The former Hotel Russell on Russell Square in Bloomsbury was designed by the architect Charles Fitzroy Doll (Photograph: Patrick Comerford, 2026)
Patrick Comerford
I have been in London six or seven times already this year, and when I find myself in the Bloomsbury area I often stop in Russell Square to admire the former Hotel Russell, even though it has lost the name it was known by for more than a century and is now called the Kimpton Fitzroy London.
The hotel at 1-8 Russell Square is a Grade II* listed building and was designed by the architect Charles Fitzroy Doll (1850-1929), who was the surveyor of the Bedford Estate. It was built in 1892-1898 and opened in 1900.
It is built of red brick with terracotta dressings, distinctively clad in decorative thé-au-lait (‘tea with milk’) terracotta, and was modelled on the Château de Madrid near the Bois de Boulogne in Paris. Its roofs and turrets have striking green fish-scale tiles, and the tall Victorian chimney-stacks have horizontal brick and terracotta bands. The hotel originally had a central copper dome and lantern instead of its present tiled mansard roof, and once must have been a more impressive site.
The architect Charles Fitzroy Doll specialised in designing hotels. He also designed the dining room on the Titanic, basing it on his design for the dining room in the Hotel Russell, known until recently known as Fitzroy Doll’s.
Doll was educated in Germany, then trained as an architect under Sir Matthew Digby Wyatt, and he was involved with Wyatt in designing the India Office in London in 1866-1868.
The sculptor Henry Charles Fehr modelled the life-size statues on the façade of four queens who look down on Russell Square from above the main entrance (Photograph: Patrick Comerford, 2026)
Doll was appointed surveyor to the Bedford Estates in Bloomsbury and Covent Garden in 1885. When he designed the Hotel Russell with its distinctive cladding, Doll engaged the sculptor Henry Charles Fehr to model the four life-size statues of British queens who look down on Russell Square from above the main entrance.
Doll was a member of Holborn Borough Council, and was Mayor of Holborn in 1904-1905 and 1912-1913. He died in 1929 aged 79. His children included Christian Charles Tyler Doll (1880-1955), who was involved in the reconstruction of the grand staircase of the Palace of King Minos at Knossos in Crete, working alongside Arthur Evans. He also designed the Villa Ariadne, a residence for Evans at Knossos that now houses the Knossos Research Centre.
The style of the Hotel Russell is described in its listing as ‘flamboyant French Renaissance … derived from engravings of the Château de Madrid, with elaborate decorations.’ The architectural historians Bridget Cherry and Sir Nikolaus Pevsner call it ‘monumental’.
The hotel is known for its palatial design, and its fixtures and fittings included an ornate Pyrenean marble staircase and an interior sunken garden. Each room was fitted with an en-suite bathroom, quite an innovation at the time.
Doll’s façade also displays the coats of arms of the world’s nations as they were in 1898, incorporated in the spandrels of the first floor. At the centre of the principal façade facing Russell Square, above the main entrance, are life-size terracotta statues of four reigning queens – Elizabeth I, Mary II, Anne and Victoria – and columns decorated with putti, both surmounted with knights flanking floral decoration above the decorative foundation date ‘1898’.
The larger than life terracotta statues represent idealised versions of the four queens. Elizabeth I is readily identifiable because of her ruff,while Victoria is depicted as a very young woman. But there is some confusion over who is who when it comes to Mary II and Anne, while a fifth reigning English queen, Mary I, is noticeably absent.
The statues of the four queens are the work of the sculptor Henry Charles Fehr (1867-1940), also created the busts of four Prime Ministers – Lord Derby, Lord Salisbury, William Gladstone and Benjamin Disraeli – on the Guilford Street façade of the hotel.
Queen Elizabeth and Queen Mary II among the four queens above the hotel entrance (Photograph: Patrick Comerford, 2026)
Fehr produced several notable public sculptures, war memorials and works for civic buildings, including sculptures for Middlesex Guildhall, Wakefield County Hall and Cardiff City Hall. His war memorials can be seen in for towns and cities throughout Britain and often feature detailed bronze statuary.
Doll also designed the Imperial Hotel (1905-1907) in Russell Square, described by the architectural historian Sir Niklaus Pevsner as a ‘vicious mixture of Art Nouveau Gothic and Art Nouveau Tudor’. The Imperial Hotel was demolished in 1967, and replaced by a contemporary, brutalist building designed by George Anthony Wilson Brandeth and where I stayed once when I was working with The Irish Times. Today it is known as the President Hotel.
Doll also designed the Flemish French-Gothic terrace of shops and apartments on the corner of Torrington Place and Gower Street. It was designed in 1907 and now includes the London University branch of Waterstones. The bookshop is in the heart of literary Bloomsbury and I, like many of my generation, still think of it as Dillon’s. Today, this branch of Waterstones claims it is the largest new and second-hand bookshop in Europe.
The Hotel Russell was one of the few hotels in this part of London not taken over by the War Office during World War II. It survived the war largely intact, but the magnificent dome was badly damaged in an air raid during the Blitz in 1941 and was never replaced.
The Hotel Russell continued to be known by that name for more than a century until 2018. After extensive renovations, the hotel reopened in 2018 as the Principal London. Three months later, it was bought by Covivio Hotels, which then transferred its management to InterContinental Hotels Group, and the hotel was renamed the Kimpton Fitzroy London later that year. The restaurant Doll designed was originally named after him but is now called Fitz’s.
Queen Anne and Queen Victoria among the four queens above the hotel entrance (Photograph: Patrick Comerford, 2026)
The Russell Group of universities, which was formed in 1994, is named after Hotel Russell, where the first informal meetings took place, and thankfully it has not changed its name.
The Russell Group now brings together 24 British universities that are often seen as Britain’s best. Together, they receive over three-quarters of all university research grant and contract income in the UK, they award 60% of all doctorates gained in the UK, they account for 65% of all world-leading research conducted in the UK, and their research is judged overwhelmingly to be world-leading or internationally excellent. Their graduates hold 61% of all UK jobs that require a university degree, despite being only 17% of all higher education graduates.
The Russell Group first included 17 universities: Birmingham, Bristol, Cambridge, Edinburgh, Glasgow, Imperial College London, Leeds, Liverpool, London School of Economics, Manchester, Newcastle, Nottingham, Oxford, Sheffield, Southampton, University College London and Warwick.
With the exception of Warwick, which was established in the 1960s, the founder members of the Russell Group were all universities or university colleges prior to World War I, and they included most of Britain’s ancient universities and ‘redbrick universities’. Cardiff University and King’s College London joined the Russell Group in 1998.
Queen’s University Belfast became the 20th member in 2006, and four more universities – Durham, Exeter, Queen Mary University of London, and York – joined the Russell Group in 2012.
The hotel may have changed its name in recent years, but the Russell and Bedford names continue in the streets and squares of Bloomsbury, and in some places there are memories too of the philosopher Bertrand Russell. But, perhaps, more about that in the days to come.
The Russell Group of universities is named after Hotel Russell, where the first informal meetings of the group took place in 1994 (Photograph: Patrick Comerford, 2026)
Showing posts with label Architecture. Show all posts
Showing posts with label Architecture. Show all posts
18 August 2026
16 August 2026
An updated guide to my visits
to London churches and other
religious places of worship
Sir Christopher Wren rebuilt Saint Paul’s Cathedral after the Great Fire of London (Photograph: Patrick Comerford, 2024)
Patrick Comerford
In previous postings, I have summarised and listed cathedrals, churches and chapels I have visited in Limerick, Stony Stratford, Milton Keynes, Buckinghamshire, Oxford, and other places, with hyper-links to my blog postings about each church I have visited in those places.
In a similar way, I have provided guides to the synagogues I have visited across the world.
Since my teens, I have also visited countless churches, chapels and cathedrals in London, as well as synagogues and mosques, and I have been blogging about them since about 2007. I last provided a posting with links to the blogs about each building I have visited and written about on 27 March 2025.
In the 2½ years since then, the number of churches, synagogues and other places I have blogged about has continued to grow. This posting is an effort to update that list of blog pastings and to provide an accessible index to those blog postings, with about 140 churches and church sites, and more than 30 synagogues, as well as and three mosques.
I hope to continue to update this posting intermittently, with links to each new posting.
Cathedrals in London:
1, All Saints’ Cathedral (Greek Orthodox), Camden Town (8 November 2022).
2, Saint George’s Cathedral (Roman Catholic), Southwark (1 September 2019) and here (29 October 2023).
3, Saint Paul’s Cathedral (Church of England) (9 May 2021).
4, Southwark Cathedral (Church of England) (3 December (2007), here (29 April 2016), here (1 September 2019), here (4 September 2023) and here (3 November 2023).
5, Westminster Abbey (Church of England) (11 July 2019) and here (19 August 2019).
6, Ukrainian Catholic Cathedral, Duke Street, Mayfair (1 June 2025).
7, Westminster Cathedral (Roman Catholic) (26 November 2018).
All Saints’ Church, Margaret Street, known for its architecture, liturgy, interior, rich decoration and music (Photograph: Patrick Comerford, 2023)
Church of England (Anglican) churches:
8, All Hallows by the Tower (16 August 2022).
9, All Hallows, Bread Street (16 September 2021).
10, All Saints’ Church, Margaret Street (23 September 2023).
11, All Souls’ Church, Langham Place (2 November 2023).
12, Christ Church, Blackfriars (21 September 2023).
13, Christ Church, Greyfriars (12 May 2017) and here (17 September 2021).
14, Christ Church, Marylebone, also known as Christ Church, Lisson Grove, and Christ Church, Cosway Street (3 August 2025).
15, Christ Church, Spitalfields (2 February 2018) and here (29 May 2021).
16, Christ the King, Gordon Square, Bloomsbury (27 July 2025).
17, Christ the Saviour, Ealing Broadway (15 August 2012).
18, Church of the Annunciation, Marble Arch (25 March 2025).
19, Euston Church, Gordon Square, Bloomsbury (27 July 2025).
20, Fitzrovia Chapel (former chapel, Middlesex Hospital), Pearson Square (29 June 2025).
21, The Grosvenor Chapel, Mayfair (6 July 2025).
22, Harvard Chapel, Southwark Cathedral (4 November 2023).
23, (former) Church of the Holy Trinity, Minories (27 June 2023).
24, Holy Trinity Church, Sloane Square, Chelsea (28 September 2022).
