961 to build on the Iveagh Gardens. Instead, however, UCD moved to Belfield, the gardens were saved, and eventually they were placed under the management of the Office of Public Works (OPW) in 1991. The OPW aimed to conserve and restore the park, maintaining Ninian Niven’s layout. The Iveagh Gradens opened to the public in 1992, the waterfall or cascade was restored in 1996, and a new entrance from Upper Hatch Street opened in 2003.

Elizabeth O’Kane’s sculpture of Count John McCormack, close to the National Concert Hall on Earlsfort Terrace (Photograph: Patrick Comerford, 2024)

In the north-east corner and – appropriately – beside the National Concert Hall, is Elizabeth O’Kane’s 2008 sculpture of Count John McCormack (1884-1945). His voice and charisma made him the most successful concert performer of the early 20th century. He was the first artist to record the World War I song ‘It’s a Long Way to Tipperary’. Later, the French Government awarded him the Légion d’Honneur and he was made a papal count by Pope Pius XI in 1928.

Nearby, close to Iveagh House and the Department of Foreign Affairs, a memorial commemorates the lives of human rights defenders who have been killed because of their work.

The memorial was inaugurated on International Human Rights Defenders Day, 9 December 2020, by the Minister for Foreign Affairs, Simon Coveney, the UN Special Rapporteur on the situation of human rights defenders, Mary Lawlor, and the Front Line Defenders Executive Director, Andrew Anderson.

The memorial, designed by Grafton Architects, is an Ogham garden with five standing stones, etched with ancient Irish Ogham script, each representing a native Irish tree. The space is enclosed by a crafted metal screen with plaques, bearing the words of people who gave their lives for their causes. They include Bety Cariño, who spoke at a gathering of human rights defenders I attended in Dublin Castle in 2010, and who was shot dead two months later during a peaceful protest in Mexico.

On this side of the Iveagh Gardens, a gate leads into the Readers’ Garden and the Museum of Literature Ireland in Newman House. But more about these tomorrow, hopefully (see HERE.

The memorial commemorating international human rights defenders was inaugurated in 2020 (Photograph: Patrick Comerford, 2024)

Daily prayer in Ordinary Time 2024:
95, Tuesday 13 August 2024

‘Truly I tell you, unless you change and become like children, you will never enter the kingdom of heaven’ (Matthew 18: 3) … a stained-glass window in the Comberford Chapel in Saint Edtha’s Church, Tamworth (Photograph: Patrick Comerford, 2023)

Patrick Comerford

We are continuing in Ordinary Time in the Church Calendar and this week began with the Eleventh Sunday after Trinity (Trinity XI). The calendar of the Church of England in Common Worship today remembers Jeremy Taylor (1667), Bishop of Down and Connor and teacher of the faith; Florence Nightingale (1910), nurse and social reformer; and Octavia Hill (1912), social reformer.

Before today begins, I am taking some quiet time this morning to give thanks, for reflection, prayer and reading in these ways:

1, today’s Gospel reading;

2, a reflection on the Gospel reading;

3, a prayer from the USPG prayer diary;

4, the Collects and Post-Communion prayer of the day.

He called a child, whom he put among them (Matthew 18: 2) … a stained-glass window in Saint Dunstan-in-the-West Church in Fleet Street, London (Photograph: Patrick Comerford, 2024)

Matthew 18: 1-5, 10, 12-14 (NRSVA):

1 At that time the disciples came to Jesus and asked, ‘Who is the greatest in the kingdom of heaven?’ 2 He called a child, whom he put among them, 3 and said, ‘Truly I tell you, unless you change and become like children, you will never enter the kingdom of heaven. 4 Whoever becomes humble like this child is the greatest in the kingdom of heaven. 5 Whoever welcomes one such child in my name welcomes me.

10 ‘Take care that you do not despise one of these little ones; for, I tell you, in heaven their angels continually see the face of my Father in heaven.

12 ‘What do you think? If a shepherd has a hundred sheep, and one of them has gone astray, does he not leave the ninety-nine on the mountains and go in search of the one that went astray? 13 And if he finds it, truly I tell you, he rejoices over it more than over the ninety-nine that never went astray. 14 So it is not the will of your Father in heaven that one of these little ones should be lost.’

‘Whoever becomes humble like this child is the greatest in the kingdom of heaven’ (Matthew 18: 4) … a stained-glass window in the Chapel in Saint John’s Hospital, Lichfield (Photograph: Patrick Comerford, 2024)

This morning’s reflection:

I think all of us have been disturbed in recent weeks about the terrors that are being rained down on children in the world today.

I say ‘children’ and not ‘innocent children,’ because there is no such being as a guilty child – there are only innocent children.

And the suffering and plight of children is all the more distressing when is caused by the calculations of adults who dismiss this suffering as merely the collateral damage brought about by war or because these children are dismissed as foreigners or outsiders.

