Ballyragget Castle, once the principal residence of the Mountgarret branch of the Butler dynasty (Photograph: Patrick Comerford, 2018)
Patrick Comerford
Ballyragget Castle stands beside the village, close to the SuperValu supermarket, and just 100 metres from the banks of the River Nore. It is a ruined square tower house, with a defensive wall with corner towers, but it once provided excellent views of river traffic and the surrounding countryside and was strategically important for the Ormond Butlers along the northern lines of defence of Kilkenny Castle.
Ballyragget is about 18 km from Kilkenny, on the N77 road to Durrow, and two of us stopped to see the castle and parish church late last week on our way from Kilkenny to Askeaton.
Ballyragget is said to take its name from Richard le Ragget, a local Anglo-Norman leader who owned the land in the 13th century.
However, the castle is of a much later date. Popular stories in the area say it was built about 1485 by Lady Margaret FitzGerald, who that year married Pierce ‘Ruadh’ Butler (1467-1539), 8th Earl of Ormond.
A stone bench at the top of the castle is called ‘Lady Margaret’s Chair’ and is also known as the ‘Wishing Chair.’ The older people in Ballyragget said that if you sat in the chair your wish would be granted.
Enda Houlihan, in his BEd thesis, ‘Ballyragget Castle, Co Kilkenny, a history and comparative analysis,’ argues that this tower house was not an addition to an earlier castle but is an original construction from the late 15th century when it became important strategically because of the prevailing, fragile political situation between the Earls of Kildare and Piers Ruadh Butler, whose wife was a daughter of Gerald FitzGerald, 8th Earl of Kildare.
Lady Margaret is said to have made Ballyragget Castle her favourite residence, and one account says ‘she often indulged in the turbulent and freebooting practices more suitable to an unprincipled Amazon than to a lady and often issued from the castle, at the head of her retainers, and plundered the cattle and other property of neighbouring families whom she was pleased to view as not belonging to the circle of her friends.’
The second son of Piers Ruadh and Margaret, Richard Butler (1550-1571), was the Keeper of the Castle of Ferns, Co Wexford, and became the 1st Viscount Mountgarret in 1550.
He inherited Ballyragget Castle, and for more than two centuries this castle was the principal residence of the Mountgarret branch of the Butler family.
A secret orchard seen through a breach in a wall in the grounds of Ballygarret Castle (Photograph: Patrick Comerford, 2018)
Ballyragget Castle is basically 44 ft by 31 ft in size, according to Canon William Carrigan’s history of the Diocese of Ossory. The walls are about 7.5 ft thick and all the doors are of cut stone, probably limestone.
This five-storey castle consists of a large tower-house complete with crenellations and surrounded by a substantial bawn. It once had handsome cut stone windows, the four round towers that defend it are looped in order to command the surrounding lands, a look-out turret rises above the parapet in the north-east corner of the keep.
The fine arched entrance in the west wall is now blocked up but was protected by a machicolation. There is a machicolation in the middle of the south wall and the south-west corner tower was turned into a shrine to the Virgin Mary. The flanker at the south-east corner has a squinch containing a latrine chute. Local people say a dungeon stretches from the castle to the river.
According to Enda Houlihan, Ballyragget Castle ‘was a formidable and imposing structure, militarily and politically.’ From the 16th century on, Ballyragget Castle gained in military importance and in prestige, and it was the main defensive structure and fortified keep north of Kilkenny Castle.
An urban centre grew up around the walled fortifications. This became a prosperous town and gave the Butlers a military presence in an area previously unmarshalled. In this way, the castle and the people who lived in and around it were firmly tied to the shire of Kilkenny.
The castle became the seat of the Mountgarret branch of the Butlers of Ormonde, who used it as a defence and to raid the adjoining territory of the MacGiollapadraig or FitzPatrick family.
Richard Butler (1550-1571), 1st Viscount Mountgarret, was succeeded in 1571 by his eldest son, Edmund Butler (1562-1602), 2nd Viscount Mountgarret, who also inherited Ballyragget Castle He remodelled the state room, which was fitted with a massive cut-stone chimney piece, inscribed with his initials and the date: ‘EM 1591.’
