Patrick Comerford
We are continuing in Ordinary Time in the Church Calendar and this week began with the Eleventh Sunday after Trinity (Trinity XI). The calendar of the Church of England in Common Worship lists today simply and plainly as ‘the Blessed Virgin Mary’, without specifying what aspect of her life or death is being commemorated.
Before today begins, I am taking some quiet time this morning to give thanks, for reflection, prayer and reading in these ways:
1, today’s Gospel reading;
2, a reflection on the Gospel reading;
3, a prayer from the USPG prayer diary;
4, the Collects and Post-Communion prayer of the day.
Luke 1: 46-55 (NRSVA):
46 And Mary said,
‘My soul magnifies the Lord,
47 and my spirit rejoices in God my Saviour,
48 for he has looked with favour on the lowliness of his servant.
Surely, from now on all generations will call me blessed;
49 for the Mighty One has done great things for me,
and holy is his name.
50 His mercy is for those who fear him
from generation to generation.
51 He has shown strength with his arm;
he has scattered the proud in the thoughts of their hearts.
52 He has brought down the powerful from their thrones,
and lifted up the lowly;
53 he has filled the hungry with good things,
and sent the rich away empty.
54 He has helped his servant Israel,
in remembrance of his mercy,
55 according to the promise he made to our ancestors,
to Abraham and to his descendants for ever.’
Today’s Reflection:
It was my privilege in Crete some years ago to watch a new icon on this theme in Orthodoxy being shaped and created by Alexandra Kaouki, perhaps the most talented and innovative iconographer in Crete today, as she worked in her studio, then below the Venetian Fortezza in the old town of Rethymnon.
She was creating this new icon for the Church of Our Lady of the Angels, or the Little Church of Our Lady (Mikri Panagia), on a small square in the old town. It was a careful, slow, step-by-step work in progress, based on El Greco’s celebrated icon. But, as her work progressed, Alexandra made what she describes as ‘necessary corrections’ to allow her to ‘entirely follow the Byzantine rules.’
The best-known version of this icon is by El Greco, or Doménikos Theotokópoulos (1541-1614), created in Crete probably before 1567. Alexandra and I discussed why El Greco places three candelabra in front of the bier. Perhaps he is using them as a Trinitarian symbol. However, Alexandra has returned to the traditional depiction of only one to remain true to Byzantine traditions.
How many of the Twelve should be depicted?
Should Saint Thomas be shown, or was he too late?
Why did she omit stories from later developments in the tradition, yet introduce women?
Alexandra completed her icon in time for the Feast of the Dormition in Rethymnon on 15 August that year.
The icon of the Dormition of the Theotokos or Virgin Mary usually bears the lettering Η Κοιμησις τησ Θεοτοκου, or ‘the falling asleep of the Theotokos’.
In the Calendar of the Orthodox Church, the Feast of the Dormition (Κοίμησις) or the Falling Asleep of the Theotokos, the Virgin Mary is on 15 August. For Roman Catholics, it is the Feast of the Assumption.
In his guidebook, The Holy Land, the late Jerome Murphy-O’Connor points out that two places in Jerusalem are traditionally associated with the end of the Virgin Mary’s earthly life: a monastery on Mount Zion is the traditional site of her death or falling asleep; and the basilica in the Garden of Gethsemane is said to be the site of her tomb.
Since the end of the 19th century, however, Mereyama, 8 km east of Selçuk, near ancient Ephesus and the coastal resort of Kuşadasi, has been venerated by many Roman Catholics as the site of her last earthly home. This tradition is based not on tradition or history, but on the writings of an 18th century German nun and visionary, Sister Catherine Emmerich, who never left her own country, and the interpretation of her visions by some late 19th century French Lazarist priests who were living in Smyrna (Izmir). The pilgrim industry was boosted by a papal visit in 1967.
The Feast of the Dormition is one of the Twelve Great Feasts of the Orthodox Church. However, this belief has never been formally defined as dogma by the Orthodox Church.
The Orthodox Church teaches that the Virgin Mary died a natural death, like any human being; that her soul was received by Christ when she died; and that her body was resurrected on the third day after her burial and was taken up into heaven, so that her tomb was found empty on the third day.
The death or Dormition of Mary is not recorded in the New Testament. Hippolytus of Thebes, writing in the seventh or eighth century, claims in his partially preserved chronology to the New Testament that the Virgin Mary lived for 11 years after the death of Jesus and died in the year 41 CE.
On the other hand, Roman Catholic teaching says she was ‘assumed’ into heaven in bodily form. Some Roman Catholics agree with the Orthodox that this happened after her death, while others hold that she did not experience death. In his dogmatic definition of the Assumption in 1950, Pope Pius XII appears to leave open the question of whether or not she actually underwent death and even alludes to the fact of her death at least five times.
In the Orthodox tradition, Mary died as all people die, for she had a mortal human nature like all of us. The Orthodox Church teaches that Mary was subject to being saved from the trials, sufferings, and death of this world by Christ. Having died truly, she was raised by him and she already takes part in the eternal life that is promised to all who ‘hear the word of God and keep it’ (Luke 11: 27-28). But what happens to Mary happens to all who imitate her holy life of humility, obedience and love.