For Christians, this distress must always be acute, must always demand our compassion, must always call for our response.

It cannot matter to us what label is placed on these children – whether the suffering Palestinian children in the Gaza Strip are Christians or Muslim, whether the children kidnapped from a kibbutz in Israel are from secular or religious Jewish families, whether the children on boats in the English Channel are from Africa, Asia or the Middle East, whether the refugee children Charlotte and I visited across Europe on behalf of USPG last year are Ukrainian or Russian.

The disciples ask Christ in the Gospel reading today (Matthew 18: 1-5, 10, 12-14), ‘Who is the greatest in the kingdom of heaven?’ He responds by calling a child, puts the child among them, and tells them: ‘Truly I tell you, unless you change and become like children, you will never enter the kingdom of heaven. Whoever becomes humble like this child is the greatest in the kingdom of heaven. Whoever welcomes one such child in my name welcomes me.’

We are not told whether this child is a boy or girl, Jew or Samaritan, Greek or Roman, a street urchin or the child of one of the Disciples.

Indeed, in all likelihood, the Disciples never noticed, for at that time a child was of no economic value and a burden on families until the child could earn his or her own way, or become the equivalent of a pension scheme for parents.

But Christ tells us: ‘Take care that you do not despise one of these little ones; for, I tell you, in heaven their angels continually see the face of my Father in heaven … it is not the will of your Father in heaven that one of these little ones should be lost.’

The Kingdom of Heaven is like little things. The Gospels remind us time and again that the Kingdom of Heaven is like small things:

• Sowing a seed;

Giving a nest to the birds of the air;

• Mixing yeast;

• Turning small amounts of flour into generous portions of bread;

• Finding hidden treasure;

• Rushing out in joy;

• Selling all that I have because something I have found is worth more – much, much more, again and again;

• Searching for pearls;

• Finding just one pearl;

• Casting a net into the sea;

• Catching an abundance of fish;

• Drawing that abundance of fish ashore, realising there is too much there for my personal needs, and sharing it;

• Writing about it so that others can enjoy the benefit and rewards of treasures new and old.

And this morning we are told that Kingdom of God is like a little child – imagine a child playing on a beach in Gaza, falsely feeling secure in a school or hospital in Ukraine, maimed and injured in a mother’s arms at home, dying in a Gaza hospital, kidnapped at a music festival in Israel or in her parent’s home in a kibbutz, caught in terror in the midst of a far-right riot on our city streets, starving and despised in a refugee camp or in war the world ignores in Sudan, sea-sick in a crowded small boat in the English Channel, cowering in a cramped hotel room as rioters try to set the hotel alight.

In the face of these images I find myself thinking of the prophets, like Ezekiel in our first lectionary reading (Ezekiel 2: 8 to 3: 4), who are called to speaking ‘words of lamentation and mourning and woe’ and compelled to ‘go to the house of Israel and speak [God’s] very words to them.’

But I have hope too, for I hear Christ’s words today: ‘in heaven their angels continually see the face of my Father in heaven … it is not the will of your Father in heaven that one of these little ones should be lost.’

‘Whoever welcomes one such child in my name welcomes me’ (Matthew 18: 5) … a stained-glass window in Saint Mary’s Church, Lichfield (Photograph: Patrick Comerford, 2023)

Today’s Prayers (Tuesday 13 August 2024):

The theme this week in ‘Pray With the World Church,’ the Prayer Diary of the Anglican mission agency USPG (United Society Partners in the Gospel), is ‘Whom Shall I Send?’ This theme was introduced on Sunday with a programme update from the Revd Davidson Solanki, Regional Manager Asia and Middle East, USPG, on the Episcopal Province of Jerusalem and the Middle East’s new programme launched in accompaniment with USPG, ‘Whom Shall I Send.’

The USPG Prayer Diary today (Tuesday 13 August 2024) invites us to pray:

We pray for all the young people currently taking part in the ‘Whom Shall I Send’ programme. May they continue to learn and grow in their ministry.

The Collect:

Holy and loving God,
you dwell in the human heart
and make us partakers of the divine nature
in Christ our great high priest:
help us who remember your servant Jeremy Taylor
to put our trust in your heavenly promises
and follow a holy life in virtue and true godliness;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.

The Post Communion Prayer:

God of truth,
whose Wisdom set her table
and invited us to eat the bread and drink the wine
of the kingdom:
help us to lay aside all foolishness
and to live and walk in the way of insight,
that we may come with Jeremy Taylor to the eternal feast of heaven;
through Jesus Christ our Lord.

‘So it is not the will of your Father in heaven that one of these little ones should be lost’ (Matthew 18: 14) … a stained-glass window in Saint Michael’s Church, St Albans (Photograph: Patrick Comerford, 2024)

Yesterday’s reflection

Continued tomorrow

Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org