04 November 2024

Daily prayer in the Kingdom Season:
5, Tuesday 5 November 2024

‘Go out at once into the streets and lanes of the town and bring in the poor, the crippled, the blind, and the lame’ (Luke 14: 21) … in the narrow streets and lanes of Retymnon in Crete (Photograph: Patrick Comerford, 2024)

Patrick Comerford

We are in the Kingdom Season, the time between All Saints and Advent.

Before today begins, before having breakfast, I am taking some quiet time early this morning to give thanks, and for reflection, prayer and reading in these ways:

1, today’s Gospel reading;

2, a short reflection;

3, a prayer from the USPG prayer diary;

4, the Collects and Post-Communion prayer of the day.

‘Come; for everything is ready now’ (Luke 14: 17) … preparing for a banquet (Photograph: Patrick Comerford)

Luke 14: 15-24 (NRSVA):

15 One of the dinner guests, on hearing this, said to him, ‘Blessed is anyone who will eat bread in the kingdom of God!’ 16 Then Jesus said to him, ‘Someone gave a great dinner and invited many. 17 At the time for the dinner he sent his slave to say to those who had been invited, “Come; for everything is ready now.” 18 But they all alike began to make excuses. The first said to him, “I have bought a piece of land, and I must go out and see it; please accept my apologies.” 19 Another said, “I have bought five yoke of oxen, and I am going to try them out; please accept my apologies.” 20 Another said, “I have just been married, and therefore I cannot come.” 21 So the slave returned and reported this to his master. Then the owner of the house became angry and said to his slave, “Go out at once into the streets and lanes of the town and bring in the poor, the crippled, the blind, and the lame.” 22 And the slave said, “Sir, what you ordered has been done, and there is still room.” 23 Then the master said to the slave, “Go out into the roads and lanes, and compel people to come in, so that my house may be filled. 24 For I tell you, none of those who were invited will taste my dinner”.’

‘Sir, what you ordered has been done, and there is still room’ (Luke 14: 22) … empty tables at a taverna in Panormos near Rethymnon in Crete (Photograph: Patrick Comerford)

Today’s reflection:

In the Gospel reading yesterday (Luke 14: 12-14), we were told that when we give a banquet, we should invite the poor, the crippled, the lame, and the blind (verse 14). Now, in today’s parable, the host of a great dinner invites many. But, one after another, they make their excuses and their apologies.

The dinner host is so disappointed that he is angry, and he sends his slave out into the streets and lanes of the town to bring in those very people referred to in yesterday’s reading, he poor, the crippled, the blind, and the lame.

The phrase in verse 21 that is translated as the ‘streets and lanes of the town’ (πλατείας καὶ ῥύμας τῆς πόλεως) is rendered in Matthew 22: 9 as ‘the main streets’ (διεξόδους τῶν ὁδῶν).

Both Gospel writers mean not the main fashionable, shopping streets in a chic part of a city centre, but refer to dirty, gritty, street corners and junctions, perhaps the main junctions outside the city gates, where those who wanted to be hired as labour, those who were refused entry, those who were on margins, could be found. Other translations catch this significance when they refer to the highways and the byways.

Notice how the invitation goes beyond the many to those most people would not count in, and then is extended even further. Saint Matthew’s account counts in ‘both good and bad’ (verse 10).

Christ’s audience would naturally associate a festive meal with the celebration of God’s people at the end of time. The feast is a recurring image in the Bible of the heavenly banquet and the coming kingdom.

But what is meant by the ‘many’ who are invited from the very beginning (verse 16)?

We could put the Greek use of the ‘many’ by Christ in this parable in its cultural context. Pericles, in his ‘Funeral Oration’ in Athens, according to Thucydides in his History of the Peloponnesian War, uses ‘the many,’ οἱ πολλοί (hoi polloi), in a positive way when praising the Athenian democracy. He contrasts them with ‘the few’ (οἱ ὀλίγοι, hoi oligoi), who abuse power and create an oligarchy, rule by the few. He advocates equal justice for ‘the many’, ‘the all’, before the law, against the selfish interests of the few.

When we celebrate the Eucharist, we remember that Christ is the victim, and that he said his blood is shed ‘for you and for many’ … you being us, the Church, the few; but the many, οἱ πολλοί (hoi polloi), refers to the masses, the multitude, the great unwashed, who are called too.