25, Queen’s Chapel, Saint James’s Palace (11 July 2019).
26, Royal Foundation of Saint Katharine (23 November 2016) and here (11 July 2019).
27, Saint Alphage’s Church (24 January 2020).
28, Saint Alban the Martyr, Holborn (19 February 2024).
29, Saint Andrew, Holborn (7 June 2023).
30, Saint Andrew-by-the-Wardrobe (12 May 2017) and here (5 September 2021).
31, Saint Anne’s Church, Soho (13 July 2025).
32, Saint Augustine, Watling Street, tower (22 May 2018), and here (18 September 2021).
33, Saint Bartholomew the Great, Smithfield (21 February 2024).
34, Saint Benet Fink, Royal Exchange (19 September 2021).
35, Saint Benet Paul’s Wharf (13 May 2017).
36, Saint Botolph without Aldersgate (25 January 2020).
37, Saint Botolph without Aldgate (27 January 2020) and here (29 October 2022).
38, Saint Botolph-without-Bishopsgate (2 February 2009) and here (22 November 2016).
39, Saint Bride’s, Fleet Street (6 September 2021).
40, Saint Christopher-le-Stocks, Threadneedle Street (20 September 2021).
41, Saint Clement Danes, The Strand (28 October 2022).
42, Saint Columba’s House chapel, Maybury Hill, Woking (22 May 2021).
43, Saint Cyprian’s Church, Glentworth Street (3 August 2025).
44, Saint Dunstan and All Saints, Stepney (13 February 2023).
45, Saint Dunstan-in-the-East (13 August 2022).
46, Saint Dunstan-in-the-West, Fleet Street (22 February 2024).
47, Saint Edmund, King and Martyr, Lombard Street (5 February 2020) and here (7 September 2021).
48, Saint Elsyng Spital (tower) (24 January 2020).
49, Saint Ethelburga-the-Virgin, Bishopsgate (1 April 2018).
50, Saint Gabriel, Warwick Square, Pimlico (8 August 2026).
51,, Saint George, Hanover Square (16 March 2025).
52, Saint George, Holborn (6 July 2022).
53, Saint George, Southwark (16 May 2019).
54, Saint George-in-the-East (22 November 2016).
55, Saint Giles-in-the-Fields Church, St Giles (7 September 2025).
56, Saint Hilda, Crofton Park, Brockley (12 July 2026).
57, (former) Saint James’ Church, Friern Park (12 October 2025).
58, Saint James’ Church, Picadilly (17 February 2025).
59, Saint John-at-Hampstead, Church Row, Hampstead (29 September 2024).
60, Saint John’s, Downshire Hill, Hampstead (30 September 2024).
61, (former) Saint John the Evangelist, Wilton Road, Victoria (12 August 2026).
62, Saint Katharine Cree, Leadenhall Street (27 October 2022).
63, Saint Lawrence Jewry (29 September 2016) and here (8 September 2021).
64, Saint Magnus the Martyr, Lower Thames Street (17 August 2022).
65, Saint Margaret Lothbury (30 September 2016) and here (9 September 2021).
66, Saint Margaret Pattens (15 August 2022).
67, Saint Margaret’s, Westminster (20 November 2012) and here (21 May 2021).
68, Saint Martin in the Fields (26 February 2024) and here (27 May 2021).
69, Saint Martin within Ludgate (25 January 2020) and here (10 September 2021).
70, Saint Mary Aldermary (14 May 2017) and here (10 September 2021).
71, Saint Mary, Bryanston Square (3 August 2025).
72, (former) Abbey of the Minoresses of Saint Mary of the Order of Saint Clare (27 June 2023).
73, Saint Mary at Hill (14 August 2022).
74, Saint Mary-le-Bow, Cheapside (11 May 2017) and here (12 September 2021).
75, Saint Mary le Strand (25 February 2024).
76, (former) Saint Mary Matfelon, Whitechapel (17 February 2020).
77, Saint Mary Somerset (tower), Lambeth Hill (22 May 2018) and here (21 September 2021).
78, Saint Mary, Somers Town (2 Mary 2025).
79, Saint Mary-within-Cripplegate (24 January 2020).
80, Saint Mary Woolnoth (15 May 2018) and here (22 September 2021).
81, Saint Matthew, Friday Street (23 September 2021).
82, Saint Matthew, Westminster (1 July 2011).
83, Saint Michael, Bassishaw (24 September 2021).
84, Saint Michael’s Church, Chester Square (1 October 2023).
85, Saint Michael’s Church, Cornhill (28 September 2023).
86, Saint Nicholas Cole Abbey (13 May 2017) and here (13 September 2021).
87, Saint Olave’s Church, corner of Hart Street and Seething Lane (27 February 2023).
88, Saint Olave Jewry (tower) (September 2016) and here (25 September 2021).
89, (former) Saint Pancras, Soper Lane (10 July 2022).
90, Saint Pancras New Church, near Euston Station (7 November 2022).
91, Saint Pancras Old Church (15 June 2022).
92, Saint Paul’s Church, Lisson Street (3 August 2025).
93, Saint Peter’s Church, Ealing (20 August 2012).
94, Saint Peter’s, Eaton Square, Belgravia (11 August 2026).
95, Saint Saviour’s, Saint George’s Square, Pimlico (10 August 2026).
96, (former) Saint Stephen’s Church, Rosslyn Hill, Hampstead (1 October 2024).
97, Saint Stephen Walbrook (30 May 2018), also here (16 February 2019), here (14 September 2021) and here (14 May 2022).
98, (former) Saint Thomas, Southwark (31 October 2023).
99, Saint Vedast-alias-Foster (24 February 2017) and here (15 September 2021).
100, The Temple Church (24 February 2024).
101, USPG Chapel, USPG offices, Southwark (20 March 2021) and here (4 March 2020).
102, Saint Vedast Foster Lane or Saint Vedast-alias-Foster (24 February 2017).
Inside Bloomsbury Central Baptist Church, Shaftesbury Avenue (Photograph: Patrick Comerford, 2025)
Baptist Churches:
103, Bloomsbury Central Baptist Church, Shaftesbury Avenue (28 December 2025).
104, Heath Street Baptist Church, Hampstead (5 October 2024).
105, (former) Soho Baptist Chapel, Shaftesbury Avenue (29 December 2025).
Chinese Church:
106, Chinese Church in London, Shaftesbury Avenue (29 December 2025).
Christian Science Church:
107, The Cadogan Hall, Chelsea, former Christian Science Church (5 October 2022).
Evangelical / Brethren:
108, Rossmore Hall Evangelical Church, Rossmore Road, Marylebone (3 August 2025).
Orthodox churches:
109, Saint Katherine’s Church (Greek Orthodox), Friern Park (12 October 2025).
110, (former) Greek Church, Soho (2 September 2025).
Quakers (Religious Society of Friends):
111,, Friends House, London Road (10 August 2025) and here (15 June 2026).
The French Protestant Church on Soho Square is the last remaining Huguenot church in London (Photograph: Patrick Comerford, 2025)
Reformed and Congregational traditions:
112, The American International Church (former Whitefield Memorial Church), Tottenham Court Road (20 July 2025).
113, City Temple, Holborn Viaduct (1 April 2026).
1144, Dutch Church, Austin Friars (16 May 2018).
115, French Church, Soho Square (23 February 2025).
116, (former) King’s Weigh House Chapel (Congregational), Duke Street, Mayfair (1 June 2025).
117, (former) Huguenot church, Brick Lane (23 January 2020).
118, (former) Lyndhurst Road Congregational Church, Hampstead (1 October 2024).
119, (former) Scottish Presbyterian Church, Willoughby Road, Hampstead (1 October 2024).
120, Stepney Meeting House, United Reformed Church (14 February 2023).
121, The Swiss Church, Endell Street, Covent Garden (4 January 2026).
122, (former) Welsh Presbyterian Chapel, Charing Cross Road (3 January 2026).
Looking out on Clerkenwell Road and Hatton Garden from the loggia and portico of Saint Peter’s Church, Saffron Hill (Photograph: Patrick Comerford, 2026)
Roman Catholic Church:
123, Ealing Abbey (14 August 2012) and here (6 January 2013).
124, Farm Street Church, Mayfair (22 June 2025).
125, The Kairos Centre chapel, Maryfield Convent, Richmond (22 November 2018), and here (22 May 2021).
126, Saint Aloysius Church, Somers Town (9 Mary 2025).
127, Saint Etheldreda’s Church, Ely Place (31 March 2026).
128, Saint Mary Magdalene, Comerford Road, Brockley (9 July 2026).
129, Saint Mary Moorfields (22 January 2020).
130, Saint Mellitus Church, Islington (11 July 2022).
131, Saint Patrick’s Church, Soho Square (16 February 2025).
132, Saint Peter’s Church, Saffron Hill (2 April 2026).
Saint Benedict’s Abbey, Ealing, is the first Benedictine abbey in Greater London since the Reformation (Photograph: Patrick Comerford)
Unitarian:
133, Rosslyn Hill Chapel, Hampstead (2 October 2024).
See also:
134, Royal Peculiars (11 July 2019)
135, former almshouse chapel, Museum of the Home, Hoxton (21 December 2025)
Church-linked buildings:
136, Lambeth Palace (27 July 2011).
137, Ye Old Mitre, Ely Place, Holborn, site of the Palace of the Bishops of Ely (6 June 2023).
138, Salters’ Hall, Saint Swithin’s Lane, Presbyterian meeting place, 1700s (24 January 2020).
139, Southwark Deanery (2 August 2023).
140, Winchester Palace (5 June 2023).