But the castle also became the base for revolt in the late 16th century when Edmund Butler’s sons revolted against the crown and supported the Ulster rebels. Ballyragget was attacked and captured on three separate occasions, and Sir George Carew garrisoned the castle in 1600 against the Mountgarrets.
Edmund’s fifth daughter, the Hon Eleanor Butler, married Morgan (Murrough) Mac Bryan Kavanagh, of Borris, Co Carlow, and their daughter Grany (Graine) married John Comerford of Ballybur Castle, Co Kilkenny.
Edmund’s eldest son and successor, Richard Butler (1578-1651), 3rd Viscount Mountgarret, married Lady Margaret O’Neill, daughter of Hugh O’Neill, Earl of Tyrone.
A blocked up window in Ballyragget Castle (Photograph: Patrick Comerford, 2018)
Ballyragget Castle seems to have been abandoned, at least temporarily, by the Mountgarrett Butlers in the early 17th century. But the third viscount returned to Ballyragget Castle, and King James I granted him a charter in 1619, making Ballyragget a manor, with two annual fairs.
Edmund Mountgarret was the President of the Confederation of Kilkenny (1642-1648). After his death, Colonel Daniel Axtell held the castle during the Cromwellian era. Local lore says Axtell had one of the Butlers of the castle tortured and killed for not disclosing where the Mountgarret treasure was buried, and that he hung Catholic and Protestant royalists on the Fair Green in Ballyragget while laughing on from the castle.
Edmund Butler (1595-1679), 4th Lord Mountgarret, was restored to his lands after the Caroline Restoration in 1660. Bishop Carrigan noted that two sets of corbels in the same wall as the east entrance and other marks on the wall indicate a very large house or mansion was built against it but has since been demolished.
The Battle of Ballyragget took place in the shadow of the castle in 1775, involving the largest ever assembly of Whiteboys in Kilkenny, including 300 horsemen and 200 on foot.
However, the Mountgarret branch of the Butler family continued to live in the castle until 1788, when Edmund Butler (1745-1793), 11th Viscount Mountgarret, moved to Ballyragget Hall, a house close by. His son, Edmund Butler (1771-1846), 12th Viscount Mountgarret, later became Earl of Kilkenny.
The present owners of Ballyragget Castle have planted beautiful alder trees along the avenue leading up to the castle which is just about visible if one peeks through the corrugated iron gates.
The castle is a listed building in the 2014 County Development Plan, but it is not a national monument. The castle is blocked up, stands on private land beside a farmyard and is not open to the public, and entrance to the bawn is not permitted. However, the heavy metal gate was open when two of us arrived early on Friday afternoon, and we had a brief and rare opportunity to photograph the castle and walk around the bawn.
With imagination and the right grants, Ballygarret Castle could easily be put to good use become a tourist attraction. But the castle remains a sleeping giant, an untapped resource full of potential.
Ballygarret Castle could be put to good use, but remains a sleeping giant (Photograph: Patrick Comerford, 2018)
06 September 2018
Saint Patrick’s Church,
Ballyragget, retains many
of its pe-Vatican details
Saint Patrick’s Church, Ballyragget, Co Kilkenny … stands on the site of an earlier, Penal-era chapel (Photograph: Patrick Comerford, 2018)
Patrick Comerford
Both Saint Patrick’s Church, the Roman Catholic parish church in Ballyragget, Co Kilkenny, and Ballyragget Castle are difficult to find, with the church at the end of a side street between the Square and Castle Street, and the castle at the end of a lane behind locked gates.
The obscure location of Saint Patrick’s Church is explained because it stands on the site of an earlier chapel that may have been built first during the Penal days in the 18th century.
The site of the earlier chapel is marked on early editions of Ordnance Survey maps, and the site is evidence of a long-standing church presence in this town in north Co Kilkenny.
Saint Patrick’s is an imposing large-scale church built in 1842 under the direction of William Kinsella, Bishop of Ossory (1793-1845), for Father John Foran, Parish Priest of Ballyragget, who died in 1843, to designs by William Deane Butler (ca 1794-1857).