Christ dies for the many, the lumpen masses, all people, and not just for the few, the oligarchs. The many are invited to his banquet. If we exclude them, we are in danger of excluding Christ himself.

The feast or the banquet is a consistent and persistent image of the messianic banquet. How often do we try to shorten and edit the guest list for the party? The task of the slave is to gather in more than the many, beyond any invitation we might draw up, beyond any generosity we may imagine in extending the invitation.

A grave in Kerameikós, Athens, where Pericles delivered his funeral oration (Photograph: Patrick Comerford)

Today’s Prayers (Tuesday 5 November 2024):

The theme this week in ‘Pray With the World Church’, the Prayer Diary of the Anglican mission agency USPG (United Society Partners in the Gospel), is ‘Conflict, Confluence and Creativity’. This theme was introduced on Sunday with reflections by Rebecca Boardman, former Operations Manager, USPG.

The USPG Prayer Diary today (Tuesday 5 November 2024) invites us to pray:

Let us pray for our theological institutions, teachers and scholars, and for the work of theological education and churches together.

The Collect:

Almighty and eternal God,
you have kindled the flame of love
in the hearts of the saints:
grant to us the same faith and power of love,
that, as we rejoice in their triumphs,
we may be sustained by their example and fellowship;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.

Post Communion Prayer:

Lord of heaven,
in this eucharist you have brought us near
to an innumerable company of angels
and to the spirits of the saints made perfect:
as in this food of our earthly pilgrimage
we have shared their fellowship,
so may we come to share their joy in heaven;
through Jesus Christ our Lord.

Additional Collect:

God of glory,
touch our lips with the fire of your Spirit,
that we with all creation
may rejoice to sing your praise;
through Jesus Christ our Lord.

Yesterday’s Reflection

Continued Tomorrow

‘Blessed is anyone who will eat bread in the kingdom of God!’ (Luke 14: 15) … bread on the table in a taverna in Panormos near Rethymnon in Crete (Photograph: Patrick Comerford)

Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org

A morning visiting
the Sarawak Cultural
Village and learning
about local diversity

Sarawak Cultural Village is an award-winning Living Museum at the foot of Mount Santubong (Photograph: Patrick Comerford, 2024)

Patrick Comerford

One day at the end of last week, I spent a full morning at the Sarawak Cultural Village, an award-winning Living Museum at the foot of Mount Santubong and close to the Damai Beach Resort and hotels.

Father Jeffry Renos Nawie of Saint Augustine’s Church, Mambong, in the Diocese of Kuching, brought me on the 45-minute drive from Kuching to Sarawak Cultural Village, said to be the finest living museum in South-East Asia. Its features include seven traditional houses across a 17.5-acre site to the north of Kuching, tucked in at the foothills of Mount Santubong at Damai Beach.

Sarawak is the largest state in Malaysia, with a population of 2.8 million and has more than two dozen different ethnic groups. Apart from the Chinese (23 per cent), and the Malays (23 per cent), the biggest ethnic groups are within the indigenous communities: the Iban were once known as the ‘Sea Dayak’ (30 per cent), and the Bidayuh were once known as the ‘Land Dayak’ (8 per cent). The other indigenous groups include the Orang Ulu (6 per cent), Melanau (5 per cent), Murut, Kenyah, Kayan, Kedayan, Kelabit, Berawan, Penan and Bisayah.

Sarawak Cultural Village celebrates this rich cultural diversity and the lifestyles of many of these ethnic groups, and has been acclaimed by many as one of the best heritage experiences in Malaysia.

The Melanau Tall House in Sarawak Cultural Village … a massive house built 40 ft above the ground (Photograph: Patrick Comerford, 2024)

Sarawak Cultural Village was established in 1991 and has become an unique award-winning living museum, featuring replicas of local houses and buildings, as well as offering a comprehensive narration of various cultures and rituals of the tribes and people of Sarawak, with insights into their lifestyle and history.

The village highlights seven of the major ethnic groups: Iban, Bidayuh, Orang Ulu, Chinese, Malay, Melanau and Penan. Visitors are encouraged to become immersed in a hands-on experience of what once was daily life for these people in their houses, including the Bidayuh longhouse, the Iban longhouse, the Penan hut, the Orang Ulu longhouse, the Melanau Rumah Tinggi, the Malay house and the Chinese farmhouse.