Bevis Marks Synagogue … the only synagogue in Europe that has held regular services continuously for more than 300 years (Photograph: Patrick Comerford)
Other religious traditions:
Judaism:
1, (site of) the Great Synagogue, Old Jewry (29 April 2016)
2, Kehillas Ya’akov, Commercial Road, Stepney (1 February 2018)
3, (site of) a synagogue at Threadneedle Street (17 February 2019)
4, The Bevis Marks Synagogue (22 January 2020)
5, (site of) Fieldgate Street Great Synagogue, Whitechapel (23 January 2020)
6, (site of) former Brick Lane Synagogue (23 January 2020)
7, (site of former) Creechurch Lane Synagogue (6 March 2020)
8, (site of former) Great Synagogue, Duke’s Lane (6 March 2020)
9, Sandy’s Row Synagogue (9 March 2020)
10, Princelet Street Synagogue (10 March 2020)
11, The Spital Square Poltava Synagogue, Heneage Street (24 February 2023)
12, (former) Artillery Lane Synagogue (28 February 2023)
13, (former) Gun Street Synagogue, Spitalfields (1 March 2023)
14, The East London Central Synagogue, also known as Nelson Street Synagogue or Nelson Street Sfardish Synagogue (2 March 2023) and here (6 February 2026)
15, the Konin Synagogue, Hanbury Street (3 March 2023)
16, the Glory of Israel and Sons of Klatsk Synagogue, Hanbury Street (3 March 2023)
17, the Poltava Synagogue, Hanbury Street (3 March 2023)
18, the Brethren of Suwalki Synagogue, Hanbury Street (3 March 2023)
19, Hanbury Street Synagogue, Hanbury Street (3 March 2023)
20, the Lovers of Peace Synagogue and the Voice of Jacob Synagogue, Hanbury Street (3 March 2023)
21, (former) Hambro’ Synagogue (6 March 2023)
22, (former) New Synagogue, Leadenhall Street (17 March 2023)
23, the Central Synagogue, Great Portland Street, London (19 May 2023)
24, Hampstead Synagogue, Dennington Park Road, Hampstead (15 November 2024).
25, (former) Beit HaSepher Synagogue, Soho Square (14 February 2025)
26, (former) West End Talmud Torah, Green’s Court, Soho (14 February 2025)
27, (former) Bikkur Holim synagogue, Manette Street, Soho (14 February 2025)
28, (former) West End Great Synagogue, Dean Street, Soho (14 February 2025)
29, (former) West Central Liberal Jewish Synagogue (28 February 2025).
30, Montague Centre, Maple Street (28 February 2025).
31, West London Synagogue (14 March 2025).
32, West Marble Arch Synagogue (7 March 2025).
Islam:
1, Brick Lane Mosque, formerly London Great Mosque (23 January 2020)
2, East London Mosque, Whitechapel Road (23 January 2020).
3, The Shah Jahan Mosque, Woking (28 November, 2019).
Secular/Humanist ‘chapels’ and halls:
1, Conway Hall, Theobald’s Street and Red Lion Square (7 April 2026) and here (27 February 2024).
Patrick Comerford
In previous postings, I have summarised and listed cathedrals, churches and chapels I have visited in Limerick, Stony Stratford, Milton Keynes, Buckinghamshire, Oxford, and other places, with hyper-links to my blog postings about each church I have visited in those places.
In a similar way, I have provided guides to the synagogues I have visited across the world.
Since my teens, I have also visited countless churches, chapels and cathedrals in London, as well as synagogues and mosques, and I have been blogging about them since about 2007. I last provided a posting with links to the blogs about each building I have visited and written about on 27 March 2025.
In the 2½ years since then, the number of churches, synagogues and other places I have blogged about has continued to grow. This posting is an effort to update that list of blog pastings and to provide an accessible index to those blog postings, with about 140 churches and church sites, and more than 30 synagogues, as well as and three mosques.
I hope to continue to update this posting intermittently, with links to each new posting.
Cathedrals in London:
1, All Saints’ Cathedral (Greek Orthodox), Camden Town (8 November 2022).
2, Saint George’s Cathedral (Roman Catholic), Southwark (1 September 2019) and here (29 October 2023).
3, Saint Paul’s Cathedral (Church of England) (9 May 2021).
4, Southwark Cathedral (Church of England) (3 December (2007), here (29 April 2016), here (1 September 2019), here (4 September 2023) and here (3 November 2023).
5, Westminster Abbey (Church of England) (11 July 2019) and here (19 August 2019).
6, Ukrainian Catholic Cathedral, Duke Street, Mayfair (1 June 2025).
7, Westminster Cathedral (Roman Catholic) (26 November 2018).
All Saints’ Church, Margaret Street, known for its architecture, liturgy, interior, rich decoration and music (Photograph: Patrick Comerford, 2023)
Church of England (Anglican) churches:
8, All Hallows by the Tower (16 August 2022).
9, All Hallows, Bread Street (16 September 2021).
10, All Saints’ Church, Margaret Street (23 September 2023).
11, All Souls’ Church, Langham Place (2 November 2023).
12, Christ Church, Blackfriars (21 September 2023).
13, Christ Church, Greyfriars (12 May 2017) and here (17 September 2021).
14, Christ Church, Marylebone, also known as Christ Church, Lisson Grove, and Christ Church, Cosway Street (3 August 2025).
15, Christ Church, Spitalfields (2 February 2018) and here (29 May 2021).
16, Christ the King, Gordon Square, Bloomsbury (27 July 2025).
17, Christ the Saviour, Ealing Broadway (15 August 2012).
18, Church of the Annunciation, Marble Arch (25 March 2025).
19, Euston Church, Gordon Square, Bloomsbury (27 July 2025).
20, Fitzrovia Chapel (former chapel, Middlesex Hospital), Pearson Square (29 June 2025).
21, The Grosvenor Chapel, Mayfair (6 July 2025).
22, Harvard Chapel, Southwark Cathedral (4 November 2023).
23, (former) Church of the Holy Trinity, Minories (27 June 2023).
24, Holy Trinity Church, Sloane Square, Chelsea (28 September 2022).
25, Queen’s Chapel, Saint James’s Palace (11 July 2019).
26, Royal Foundation of Saint Katharine (23 November 2016) and here (11 July 2019).
27, Saint Alphage’s Church (24 January 2020).
28, Saint Alban the Martyr, Holborn (19 February 2024).
29, Saint Andrew, Holborn (7 June 2023).
30, Saint Andrew-by-the-Wardrobe (12 May 2017) and here (5 September 2021).
31, Saint Anne’s Church, Soho (13 July 2025).
32, Saint Augustine, Watling Street, tower (22 May 2018), and here (18 September 2021).
33, Saint Bartholomew the Great, Smithfield (21 February 2024).
34, Saint Benet Fink, Royal Exchange (19 September 2021).
35, Saint Benet Paul’s Wharf (13 May 2017).
36, Saint Botolph without Aldersgate (25 January 2020).
37, Saint Botolph without Aldgate (27 January 2020) and here (29 October 2022).
38, Saint Botolph-without-Bishopsgate (2 February 2009) and here (22 November 2016).
39, Saint Bride’s, Fleet Street (6 September 2021).
40, Saint Christopher-le-Stocks, Threadneedle Street (20 September 2021).
41, Saint Clement Danes, The Strand (28 October 2022).
42, Saint Columba’s House chapel, Maybury Hill, Woking (22 May 2021).
43, Saint Cyprian’s Church, Glentworth Street (3 August 2025).
44, Saint Dunstan and All Saints, Stepney (13 February 2023).
45, Saint Dunstan-in-the-East (13 August 2022).
46, Saint Dunstan-in-the-West, Fleet Street (22 February 2024).
47, Saint Edmund, King and Martyr, Lombard Street (5 February 2020) and here (7 September 2021).
48, Saint Elsyng Spital (tower) (24 January 2020).
49, Saint Ethelburga-the-Virgin, Bishopsgate (1 April 2018).
50, Saint Gabriel, Warwick Square, Pimlico (8 August 2026).
51,, Saint George, Hanover Square (16 March 2025).
52, Saint George, Holborn (6 July 2022).
53, Saint George, Southwark (16 May 2019).
54, Saint George-in-the-East (22 November 2016).
55, Saint Giles-in-the-Fields Church, St Giles (7 September 2025).
56, Saint Hilda, Crofton Park, Brockley (12 July 2026).
57, (former) Saint James’ Church, Friern Park (12 October 2025).
58, Saint James’ Church, Picadilly (17 February 2025).
59, Saint John-at-Hampstead, Church Row, Hampstead (29 September 2024).
60, Saint John’s, Downshire Hill, Hampstead (30 September 2024).
61, (former) Saint John the Evangelist, Wilton Road, Victoria (12 August 2026).
62, Saint Katharine Cree, Leadenhall Street (27 October 2022).
63, Saint Lawrence Jewry (29 September 2016) and here (8 September 2021).
64, Saint Magnus the Martyr, Lower Thames Street (17 August 2022).
65, Saint Margaret Lothbury (30 September 2016) and here (9 September 2021).
66, Saint Margaret Pattens (15 August 2022).
67, Saint Margaret’s, Westminster (20 November 2012) and here (21 May 2021).
68, Saint Martin in the Fields (26 February 2024) and here (27 May 2021).
69, Saint Martin within Ludgate (25 January 2020) and here (10 September 2021).
70, Saint Mary Aldermary (14 May 2017) and here (10 September 2021).
71, Saint Mary, Bryanston Square (3 August 2025).
72, (former) Abbey of the Minoresses of Saint Mary of the Order of Saint Clare (27 June 2023).
73, Saint Mary at Hill (14 August 2022).
74, Saint Mary-le-Bow, Cheapside (11 May 2017) and here (12 September 2021).
75, Saint Mary le Strand (25 February 2024).
76, (former) Saint Mary Matfelon, Whitechapel (17 February 2020).
77, Saint Mary Somerset (tower), Lambeth Hill (22 May 2018) and here (21 September 2021).
78, Saint Mary, Somers Town (2 Mary 2025).
79, Saint Mary-within-Cripplegate (24 January 2020).
80, Saint Mary Woolnoth (15 May 2018) and here (22 September 2021).
81, Saint Matthew, Friday Street (23 September 2021).
82, Saint Matthew, Westminster (1 July 2011).
83, Saint Michael, Bassishaw (24 September 2021).
84, Saint Michael’s Church, Chester Square (1 October 2023).
85, Saint Michael’s Church, Cornhill (28 September 2023).
86, Saint Nicholas Cole Abbey (13 May 2017) and here (13 September 2021).
87, Saint Olave’s Church, corner of Hart Street and Seething Lane (27 February 2023).
88, Saint Olave Jewry (tower) (September 2016) and here (25 September 2021).
89, (former) Saint Pancras, Soper Lane (10 July 2022).
90, Saint Pancras New Church, near Euston Station (7 November 2022).
91, Saint Pancras Old Church (15 June 2022).
92, Saint Paul’s Church, Lisson Street (3 August 2025).
93, Saint Peter’s Church, Ealing (20 August 2012).
94, Saint Peter’s, Eaton Square, Belgravia (11 August 2026).