In the Orthodox tradition, it is said that after the Day of Pentecost, the Theotokos remained in Jerusalem with the infant Church, living in the house of Saint John the Evangelist. That tradition says she was in her 50s at the time of her death. As the early Christians stood around her deathbed, she commended her spirit to God, and tradition says Christ then descended from Heaven, taking up her soul in his arms. The apostles sang funeral hymns in her honour and carried her body to a tomb in Cedron near Gethsemane. When a man tried to interrupt their solemn procession, an angel came and cut off his hands, but he was healed later.
The story says that the Apostle Thomas arrived on the third day and wished to see the Virgin Mary for the last time. The stone was rolled back, and an empty tomb was discovered. Orthodox tradition says that the Theotokos was resurrected bodily and taken to heaven, and teaches that the same reward awaits all the righteous on the Last Day.
Icons of the Dormition date from the 10th century. In traditional icons of the Dormition, the Theotokos is shown on the funeral bier. Christ, who is standing behind her, has come to receive his mother’s soul into heaven. In his left arm, he holds her as an infant in white, symbolising the soul of the Theotokos reborn in her glory in heaven.
Greek icons of the Dormition follow a 1,000-year-old tradition that some say dates back to early texts.
Behind the bier, Christ stands robed in white and – as in icons of the Transfiguration, the Resurrection and the Last Judgment – he appears surrounded by the aureole, or elongated halo, depicting the Light of his Divinity and signifying his heavenly glory.
Christ receives the soul of the Mother of God, but here the imagery reverses the traditional picture of mother and son, as he holds her soul, like a child, in his arms.
The Twelve Apostles are present; sometimes they are shown twice: grouped around the bier, and transported to the scene on clouds accompanied by angels. The Apostles are usually seen on either side of the bier – the group on the left led by Saint Peter, who stands at the head of the bier; the group on the right led by Saint Paul, who stands at the foot of the bier.
Many icons include four early Christian writers, identified by their bishops’ robes decorated with crosses – James, Dionysios the Areopagite, Hierotheos and Timotheos of Ephesus. In the background, mourning women are a reminder of the women who wept when they met Christ carrying his cross to Calvary, or the women who arrived at his tomb early on Easter morning ready to anoint his dead body.
The cherubim in blue, the seraphim in red and the golden stars in these icons refer to the hierarchy of cosmic powers. Archangels are present in the foreground in the lower left and right corners. In the centre foreground, the Archangel Michael threatens the non-believing Jephonias who dared to touch her bier in an attempt to disrupt her funeral. The story is told that his hands were cut off but that later they were miraculously restored when he repented, was converted to Christianity, and was baptised.
In Greece, this celebration is called ‘Little Easter’ or ‘Summer Easter’, indicating the significance of the Dormition in Orthodox faith and in the church calendar. The day is marked with many festivals in villages and towns throughout the country, and this is the name day for many, including Maria, Mario, Panagiotis, Panagiota, Despina, Parthena, Miriam and Mariam.
In the Calendar of the Church of England in Common Worship, 15 August is marked simply as ‘The Blessed Virgin Mary’, without any indication of any event in her life or any commemoration. In Saint Mary and Saint Giles Parih Church in Stony Stratford, the feast was transferred this week, and was celebrated on Sunday (11 August 2024).
A reflection in the parish leaflet in Stony Stratford and Calverton on Sunday described the Assumption as ‘a powerful reminder that like her we have all been promised a share in the Resurrection of the Lord.’ It added that our celebration ‘is a sign of hope for us as we face death which seems to be the end of everything that is good in our lives.’
Today’s Prayers (Thursday 15 August 2024, the Blessed Virgin Mary):
The theme this week in ‘Pray With the World Church,’ the Prayer Diary of the Anglican mission agency USPG (United Society Partners in the Gospel), is ‘Whom Shall I Send?’ This theme was introduced on Sunday with a programme update from the Revd Davidson Solanki, Regional Manager Asia and Middle East, USPG, on the Episcopal Province of Jerusalem and the Middle East’s new programme launched in accompaniment with USPG, ‘Whom Shall I Send.’
The USPG Prayer Diary today (Thursday 15 August 2024, the Blessed Virgin Mary) invites us to pray reflecting on these words:
Blessed is she who had faith that the Lord’s promise would be fulfilled. All generations shall call her blessed.
The Collect:
Almighty God,
who looked upon the lowliness of the Blessed Virgin Mary
and chose her to be the mother of your only Son:
grant that we who are redeemed by his blood
may share with her in the glory of your eternal kingdom;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
The Post Communion Prayer:
God most high,
whose handmaid bore the Word made flesh:
we thank you that in this sacrament of our redemption
you visit us with your Holy Spirit
and overshadow us by your power;
strengthen us to walk with Mary the joyful path of obedience
and so to bring forth the fruits of holiness;
through Jesus Christ our Lord.
Yesterday’s reflection
Continued tomorrow
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
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