There are opportunities to taste traditional food, join in dances, listen to musical instruments, and see different weapons from the past, as well as chances to take part in crafting and agricultural activities, such as bead-making and paddy-pounding.

All the buildings are staffed with members of the relevant ethnic groups in traditional costume and engaging in traditional activities, and storytellers describe and interpret their people’s traditions and way of life.

Unlike other local houses in the village, the Chinese farmhouse is built at ground level (Photograph: Patrick Comerford, 2024)

Father Jeffry and I began our tour of the village at the Chinese farmhouse. Unlike other houses in the village, the Chinese farmhouse is built at ground level with doorposts protected by the application of strips of red paper, inscribed with protection verses. The clay floor is made of trodden earth, the walls of whitewashed sawn timber, and the roof is thatched with leaf attap.

The house has two main parts, the main room and the bedroom, with the household shrine a focal point in the main room. Outside is a pepper garden.

The wooden Malay House is a gracious structure, adapted to Sarawak’s tropical climate. It is built on stilts and is reached by a staircase. The front room is an area for the men, used for official occasions and entertaining guests.

The windows are down to floor level to allow in the breeze. Much skill is used in decorating the stair and window railings, fascia boards under the eaves and the ventilation grills above and beside the doors.

The Bidayuh house, known as the Barok, is a round head-house with bamboo and carvings (Photograph: Patrick Comerford, 2024)

The Melanau build massive houses 40 ft above the ground. Traditionally, they lived near the sea and need to protected themselves from pirates. We climbed the first staircase of the Melanau Tall House to the first floor, with its displays of tools and utensils. A second staircase leads up to the bedroom.

Next was the Orang Ulu Longhouse, built many feet above the ground, with lush tropical greenery below. It is filled with musical instruments, including the stringed Sape and Jatung Utang instruments. Here too, Orang Ulu women demonstrate their intricate beadwork.

The Bidayuh house known as the Barok is a round head-house with bamboo and carvings. The Barok is the assembly place for the Bidayuh warriors and is filled with gongs, war drums, weapons and wooden masks, and is connected by bamboo walkways with the Bidayuh longhouses. Bidayuh daily life included sugar cane crushing, paddy pounding and winnowing rice.

Notched logs serves as stairs leading up to many of the longhouses (Photograph: Patrick Comerford, 2024)

As in so many places in the village, a notched log serves as stairs leading up to the Iban Longhouse.

The Iban were once known as the ‘Sea Dayaks’ and now account for about a third of the people in Sarawak, the biggest native group in the region. An open veranda faces the Iban traditional longhouse built of axe-hewn timber, secured with creeper fibre and roofed with leaf thatch.

Visitors to the Iban Longhouse are entertained with drums and gongs, Pua weaving, and Kuih Jala and Kuih Chap making. Hanging skulls hint at tales from by-gone days.

A Penan man making blowpipes at the Penan Hut … ‘Do not blow from your mouth. Blow from your chest and your stomach’ (Photograph: Patrick Comerford, 2024)

The Penans are shy nomadic people who live in the dense jungle of Central Borneo, among some of the state’s most precious timber resources. Because of their roaming lifestyle, their shelters are quickly built to last for few weeks or months.

They are the last of the hunters and gatherers, and their huts or shelters are built quickly to last for a few weeks or months at most. They are built near wild sago trees, the staple food of the Penan people, and once the supply has been used up the family moves on.

The Penans specialise in making and using blowpipes. You can watch them making blowpipes at the Penan Hut and even try using one. The Penan advice is, ‘Do not blow from your mouth. Blow from your chest and your stomach.’

The other sites in the village include the Chinese Pavilion near the grand entrance, a bamboo bridge once used by villagers to cross rivers, a souvenir shop and a restaurant.

Our morning visit to the village ended in the theatre at the multi-cultural performance by award-winning dancers and musicians in colourful costumes.

Their elegant dance routines range from young Orang Ulu women following the pattern of the hornbills to a rugged Iban warrior performing the ngajat, shield in hand, dancing with the rhythm of deep gongs and rainforest musical instruments. The 45-minute multicultural performances take place twice a day, at 11:30 am and 4 pm, and are a fitting climax to a visit to the village.

Traditional dancing at Sarawak Cultural Village (Patrick Comerford, 2024)