95, Saint Saviour’s, Saint George’s Square, Pimlico (10 August 2026).
96, (former) Saint Stephen’s Church, Rosslyn Hill, Hampstead (1 October 2024).
97, Saint Stephen Walbrook (30 May 2018), also here (16 February 2019), here (14 September 2021) and here (14 May 2022).
98, (former) Saint Thomas, Southwark (31 October 2023).
99, Saint Vedast-alias-Foster (24 February 2017) and here (15 September 2021).
100, The Temple Church (24 February 2024).
101, USPG Chapel, USPG offices, Southwark (20 March 2021) and here (4 March 2020).
102, Saint Vedast Foster Lane or Saint Vedast-alias-Foster (24 February 2017).
Inside Bloomsbury Central Baptist Church, Shaftesbury Avenue (Photograph: Patrick Comerford, 2025)
Baptist Churches:
103, Bloomsbury Central Baptist Church, Shaftesbury Avenue (28 December 2025).
104, Heath Street Baptist Church, Hampstead (5 October 2024).
105, (former) Soho Baptist Chapel, Shaftesbury Avenue (29 December 2025).
Chinese Church:
106, Chinese Church in London, Shaftesbury Avenue (29 December 2025).
Christian Science Church:
107, The Cadogan Hall, Chelsea, former Christian Science Church (5 October 2022).
Evangelical / Brethren:
108, Rossmore Hall Evangelical Church, Rossmore Road, Marylebone (3 August 2025).
Orthodox churches:
109, Saint Katherine’s Church (Greek Orthodox), Friern Park (12 October 2025).
110, (former) Greek Church, Soho (2 September 2025).
Quakers (Religious Society of Friends):
111,, Friends House, London Road (10 August 2025) and here (15 June 2026).
The French Protestant Church on Soho Square is the last remaining Huguenot church in London (Photograph: Patrick Comerford, 2025)
Reformed and Congregational traditions:
112, The American International Church (former Whitefield Memorial Church), Tottenham Court Road (20 July 2025).
113, City Temple, Holborn Viaduct (1 April 2026).
1144, Dutch Church, Austin Friars (16 May 2018).
115, French Church, Soho Square (23 February 2025).
116, (former) King’s Weigh House Chapel (Congregational), Duke Street, Mayfair (1 June 2025).
117, (former) Huguenot church, Brick Lane (23 January 2020).
118, (former) Lyndhurst Road Congregational Church, Hampstead (1 October 2024).
119, (former) Scottish Presbyterian Church, Willoughby Road, Hampstead (1 October 2024).
120, Stepney Meeting House, United Reformed Church (14 February 2023).
121, The Swiss Church, Endell Street, Covent Garden (4 January 2026).
122, (former) Welsh Presbyterian Chapel, Charing Cross Road (3 January 2026).
Looking out on Clerkenwell Road and Hatton Garden from the loggia and portico of Saint Peter’s Church, Saffron Hill (Photograph: Patrick Comerford, 2026)
Roman Catholic Church:
123, Ealing Abbey (14 August 2012) and here (6 January 2013).
124, Farm Street Church, Mayfair (22 June 2025).
125, The Kairos Centre chapel, Maryfield Convent, Richmond (22 November 2018), and here (22 May 2021).
126, Saint Aloysius Church, Somers Town (9 Mary 2025).
127, Saint Etheldreda’s Church, Ely Place (31 March 2026).
128, Saint Mary Magdalene, Comerford Road, Brockley (9 July 2026).
129, Saint Mary Moorfields (22 January 2020).
130, Saint Mellitus Church, Islington (11 July 2022).
131, Saint Patrick’s Church, Soho Square (16 February 2025).
132, Saint Peter’s Church, Saffron Hill (2 April 2026).
Saint Benedict’s Abbey, Ealing, is the first Benedictine abbey in Greater London since the Reformation (Photograph: Patrick Comerford)
Unitarian:
133, Rosslyn Hill Chapel, Hampstead (2 October 2024).
See also:
134, Royal Peculiars (11 July 2019)
135, former almshouse chapel, Museum of the Home, Hoxton (21 December 2025)
Church-linked buildings:
136, Lambeth Palace (27 July 2011).
137, Ye Old Mitre, Ely Place, Holborn, site of the Palace of the Bishops of Ely (6 June 2023).
138, Salters’ Hall, Saint Swithin’s Lane, Presbyterian meeting place, 1700s (24 January 2020).
139, Southwark Deanery (2 August 2023).
140, Winchester Palace (5 June 2023).
Bevis Marks Synagogue … the only synagogue in Europe that has held regular services continuously for more than 300 years (Photograph: Patrick Comerford)
Other religious traditions:
Judaism:
1, (site of) the Great Synagogue, Old Jewry (29 April 2016)
2, Kehillas Ya’akov, Commercial Road, Stepney (1 February 2018)
3, (site of) a synagogue at Threadneedle Street (17 February 2019)
4, The Bevis Marks Synagogue (22 January 2020)
5, (site of) Fieldgate Street Great Synagogue, Whitechapel (23 January 2020)
6, (site of) former Brick Lane Synagogue (23 January 2020)
7, (site of former) Creechurch Lane Synagogue (6 March 2020)
8, (site of former) Great Synagogue, Duke’s Lane (6 March 2020)
9, Sandy’s Row Synagogue (9 March 2020)
10, Princelet Street Synagogue (10 March 2020)
11, The Spital Square Poltava Synagogue, Heneage Street (24 February 2023)
12, (former) Artillery Lane Synagogue (28 February 2023)
13, (former) Gun Street Synagogue, Spitalfields (1 March 2023)
14, The East London Central Synagogue, also known as Nelson Street Synagogue or Nelson Street Sfardish Synagogue (2 March 2023) and here (6 February 2026)
15, the Konin Synagogue, Hanbury Street (3 March 2023)
16, the Glory of Israel and Sons of Klatsk Synagogue, Hanbury Street (3 March 2023)
17, the Poltava Synagogue, Hanbury Street (3 March 2023)
18, the Brethren of Suwalki Synagogue, Hanbury Street (3 March 2023)
19, Hanbury Street Synagogue, Hanbury Street (3 March 2023)
20, the Lovers of Peace Synagogue and the Voice of Jacob Synagogue, Hanbury Street (3 March 2023)
21, (former) Hambro’ Synagogue (6 March 2023)
22, (former) New Synagogue, Leadenhall Street (17 March 2023)
23, the Central Synagogue, Great Portland Street, London (19 May 2023)
24, Hampstead Synagogue, Dennington Park Road, Hampstead (15 November 2024).
25, (former) Beit HaSepher Synagogue, Soho Square (14 February 2025)
26, (former) West End Talmud Torah, Green’s Court, Soho (14 February 2025)
27, (former) Bikkur Holim synagogue, Manette Street, Soho (14 February 2025)
28, (former) West End Great Synagogue, Dean Street, Soho (14 February 2025)
29, (former) West Central Liberal Jewish Synagogue (28 February 2025).
30, Montague Centre, Maple Street (28 February 2025).
31, West London Synagogue (14 March 2025).
32, West Marble Arch Synagogue (7 March 2025).
Islam:
1, Brick Lane Mosque, formerly London Great Mosque (23 January 2020)
2, East London Mosque, Whitechapel Road (23 January 2020).
3, The Shah Jahan Mosque, Woking (28 November, 2019).
Secular/Humanist ‘chapels’ and halls:
1, Conway Hall, Theobald’s Street and Red Lion Square (7 April 2026) and here (27 February 2024).
11 August 2026
Saint Peter’s Church, Eaton Square, is
‘one of the most beautiful churches’ in
the ‘most expensive place in London’
Saint Peter’s Church is at the east end of Eaton Square, has been described as ‘one of the most beautiful churches in London’ (Photograph: Patrick Comerford, 2026)
Patrick Comerford
During my visit to Pimlico and Belgravia last week, I visited three interesting churches in the area: Saint Gabriel’s Church, Warwick Square; Saint Saviour’s Church, Saint George’s Square; and Saint Peter’s Church, Eaton Square. In recent years, I have also visited Saint Michael’s Church, Chester Square.
Saint Peter’s Church is at the east end of Eaton Square, which is, in fact, an oblong about one-third of a mile long and arranged around six private garden squares covering 2.5 ha of Belgravia, close to Mayfair and Knightsbridge.
Eaton Square is part of the Grosvenor Estate and takes its name from Eaton Hall in Cheshire, the principal home of the Dukes of Westminster. Its origins go back to an Act of Parliament in 1826 that allowed Lord Grosvenor – who owned most of the land that now makes up Belgravia and Mayfair – to drain the ‘open and rural space known as the Five Fields and build a new and elegant town connecting London and Chelsea’.
Saint Peter’s Church, Eaton Square, was inspired by the west portico of the Erechtheion on the Acropolis in Athens (Photograph: Patrick Comerford, 2026)
Eaton Square was once named as the ‘most expensive place to buy property in Britain’. The residents have included former Prime Ministers Stanley Baldwin and Neville Chamberlain, actor Vivien Leigh, Austrian statesman Prince Metternich, philanthropist George Peabody and the exiled and deposed former Greek royal family.
James Bond’s fictional home was also in Eaton Square, while real-life residents in the past have included the Bond actor Sean Connery, film star Rex Harrison, Nigella Lawson and Charles Saatchi.
No 22 was once the childhood home of John Bingham, 7th Earl of Lucan, who as Lord Lucan who was suspected of murdering his children’s nanny Sandra Rivett in 1974.
Inside Saint Peter’s Church, Eaton Square, rebuilt in 1990-1991 after a fire in 1987 (Photograph: Patrick Comerford, 2026)
If Eaton Square can be described as the ‘most expensive place to buy property in Britain’, then Saint Peter’s Church was once described in The Times ‘as one of the ost beautiful churches in London’ (19 October 1991).
Saint Peter’s is a neoclassical church designed by the architect Henry Hakewill with a hexastyle portico with six Ionic columns and a clock tower, and is a Grade II* listed building.
The architect Henry Hakewill (1771-1830) had a large practice, mostly involving English country houses. He was the architect to Rugby School, and also worked for the Radcliffe trustees in Oxford and the Middle Temple in London. His two Greek Revival buildings of note are Coed Coch (1804), a now-demolished country house in Denbighshire, Wales, and Saint Peter's Church, Eaton Square.