Butler, who was also the architect of Saint Kieran’s College, Kilkenny, designed the church in Gothic Revival style. It is similar in many details to many contemporary parish churches in the area, including Castlecomer and Freshford, representing a form of brand or house style developed by Butler while he was the resident architect for the Diocese of Ossory.
The west front of Saint Patrick’s Church, Ballyragget … designed by William Deane Butler (Photograph: Patrick Comerford, 2018)
Saint Patrick’s Church is well composed, with a balanced arrangement of the grouped openings for the windows and doors. The expert stone masonry work includes finely-carved dressings that produce a robust frontispiece that maximises the presence of the church in the town, despite the fact that the church is set well back from the street.
This is a seven-bay, single-storey and two-storey Gothic Revival church, with a seven-bay, double-height nave seven-bay single-storey lean-to side aisles on the north and south side, and a two-bay, single-storey sacristy at the east end.
The details outside include limestone ashlar walls, octagonal corner piers, trefoil-headed panelled octagonal pinnacles, octagonal finials, inscribed shield plaques, a recessed niche on the gable with a statue of Saint Patrick, a decorative cross finial, clasping stepped buttresses, and limestone ashlar parapets on console tables.
There are pointed-arch window and door openings, lattice glazing, engaged colonettes supporting hood mouldings, a flight of five cut-limestone steps, Gothic-style timber panelled doors having over-panels, trefoil recessed panels, cut-limestone stoups, and carved cut-limestone coping on portrait stops.
Inside Saint Patrick’s Church, Ballyragget (Photograph: Patrick Comerford, 2018)
Inside, the central aisle has decorative clay tiled floor, timber pews, a timber panelled organ gallery, pointed-arch arcades at the side aisles, cut-limestone piers with chamfered reveals, carved cut-limestone courses supporting the clerestoreys, moulded plasterwork hood mouldings at the window openings, and a groin-vaulted ceiling with moulded plasterwork ribs on decorative corbels.
The reredos and altar in Saint Patrick’s were designed by George Coppinger Ashlin, and the mosaic work in the sanctuary is by Ludwig Oppenheimer (Photograph: Patrick Comerford, 2018)
The Gothic-style reredos in Caen stone was designed in 1869 by Pugin’s son-in-law, George Coppinger Ashlin (1837-1921) depicts the Sacrifice of Abraham, the Crucifixion and the Sacrifice of Melchizedek. The front of the altar depicts the worship of the Lamb on the Throne (see Revelation 4). The mosaic work in the sanctuary is by Ludwig Oppenheimer Ltd (1915).
The church was renovated in 1924 and again in 1983-1985, and some new windows were added after 2000.
Because the church saw few interior alterations after the Second Vatican Council (1963-1965), it retains its rich interior scheme, with high quality carpentry, decorative plasterwork, and stained-glass windows.
The decorative clay tiles in the central aisle (Photograph: Patrick Comerford, 2018)
The churchyard on the north side of the church has many cut-limestone Celtic High Cross-style gravestones dating back to 1842, including the grave of Canon James Comerford, Parish Priest of Ballyragget, who died 70 years ago on 12 June 1948 at the age of 69.
The grave of Canon James Comerford, who died in 1948 (Photograph: Patrick Comerford, 2018)
The freestanding belfry dates from 1906, and has grouped cast-iron pillars on a square plan and a cast-iron bell with decorative brackets.
A Mass Rock from the 1640s was moved from Sermon Hill, Odtown, and re-erected here in 2009.
The 17th century Mass Rock in the churchyard at Saint Patrick’s (Photograph: Patrick Comerford, 2018)
Patrick Comerford
Both Saint Patrick’s Church, the Roman Catholic parish church in Ballyragget, Co Kilkenny, and Ballyragget Castle are difficult to find, with the church at the end of a side street between the Square and Castle Street, and the castle at the end of a lane behind locked gates.
The obscure location of Saint Patrick’s Church is explained because it stands on the site of an earlier chapel that may have been built first during the Penal days in the 18th century.