Saint Peter’s was first built in 1824-1827 during the early stages of the development of Eaton Square. This building burnt down, and the church was rebuilt in 1837 according to Hakewill’s drawings by Arthur William Hakewill (1808-1856) and Charles Jearrad. From its founding, Saint Peter’s, Eaton Square, was considered in Pimlico and until at least 1878 was usually recorded as Saint Peter’s, Pimlico.
Saint Peter’s was founded as a district a district church of Saint George’s, Hanover Square, in 1827, and remained so until 1844. It was the parish church of Saint Peter, Pimlico, from 1844 until 1954.
The High Altar and apse in Saint Peter’s Church, Eaton Square (Photograph: Patrick Comerford, 2026)
Saint Peter’s is built of yellow stock brick and ashlar and stone dressings. It is a basilica-style church with a pedimented west portico, a narthex, tower and cupola, rectangular nave, chancel with small north and south transepts, and flanking chapels.
The hexastyle Ionic portico has six Ionic columns and a plain entablature that are inspired by the west portico of the Erechtheion on the north side of the Acropolis in Athens. Some years earlier, William Inwood (1771-1843) in his design of Saint Pancras New Church (1822) on Euston Road had been inspired by both the Tower of the Winds in Athens, with Ionic-style pillars at the west end, and two sets of caryatids that stand above the north and south entrances to the crypt, modelled by John Charles Felix Rossi (1762-1839).
The portico of Saint Peter’s is set on four steps, surmounted by a pediment. There are pilasters at the rear angles, three tall doorways with moulded architraves, and flat cornices on carved brackets, each with a pair of doors with fielded panels.
The tower is set on a wide stylobate with a tall plinth forming a clock stage, each face with a clock. At the bell stage, a louvred round arched opening is flanked by Ionic half columns with pilasters at the angles. The cupola is set between pedimented blocks at the angles and is surmounted by a gilded metal cross.
The interior was, as so often at the time, a ‘preaching box’, with galleries along three sides and the organ and choir at the west end. The architect James Elmes (1782-1862) described the effect as ‘chaste and simple’.
The original building was a commissioners’ church, receiving a grant from the Church Building Commission towards its cost. The full cost of the building was £22,427, the equivalent to more than £2 million today, with the commission paying £5,556.
Looking towards the west end of Saint Peter’s from the apse and High Altar (Photograph: Patrick Comerford, 2026)
The church was enlarged in 1875, and reordered to designs by Sir Arthur Blomfield (1829-1899), who added a chancel at the east end and north and south transepts and ‘fiercely normanised’ the interior. Internally, Blomfield’s chancel and transepts are in a Romanesque Revival style, but externally they follow with Hakewill’s neoclassical style.
All of the parish of Christ Church, Broadway, and half of that of Saint Andrew’s Church, Ashley Place were merged into Saint Peter’s after they were both damaged beyond repair in the Blitz, with the other half of Saint Andrew’s parish going to Saint Stephen’s Church, Rochester Row.
The crypt with about 400 burials was cleared in 1951 and the remains were reinterred at Brookwood Cemetery in Surrey. Since 1954, it has been the Parish of Saint Peter, Pimlico, with Christ Church, Westminster. Choristers for the choir were provided by London Choir School until 1958, when the choir school closed.
A statue of Saint Peter in Saint Peter’s Church, Eaton Square (Photograph: Patrick Comerford, 2026)
Almost 40 years ago, an anti-Catholic arsonist set fire to the east end of the church on 20 October 1987, in the mistaken belief that the building was a Roman Catholic church. Within hours the church was engulfed. By the next day the fire was out but only the Georgian shell of the building remained. It was roofless, with most of its furnishings destroyed. The church needed total rebuilding.
The Braithwaite Partnership of architects was commissioned to completely redesign the church with a new and simpler interior, and to incorporate within the site a vicarage, offices, flats for a curate, verger and music director, a meeting hall, nursery school rooms and a large playroom for the parish youth club.
Work on the new church began at Easter 1990, and the foundation stone of the new sanctuary was laid by the Duchess of Kent on 25 September 1990 and dedicated by Bishop John Klyberg of Fulham. The rebuilding work was completed in 1991, the church reopened on 20 October 1991, the fourth anniversary of the fire, and was reconsecrated by the Bishop of London, David Hope, on 7 May 1992.
The organ in Saint Peter’s Church (Photograph: Patrick Comerford, 2026)
Saint Peter’s retains its grand Georgian portico but beyond that the interior is clean, bright and modern. The choir and organ are at the west end, as in the 1827 plan, but the fittings are thoroughly modern. The church is accessible and has disabled-accessible toilets.
The apse behind the altar is decorated entirely in gold mosaic. Around the side of the apse, part of the 1873 sanctuary that survived the fire can be seen, and also a side chapel now used as the vestry office, complete with stained glass.
Saint Peter’s has been described as ‘a serene sanctuary amidst the bustling cityscape … providing solace and spiritual nourishment for both residents and visitors.’ It is a venue for celebrated classical concerts in spring and autumn, and is known as a venue for society weddings. Lord Lucan’s daughter, the barrister Lady Camilla Bingham, and Michael Bloch were married in the church in 1998.
Saint Peter’s stands in the inclusive Anglo-Catholic tradition of the Church of England and serves a diverse community across Belgravia, Victoria, and Pimlico, with services using both the Book of Common Prayer and Common Worship. Father Jonathan Kester has been the Vicar of Saint Peter’s since 2022; the other clergy include Father Carlos Remotti-Breton, assistant curate, and Father Herbert Bennett, honorary associate priest.
The foyer and welcome area in the narthex in Saint Peter’s Church (Photograph: Patrick Comerford, 2026)
• Sunday Services are: 8 am, Holy Communion (Book of Common Prayer); 9:30 am, Family Eucharist; 11 am, Choral Eucharist. A Parish Eucharist at 10:30 am replaces the Family Eucharist and Choral Eucharist on some Sundays. Weekday services are: 8 am, Morning Prayer (except Wednesdays); 5 pm, Evening Prayer; 8 am Wednesdays, the Eucharist; 12.30 pm, Monday to Friday, the Eucharist.
Saint Peter’s is in the inclusive Anglo-Catholic tradition and serves a diverse community in Belgravia, Victoria, and Pimlico (Photograph: Patrick Comerford, 2026)
Patrick Comerford
During my visit to Pimlico and Belgravia last week, I visited three interesting churches in the area: Saint Gabriel’s Church, Warwick Square; Saint Saviour’s Church, Saint George’s Square; and Saint Peter’s Church, Eaton Square. In recent years, I have also visited Saint Michael’s Church, Chester Square.
Saint Peter’s Church is at the east end of Eaton Square, which is, in fact, an oblong about one-third of a mile long and arranged around six private garden squares covering 2.5 ha of Belgravia, close to Mayfair and Knightsbridge.
Eaton Square is part of the Grosvenor Estate and takes its name from Eaton Hall in Cheshire, the principal home of the Dukes of Westminster. Its origins go back to an Act of Parliament in 1826 that allowed Lord Grosvenor – who owned most of the land that now makes up Belgravia and Mayfair – to drain the ‘open and rural space known as the Five Fields and build a new and elegant town connecting London and Chelsea’.
Saint Peter’s Church, Eaton Square, was inspired by the west portico of the Erechtheion on the Acropolis in Athens (Photograph: Patrick Comerford, 2026)
Eaton Square was once named as the ‘most expensive place to buy property in Britain’. The residents have included former Prime Ministers Stanley Baldwin and Neville Chamberlain, actor Vivien Leigh, Austrian statesman Prince Metternich, philanthropist George Peabody and the exiled and deposed former Greek royal family.
James Bond’s fictional home was also in Eaton Square, while real-life residents in the past have included the Bond actor Sean Connery, film star Rex Harrison, Nigella Lawson and Charles Saatchi.
No 22 was once the childhood home of John Bingham, 7th Earl of Lucan, who as Lord Lucan who was suspected of murdering his children’s nanny Sandra Rivett in 1974.
Inside Saint Peter’s Church, Eaton Square, rebuilt in 1990-1991 after a fire in 1987 (Photograph: Patrick Comerford, 2026)
If Eaton Square can be described as the ‘most expensive place to buy property in Britain’, then Saint Peter’s Church was once described in The Times ‘as one of the ost beautiful churches in London’ (19 October 1991).
Saint Peter’s is a neoclassical church designed by the architect Henry Hakewill with a hexastyle portico with six Ionic columns and a clock tower, and is a Grade II* listed building.
The architect Henry Hakewill (1771-1830) had a large practice, mostly involving English country houses. He was the architect to Rugby School, and also worked for the Radcliffe trustees in Oxford and the Middle Temple in London. His two Greek Revival buildings of note are Coed Coch (1804), a now-demolished country house in Denbighshire, Wales, and Saint Peter's Church, Eaton Square.
Saint Peter’s was first built in 1824-1827 during the early stages of the development of Eaton Square. This building burnt down, and the church was rebuilt in 1837 according to Hakewill’s drawings by Arthur William Hakewill (1808-1856) and Charles Jearrad. From its founding, Saint Peter’s, Eaton Square, was considered in Pimlico and until at least 1878 was usually recorded as Saint Peter’s, Pimlico.
Saint Peter’s was founded as a district a district church of Saint George’s, Hanover Square, in 1827, and remained so until 1844. It was the parish church of Saint Peter, Pimlico, from 1844 until 1954.
The High Altar and apse in Saint Peter’s Church, Eaton Square (Photograph: Patrick Comerford, 2026)
Saint Peter’s is built of yellow stock brick and ashlar and stone dressings. It is a basilica-style church with a pedimented west portico, a narthex, tower and cupola, rectangular nave, chancel with small north and south transepts, and flanking chapels.
The hexastyle Ionic portico has six Ionic columns and a plain entablature that are inspired by the west portico of the Erechtheion on the north side of the Acropolis in Athens. Some years earlier, William Inwood (1771-1843) in his design of Saint Pancras New Church (1822) on Euston Road had been inspired by both the Tower of the Winds in Athens, with Ionic-style pillars at the west end, and two sets of caryatids that stand above the north and south entrances to the crypt, modelled by John Charles Felix Rossi (1762-1839).
The portico of Saint Peter’s is set on four steps, surmounted by a pediment. There are pilasters at the rear angles, three tall doorways with moulded architraves, and flat cornices on carved brackets, each with a pair of doors with fielded panels.
The tower is set on a wide stylobate with a tall plinth forming a clock stage, each face with a clock. At the bell stage, a louvred round arched opening is flanked by Ionic half columns with pilasters at the angles. The cupola is set between pedimented blocks at the angles and is surmounted by a gilded metal cross.
The interior was, as so often at the time, a ‘preaching box’, with galleries along three sides and the organ and choir at the west end. The architect James Elmes (1782-1862) described the effect as ‘chaste and simple’.
The original building was a commissioners’ church, receiving a grant from the Church Building Commission towards its cost. The full cost of the building was £22,427, the equivalent to more than £2 million today, with the commission paying £5,556.
Looking towards the west end of Saint Peter’s from the apse and High Altar (Photograph: Patrick Comerford, 2026)
The church was enlarged in 1875, and reordered to designs by Sir Arthur Blomfield (1829-1899), who added a chancel at the east end and north and south transepts and ‘fiercely normanised’ the interior. Internally, Blomfield’s chancel and transepts are in a Romanesque Revival style, but externally they follow with Hakewill’s neoclassical style.
All of the parish of Christ Church, Broadway, and half of that of Saint Andrew’s Church, Ashley Place were merged into Saint Peter’s after they were both damaged beyond repair in the Blitz, with the other half of Saint Andrew’s parish going to Saint Stephen’s Church, Rochester Row.
The crypt with about 400 burials was cleared in 1951 and the remains were reinterred at Brookwood Cemetery in Surrey. Since 1954, it has been the Parish of Saint Peter, Pimlico, with Christ Church, Westminster. Choristers for the choir were provided by London Choir School until 1958, when the choir school closed.
A statue of Saint Peter in Saint Peter’s Church, Eaton Square (Photograph: Patrick Comerford, 2026)
Almost 40 years ago, an anti-Catholic arsonist set fire to the east end of the church on 20 October 1987, in the mistaken belief that the building was a Roman Catholic church. Within hours the church was engulfed. By the next day the fire was out but only the Georgian shell of the building remained. It was roofless, with most of its furnishings destroyed. The church needed total rebuilding.
The Braithwaite Partnership of architects was commissioned to completely redesign the church with a new and simpler interior, and to incorporate within the site a vicarage, offices, flats for a curate, verger and music director, a meeting hall, nursery school rooms and a large playroom for the parish youth club.
Work on the new church began at Easter 1990, and the foundation stone of the new sanctuary was laid by the Duchess of Kent on 25 September 1990 and dedicated by Bishop John Klyberg of Fulham. The rebuilding work was completed in 1991, the church reopened on 20 October 1991, the fourth anniversary of the fire, and was reconsecrated by the Bishop of London, David Hope, on 7 May 1992.
The organ in Saint Peter’s Church (Photograph: Patrick Comerford, 2026)
Saint Peter’s retains its grand Georgian portico but beyond that the interior is clean, bright and modern. The choir and organ are at the west end, as in the 1827 plan, but the fittings are thoroughly modern. The church is accessible and has disabled-accessible toilets.
The apse behind the altar is decorated entirely in gold mosaic. Around the side of the apse, part of the 1873 sanctuary that survived the fire can be seen, and also a side chapel now used as the vestry office, complete with stained glass.
Saint Peter’s has been described as ‘a serene sanctuary amidst the bustling cityscape … providing solace and spiritual nourishment for both residents and visitors.’ It is a venue for celebrated classical concerts in spring and autumn, and is known as a venue for society weddings. Lord Lucan’s daughter, the barrister Lady Camilla Bingham, and Michael Bloch were married in the church in 1998.
Saint Peter’s stands in the inclusive Anglo-Catholic tradition of the Church of England and serves a diverse community across Belgravia, Victoria, and Pimlico, with services using both the Book of Common Prayer and Common Worship. Father Jonathan Kester has been the Vicar of Saint Peter’s since 2022; the other clergy include Father Carlos Remotti-Breton, assistant curate, and Father Herbert Bennett, honorary associate priest.
The foyer and welcome area in the narthex in Saint Peter’s Church (Photograph: Patrick Comerford, 2026)
• Sunday Services are: 8 am, Holy Communion (Book of Common Prayer); 9:30 am, Family Eucharist; 11 am, Choral Eucharist. A Parish Eucharist at 10:30 am replaces the Family Eucharist and Choral Eucharist on some Sundays. Weekday services are: 8 am, Morning Prayer (except Wednesdays); 5 pm, Evening Prayer; 8 am Wednesdays, the Eucharist; 12.30 pm, Monday to Friday, the Eucharist.
Saint Peter’s is in the inclusive Anglo-Catholic tradition and serves a diverse community in Belgravia, Victoria, and Pimlico (Photograph: Patrick Comerford, 2026)
10 August 2026
Saint Saviour’s Church
in Pimlico – a Victorian
church one that once had
the tallest spire in London
Saint Saviour’s Church on Saint George’s Square, Pimlico, designed by Thomas Cundy, once had one of the tallest spires in London (Photograph: Patrick Comerford, 2026)
Patrick Comerford
During my afternoon in Pimlico and Belgravia last week, I visited a number of churches in the area, including Saint Peter’s Church on Eaton Square, Saint Gabriel’s Church on Warwick Square, and Saint Saviour’s Church on Saint George’s Square.
Saint Saviour’s Church at the north end of Saint George’s Square is a church in the Anglo-Catholic tradition. It was built in the 1860s as part of Thomas Cubitt’s development of Pimlico on behalf of the Grosvenor Estate. Cubitt’s executors donated the site and the Duke of Westminster funded much of the building work.
The Grade II listed church was designed by the architect Thomas Cundy, who had previously built Saint Gabriel’s Church on Warwick Square, a short walk away in Pimlico. Like Saint Gabriel’s, Cundy designed Saint Saviour’s in the Decorated Gothic style and built it in ragstone with Bath stone dressings to emphasise the contrast with the classical stucco of the houses in the surrounding streets and squares of Pimlico.
Inside Saint Saviour’s Church on Saint George’s Square, Pimlico, facing the east end (Photograph: Patrick Comerford, 2026)
The first Vicar of Saint Saviour’s was the Revd John Walker, from 1864 to 1887. The foundation stone was laid on 16 June 1863 and the church was consecrated on 16 July 1864. The spire at 51.8 metres (170 ft) was once one of the tallest in London and remains a landmark visible from much of Pimlico today.
The church has a nave of six bays and a tower at the north-west corner. At first, the church interior was rather bare. Two long galleries extended from the chancel to the west end, there was no screen or pulpit, and just a small brass lectern. The organ was built by William Hill in 1864 and enlarged in 1892.
The rood screen and east end of Saint Saviour’s Church, Pimlico (Photograph: Patrick Comerford, 2026)
The furnishings in Saint Saviour’s include the high altar, chancel screen, pulpit and font with its handsome oak cover are particularly good examples of their type. The choirstalls are of oak and pine and probably date from 1864.
A major restoration was carried out in 1882 and a former churchwarden described it as ‘the beautifying of the church’. The galleries were taken down, the chancel was embellished with new arcading, steps and a reredos, and the East Window was filled with stained glass.
The work was supervised by the architect and artist Romaine Walker (1854-1940), son of the first vicar, the Revd John Walker. Further stained glass windows were completed after 1882 and further decorative work was added.
The High Altar, reredos and East Window in Saint Saviour’s Church, Pimlico (Photograph: Patrick Comerford, 2026)
In the sanctuary, the reredos (1882) depicting the Last Supper was designed by Romaine Walker and carved by Thomas Earp.
The East Window (ca 1880) depicting Christ in Majesty and scenes from the Creation was also designed by Romaine Walker and made by Clayton and Bell, and is a dominant feature in the church. The oak rood screen was added in 1911.
The font was also designed by Romaine Walker, and the oak spire was added in 1885.
The side chapel was blessed in 1889, the sanctuary was decorated in 1891 and the clock was placed in the tower in 1895.
The reredos in Saint Saviour’s Church was designed by Romaine Walker (Photograph: Patrick Comerford, 2026)
A number of new additions were made to the church when the Revd Henry Washington was the second vicar of Saint Saviour’s, from 1887 to 1912.
The church was specially cleaned in 1911, the coronation year of George V, and the steeple repaired at a cost of £250. The Lady Chapel baldacchino was added in 1913, by the architectural practice of Hubert Christian Corlette (1869-1956) and Sir Charles Archibald Nicholson (1867-1949).
A north vestry was added ca 1910-1913.
The Revd Henry Washington, second vicar of Saint Saviour’s, is commemorated by a window depicting Christ appearing to his Disciples by the Sea of Galilee (Photograph: Patrick Comerford, 2026)
The Revd Henry Washington’s life and ministry are commemorated by the chancel screen, the oak pulpit and two stained glass windows, including one depicting Christ appearing to his Disciples by the Sea of Galilee.
The stained glass windows include one depicting the first vicar, the Revd John Walker, and a window composed of fragments of glass that were damaged during World War II.
Other windows include one depicting three scenes from the life of Saint Peter (ca 1880), by Clayton and Bell; a window depicting Christ the True Vine (ca 1890), by Clayton and Bell; a window near the Lady Chapel with two scenes from the life of Saint Martin; and the ‘children’s window’ dating from the 1920s with a series of 12 scenes of angels and lambs.
The Mission Altar (ca 1910) in the side chapel in the north aisle was originally in the old Mission Church of the Holy Name in Aylesford Street. Above the altar, the scenes are believed to have been painted one of the sisters in the former Mission House.
The statues of the Madonna and Child (after Michelangelo) and Saint Saviour (referred to as the Sacred Heart but without an open heart) and the Stations of the Cross were brought in from Oberammergau in the 1930s and installed in the church.
he Mission Altar in the side chapel in the north aisle was originally in the Mission Church of the Holy Name in Aylesford Street (Photograph: Patrick Comerford, 2026)
Saint Saviour’s sustained some war damage during World War II. A brick church hall was added to the south in the 1950s.
Extensive cleaning of the exterior was carried out in the 1990s and new bells were installed in the tower. The south wall was cleaned and repaired in 1999, extensive areas of damaged plaster-work were restored, and the church was redecorated. During this work, the full extent of the decorative panels of the chancel ceiling was uncovered, and the panels were cleaned and restored.
The Lady Chapel has been reinstated in the south chancel-transept and the nave transepts have been cleared to create a feeling of space throughout the church.