The site of the earlier chapel is marked on early editions of Ordnance Survey maps, and the site is evidence of a long-standing church presence in this town in north Co Kilkenny.
Saint Patrick’s is an imposing large-scale church built in 1842 under the direction of William Kinsella, Bishop of Ossory (1793-1845), for Father John Foran, Parish Priest of Ballyragget, who died in 1843, to designs by William Deane Butler (ca 1794-1857).
Butler, who was also the architect of Saint Kieran’s College, Kilkenny, designed the church in Gothic Revival style. It is similar in many details to many contemporary parish churches in the area, including Castlecomer and Freshford, representing a form of brand or house style developed by Butler while he was the resident architect for the Diocese of Ossory.
The west front of Saint Patrick’s Church, Ballyragget … designed by William Deane Butler (Photograph: Patrick Comerford, 2018)
Saint Patrick’s Church is well composed, with a balanced arrangement of the grouped openings for the windows and doors. The expert stone masonry work includes finely-carved dressings that produce a robust frontispiece that maximises the presence of the church in the town, despite the fact that the church is set well back from the street.
This is a seven-bay, single-storey and two-storey Gothic Revival church, with a seven-bay, double-height nave seven-bay single-storey lean-to side aisles on the north and south side, and a two-bay, single-storey sacristy at the east end.
The details outside include limestone ashlar walls, octagonal corner piers, trefoil-headed panelled octagonal pinnacles, octagonal finials, inscribed shield plaques, a recessed niche on the gable with a statue of Saint Patrick, a decorative cross finial, clasping stepped buttresses, and limestone ashlar parapets on console tables.
There are pointed-arch window and door openings, lattice glazing, engaged colonettes supporting hood mouldings, a flight of five cut-limestone steps, Gothic-style timber panelled doors having over-panels, trefoil recessed panels, cut-limestone stoups, and carved cut-limestone coping on portrait stops.
Inside Saint Patrick’s Church, Ballyragget (Photograph: Patrick Comerford, 2018)
Inside, the central aisle has decorative clay tiled floor, timber pews, a timber panelled organ gallery, pointed-arch arcades at the side aisles, cut-limestone piers with chamfered reveals, carved cut-limestone courses supporting the clerestoreys, moulded plasterwork hood mouldings at the window openings, and a groin-vaulted ceiling with moulded plasterwork ribs on decorative corbels.
The reredos and altar in Saint Patrick’s were designed by George Coppinger Ashlin, and the mosaic work in the sanctuary is by Ludwig Oppenheimer (Photograph: Patrick Comerford, 2018)
The Gothic-style reredos in Caen stone was designed in 1869 by Pugin’s son-in-law, George Coppinger Ashlin (1837-1921) depicts the Sacrifice of Abraham, the Crucifixion and the Sacrifice of Melchizedek. The front of the altar depicts the worship of the Lamb on the Throne (see Revelation 4). The mosaic work in the sanctuary is by Ludwig Oppenheimer Ltd (1915).
The church was renovated in 1924 and again in 1983-1985, and some new windows were added after 2000.
Because the church saw few interior alterations after the Second Vatican Council (1963-1965), it retains its rich interior scheme, with high quality carpentry, decorative plasterwork, and stained-glass windows.
The decorative clay tiles in the central aisle (Photograph: Patrick Comerford, 2018)
The churchyard on the north side of the church has many cut-limestone Celtic High Cross-style gravestones dating back to 1842, including the grave of Canon James Comerford, Parish Priest of Ballyragget, who died 70 years ago on 12 June 1948 at the age of 69.
The grave of Canon James Comerford, who died in 1948 (Photograph: Patrick Comerford, 2018)
The freestanding belfry dates from 1906, and has grouped cast-iron pillars on a square plan and a cast-iron bell with decorative brackets.
A Mass Rock from the 1640s was moved from Sermon Hill, Odtown, and re-erected here in 2009.
The 17th century Mass Rock in the churchyard at Saint Patrick’s (Photograph: Patrick Comerford, 2018)
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