The north vestry was refurbished in 2007 as the Pimlico Room, the sacristy was remodelled and modern accessibility features and toilets were added, and a mezzanine was installed in the sacristy to provide more space for the office and sacristy.
A major restoration programme began in 2016, including a new nave roof and the restoration of the William Hill organ.
Inside the Lady Chapel at the east end of the south aisle (Photograph: Patrick Comerford, 2026)
Laurence Olivier’s father, Father Gerard Kerr Olivier, was a curate at Saint Saviour’s and Lord Olivier (1907-1989) was a choirboy and altar server. The founder of modern lawn tennis, Major Walter Clopton Wingfield (1833-1912), was a regular parishioner, and the writer Sir Compton Mackenzie (1883-1972) married Faith Stone in the church in 1905.
Saint Saviour’s church hall is in use almost every day of the week and is home to the Young England Kindergarten where Lady Diana Spencer worked before her marriage to the then Prince Charles. After her death in 1977, a tree was planted and a bench seat added in her memory.
Saint Saviour’s Church is open all day, five days a week, offering a welcoming and inspiring space for all.
The statue of the Virgin Mary at the entrance ti the Lady Chapel is after the Madonna of Bruges by Michelangelo (Photograph: Patrick Comerford, 2026)
• Father Matthew Catterick has been the Vicar of Saint Saviour’s since 2011. He was ordained in 1995 and previously worked in parishes in Colchester, Leicester and Wembley. Sunday services are at 8 am, Said Mass, and 10:30 am, Sung Mass, and there is a Said Mass at 12:30 on weekdays.
Laurence Olivier was a choirboy and server at Saint Saviour’s when his father, the Revd Gerard Kerr Olivier, was a curate (Photograph: Patrick Comerford, 2026)
Patrick Comerford
During my afternoon in Pimlico and Belgravia last week, I visited a number of churches in the area, including Saint Peter’s Church on Eaton Square, Saint Gabriel’s Church on Warwick Square, and Saint Saviour’s Church on Saint George’s Square.
Saint Saviour’s Church at the north end of Saint George’s Square is a church in the Anglo-Catholic tradition. It was built in the 1860s as part of Thomas Cubitt’s development of Pimlico on behalf of the Grosvenor Estate. Cubitt’s executors donated the site and the Duke of Westminster funded much of the building work.
The Grade II listed church was designed by the architect Thomas Cundy, who had previously built Saint Gabriel’s Church on Warwick Square, a short walk away in Pimlico. Like Saint Gabriel’s, Cundy designed Saint Saviour’s in the Decorated Gothic style and built it in ragstone with Bath stone dressings to emphasise the contrast with the classical stucco of the houses in the surrounding streets and squares of Pimlico.
Inside Saint Saviour’s Church on Saint George’s Square, Pimlico, facing the east end (Photograph: Patrick Comerford, 2026)
The first Vicar of Saint Saviour’s was the Revd John Walker, from 1864 to 1887. The foundation stone was laid on 16 June 1863 and the church was consecrated on 16 July 1864. The spire at 51.8 metres (170 ft) was once one of the tallest in London and remains a landmark visible from much of Pimlico today.
The church has a nave of six bays and a tower at the north-west corner. At first, the church interior was rather bare. Two long galleries extended from the chancel to the west end, there was no screen or pulpit, and just a small brass lectern. The organ was built by William Hill in 1864 and enlarged in 1892.
The rood screen and east end of Saint Saviour’s Church, Pimlico (Photograph: Patrick Comerford, 2026)
The furnishings in Saint Saviour’s include the high altar, chancel screen, pulpit and font with its handsome oak cover are particularly good examples of their type. The choirstalls are of oak and pine and probably date from 1864.
A major restoration was carried out in 1882 and a former churchwarden described it as ‘the beautifying of the church’. The galleries were taken down, the chancel was embellished with new arcading, steps and a reredos, and the East Window was filled with stained glass.
The work was supervised by the architect and artist Romaine Walker (1854-1940), son of the first vicar, the Revd John Walker. Further stained glass windows were completed after 1882 and further decorative work was added.
The High Altar, reredos and East Window in Saint Saviour’s Church, Pimlico (Photograph: Patrick Comerford, 2026)
In the sanctuary, the reredos (1882) depicting the Last Supper was designed by Romaine Walker and carved by Thomas Earp.
The East Window (ca 1880) depicting Christ in Majesty and scenes from the Creation was also designed by Romaine Walker and made by Clayton and Bell, and is a dominant feature in the church. The oak rood screen was added in 1911.
The font was also designed by Romaine Walker, and the oak spire was added in 1885.
The side chapel was blessed in 1889, the sanctuary was decorated in 1891 and the clock was placed in the tower in 1895.
The reredos in Saint Saviour’s Church was designed by Romaine Walker (Photograph: Patrick Comerford, 2026)
A number of new additions were made to the church when the Revd Henry Washington was the second vicar of Saint Saviour’s, from 1887 to 1912.
The church was specially cleaned in 1911, the coronation year of George V, and the steeple repaired at a cost of £250. The Lady Chapel baldacchino was added in 1913, by the architectural practice of Hubert Christian Corlette (1869-1956) and Sir Charles Archibald Nicholson (1867-1949).
A north vestry was added ca 1910-1913.
The Revd Henry Washington, second vicar of Saint Saviour’s, is commemorated by a window depicting Christ appearing to his Disciples by the Sea of Galilee (Photograph: Patrick Comerford, 2026)
The Revd Henry Washington’s life and ministry are commemorated by the chancel screen, the oak pulpit and two stained glass windows, including one depicting Christ appearing to his Disciples by the Sea of Galilee.
The stained glass windows include one depicting the first vicar, the Revd John Walker, and a window composed of fragments of glass that were damaged during World War II.
Other windows include one depicting three scenes from the life of Saint Peter (ca 1880), by Clayton and Bell; a window depicting Christ the True Vine (ca 1890), by Clayton and Bell; a window near the Lady Chapel with two scenes from the life of Saint Martin; and the ‘children’s window’ dating from the 1920s with a series of 12 scenes of angels and lambs.
The Mission Altar (ca 1910) in the side chapel in the north aisle was originally in the old Mission Church of the Holy Name in Aylesford Street. Above the altar, the scenes are believed to have been painted one of the sisters in the former Mission House.
The statues of the Madonna and Child (after Michelangelo) and Saint Saviour (referred to as the Sacred Heart but without an open heart) and the Stations of the Cross were brought in from Oberammergau in the 1930s and installed in the church.
he Mission Altar in the side chapel in the north aisle was originally in the Mission Church of the Holy Name in Aylesford Street (Photograph: Patrick Comerford, 2026)
Saint Saviour’s sustained some war damage during World War II. A brick church hall was added to the south in the 1950s.
Extensive cleaning of the exterior was carried out in the 1990s and new bells were installed in the tower. The south wall was cleaned and repaired in 1999, extensive areas of damaged plaster-work were restored, and the church was redecorated. During this work, the full extent of the decorative panels of the chancel ceiling was uncovered, and the panels were cleaned and restored.
The Lady Chapel has been reinstated in the south chancel-transept and the nave transepts have been cleared to create a feeling of space throughout the church.
The north vestry was refurbished in 2007 as the Pimlico Room, the sacristy was remodelled and modern accessibility features and toilets were added, and a mezzanine was installed in the sacristy to provide more space for the office and sacristy.
A major restoration programme began in 2016, including a new nave roof and the restoration of the William Hill organ.
Inside the Lady Chapel at the east end of the south aisle (Photograph: Patrick Comerford, 2026)
Laurence Olivier’s father, Father Gerard Kerr Olivier, was a curate at Saint Saviour’s and Lord Olivier (1907-1989) was a choirboy and altar server. The founder of modern lawn tennis, Major Walter Clopton Wingfield (1833-1912), was a regular parishioner, and the writer Sir Compton Mackenzie (1883-1972) married Faith Stone in the church in 1905.
Saint Saviour’s church hall is in use almost every day of the week and is home to the Young England Kindergarten where Lady Diana Spencer worked before her marriage to the then Prince Charles. After her death in 1977, a tree was planted and a bench seat added in her memory.
Saint Saviour’s Church is open all day, five days a week, offering a welcoming and inspiring space for all.
The statue of the Virgin Mary at the entrance ti the Lady Chapel is after the Madonna of Bruges by Michelangelo (Photograph: Patrick Comerford, 2026)
• Father Matthew Catterick has been the Vicar of Saint Saviour’s since 2011. He was ordained in 1995 and previously worked in parishes in Colchester, Leicester and Wembley. Sunday services are at 8 am, Said Mass, and 10:30 am, Sung Mass, and there is a Said Mass at 12:30 on weekdays.
Laurence Olivier was a choirboy and server at Saint Saviour’s when his father, the Revd Gerard Kerr Olivier, was a curate (Photograph: Patrick Comerford, 2026)
08 August 2026
An afternoon visit to
Saint Gabriel’s Church,
one of the listed churches
in Victorian Pimlico
Saint Gabriel’s Church on Warwick Square, Pimlico, was designed by the younger Thomas Cundy and was consecrated in 1852 (Photograph: Patrick Comerford, 2026)
Patrick Comerford
Pimlico has more than 350 Grade II–listed buildings and many Grade II* listed churches. The churches I visited during my stroll around Pimlico and Belgravia this week include Saint Gabriel’s Church on Warwick Square, Saint Saviour’s Church on Saint George’s Square, and Saint Barnabas Church, Saint Barnabas Street, as well as Saint Peter’s Church on Eaton Square, Belgravia, known as Saint Peter’s Pimlico until the 1870s.
Saint Gabriel’s Church on Warwick Square is a parish church in the Anglo-Catholic tradition in the Deanery of Westminster (Saint Margaret) and the Diocese of London. The Grade II* listed church was designed by Thomas Cundy (junior) and was built in 1851-1853 as part of Thomas Cubitt’s development of the area on behalf of the Grosvenor Estate.
I wanted to visit Saint Gabriel’s Church to see its Decorated Gothic architecture, the windows by Charles Eamer Kempe, the mosaics by Antonio Salvati of Venice, the stalls designed by Bridgeman of Lichfield, and because of its social mission and witness within the Anglican tradition. Sadly, it was not open when I arrived on Thursday afternoon, and I only caught a glimpse, albeit a somewhat but static satisfactory glimpse, through the doors in the narthex at the west end.
Inside Saint Gabriel’s Church, Warwick Square, Pimlico, designed by the younger Thomas Cundy and with additions by James Piers St Aubyn (Photograph: Patrick Comerford, 2026)
In the early 19th century, Pimlico was part of the Parish of Saint George, Hanover Square, formed in 1725. The development of Belgravia, and subsequently Pimlico, by Thomas Cubitt, employed by the Grosvenor family began in the 1820s and gathered momentum. In 1827, the Parish of Saint Peter, Pimlico, was created out of which Saint Gabriel, Warwick Square, was carved in 1850.
Pimlico was rapidly expanding as a residential area between the 1840s to 1860s. Private legislation in 1850 provided that the new parish church would generate sufficient revenue from pew-rents to provide a repair fund, administrative expenses of the new parish, and a stipend for the incumbent. The principal local landlord, the Marquess of Westminster, granted £5,000 and the freehold of a plot at the south-west end of Warwick Square for building the new church.
The church was designed by the younger Thomas Cundy (1790-1867), who joined his father’s practice and succeeded him as surveyor of the Grosvenor Estate, working in that role during Thomas Cubitt’s development of Belgravia and Pimlico.
In later years Cundy worked mostly on building churches on the west side of London, including Holy Trinity Church, Paddington, Saint Paul’s Church, Knightsbridge, Saint Michael’s Church, Chester Square, and Saint Barnabas’s, Saint Saviour’s and Saint Gabriel’s in Pimlico.
The High Altar in Saint Gabriel’s Church was designed by John Francis Bentley and the East Window is by Charles Eamer Kempe (Photograph: Patrick Comerford, 2026)
Cundy designed Saint Gabriel’s in the Decorated Gothic style, and John Kelk was the building contractor. The cost of building the new church was partly raised by subscription, with £5,000 from the Marquess of Westminster, who also gave the freehold of the site.
The church originally had galleries on three sides around the nave and could seat 1,150 people. It was consecrated by Charles James Blomfield, Bishop of London, on 12 May 1852.
The spire was rebuilt and the choir vestry was added in 1887-1888 by the architect James Piers St Aubyn (1815-1895) and the chancel was substantially reordered and embellished in 1890-1897.
The pulpit in Saint Gabriel’s Church was designed by JP St Aubyn (Photograph: Patrick Comerford, 2026)
The church has a five-bay nave with clerestory, double aisles, the inner taller as lean-tos, the outer with individual gables bays. There is a lower, three-bay chancel, a gabled south-east chapel with a polygonal apse against south chancel wall, and a gabled vestry to north, with a taller gabled choir vestry beyond. There is also a south gabled porch, a west gabled porch or narthex, and a north porch below the south-west tower and spire.
The High Altar was designed by John Francis Bentley (1839-1902), the architect of Westminster Cathedral, and dedicated in 1890. It is of mahogany, with a carved panelled, painted and gilded frontal. The central panel shows Christ the King, flanked by Saint Gabriel and Saint Michael, and the outer panels angels against a gilded background.
The improvements in the chancel were funded mainly by Lord Edward Pelham-Clinton (1836-1907) as a memorial to his wife Matilda. They Including the reredos, chancel wall decoration, sedilia, communion rails, sanctuary and chancel paving. The floor is of red and white marble squares with solid marble steps, and the alabaster and Italianate mosaic designs are by James Powell and Company.
A statue of Saint Gabriel above the west porch of Saint Gabriel’s Church (Photograph: Patrick Comerford, 2026)
The East Window (1896) by Charles Eamer Kempe depicts Christ in Majesty surrounded by angels, apostles, saints and kings.
The Lady Chapel was added to the south of the chancel and some of the original reredos from the original high altar, thought to be by George Gilbert Scott, was installed there. The south-east chapel also includes former flanking panels from east chancel wall in stone and mosaic, by Salvati, and reset against the south wall.
The panel above the arch to the south-east chapel apse shows Christ with the Doctors, in coloured and gilded opus sectile and in a moulded and carved alabaster frame. The south chancel window (1896) with a nativity scene is also by Kempe.
The pulpit (1875) on the north side of the chancel arch was designed by JP St Aubyn. The organ case (1892-1893) is attributed to Arthur Bloomfield. The vicar’s stall and choir stalls (1897) are by Bridgeman of Lichfield. The elaborately carved foliated corbels are attributed to Samuel Cundy, Thomas Cundy’s nephew.
The outer aisles, west porch and south-east chapel were added in 1896-1897 by the architects Baker and Turrill.
The south side of Saint Gabriel’s Church on Warwick Square, Pimlico (Photograph: Patrick Comerford, 2026)
Few alterations have taken place since then, although the church suffered damage from a World War II flying bomb on 29 July 1944.
Father Owen Higgs is the Vicar of Saint Gabriel’s, Pimlico. The regular Sunday services are: 8 am, Holy Communion (traditional language); 10:30 am, Sung Mass; 6 pm, Choral Evensong and Benediction. Choral Evensong is at 5:30 on Wednesdays.
Meanwhile, more in the days to come, hopefully, about my visits to Saint Saviour’s and Saint Peter’s during my stroll around Pimlico.
Saint Gabriel’s Church on Warwick Square, Pimlico, is in the Anglo-Catholic tradition, with said Holy Communion at 8 am and Sung Mass at 10:30 on Sundays (Photograph: Patrick Comerford, 2026)
Patrick Comerford
Pimlico has more than 350 Grade II–listed buildings and many Grade II* listed churches. The churches I visited during my stroll around Pimlico and Belgravia this week include Saint Gabriel’s Church on Warwick Square, Saint Saviour’s Church on Saint George’s Square, and Saint Barnabas Church, Saint Barnabas Street, as well as Saint Peter’s Church on Eaton Square, Belgravia, known as Saint Peter’s Pimlico until the 1870s.
Saint Gabriel’s Church on Warwick Square is a parish church in the Anglo-Catholic tradition in the Deanery of Westminster (Saint Margaret) and the Diocese of London. The Grade II* listed church was designed by Thomas Cundy (junior) and was built in 1851-1853 as part of Thomas Cubitt’s development of the area on behalf of the Grosvenor Estate.
I wanted to visit Saint Gabriel’s Church to see its Decorated Gothic architecture, the windows by Charles Eamer Kempe, the mosaics by Antonio Salvati of Venice, the stalls designed by Bridgeman of Lichfield, and because of its social mission and witness within the Anglican tradition. Sadly, it was not open when I arrived on Thursday afternoon, and I only caught a glimpse, albeit a somewhat but static satisfactory glimpse, through the doors in the narthex at the west end.
Inside Saint Gabriel’s Church, Warwick Square, Pimlico, designed by the younger Thomas Cundy and with additions by James Piers St Aubyn (Photograph: Patrick Comerford, 2026)
In the early 19th century, Pimlico was part of the Parish of Saint George, Hanover Square, formed in 1725. The development of Belgravia, and subsequently Pimlico, by Thomas Cubitt, employed by the Grosvenor family began in the 1820s and gathered momentum. In 1827, the Parish of Saint Peter, Pimlico, was created out of which Saint Gabriel, Warwick Square, was carved in 1850.
Pimlico was rapidly expanding as a residential area between the 1840s to 1860s. Private legislation in 1850 provided that the new parish church would generate sufficient revenue from pew-rents to provide a repair fund, administrative expenses of the new parish, and a stipend for the incumbent. The principal local landlord, the Marquess of Westminster, granted £5,000 and the freehold of a plot at the south-west end of Warwick Square for building the new church.
The church was designed by the younger Thomas Cundy (1790-1867), who joined his father’s practice and succeeded him as surveyor of the Grosvenor Estate, working in that role during Thomas Cubitt’s development of Belgravia and Pimlico.
In later years Cundy worked mostly on building churches on the west side of London, including Holy Trinity Church, Paddington, Saint Paul’s Church, Knightsbridge, Saint Michael’s Church, Chester Square, and Saint Barnabas’s, Saint Saviour’s and Saint Gabriel’s in Pimlico.
The High Altar in Saint Gabriel’s Church was designed by John Francis Bentley and the East Window is by Charles Eamer Kempe (Photograph: Patrick Comerford, 2026)
Cundy designed Saint Gabriel’s in the Decorated Gothic style, and John Kelk was the building contractor. The cost of building the new church was partly raised by subscription, with £5,000 from the Marquess of Westminster, who also gave the freehold of the site.
The church originally had galleries on three sides around the nave and could seat 1,150 people. It was consecrated by Charles James Blomfield, Bishop of London, on 12 May 1852.
The spire was rebuilt and the choir vestry was added in 1887-1888 by the architect James Piers St Aubyn (1815-1895) and the chancel was substantially reordered and embellished in 1890-1897.
The pulpit in Saint Gabriel’s Church was designed by JP St Aubyn (Photograph: Patrick Comerford, 2026)
The church has a five-bay nave with clerestory, double aisles, the inner taller as lean-tos, the outer with individual gables bays. There is a lower, three-bay chancel, a gabled south-east chapel with a polygonal apse against south chancel wall, and a gabled vestry to north, with a taller gabled choir vestry beyond. There is also a south gabled porch, a west gabled porch or narthex, and a north porch below the south-west tower and spire.
The High Altar was designed by John Francis Bentley (1839-1902), the architect of Westminster Cathedral, and dedicated in 1890. It is of mahogany, with a carved panelled, painted and gilded frontal. The central panel shows Christ the King, flanked by Saint Gabriel and Saint Michael, and the outer panels angels against a gilded background.
The improvements in the chancel were funded mainly by Lord Edward Pelham-Clinton (1836-1907) as a memorial to his wife Matilda. They Including the reredos, chancel wall decoration, sedilia, communion rails, sanctuary and chancel paving. The floor is of red and white marble squares with solid marble steps, and the alabaster and Italianate mosaic designs are by James Powell and Company.
A statue of Saint Gabriel above the west porch of Saint Gabriel’s Church (Photograph: Patrick Comerford, 2026)
The East Window (1896) by Charles Eamer Kempe depicts Christ in Majesty surrounded by angels, apostles, saints and kings.
The Lady Chapel was added to the south of the chancel and some of the original reredos from the original high altar, thought to be by George Gilbert Scott, was installed there. The south-east chapel also includes former flanking panels from east chancel wall in stone and mosaic, by Salvati, and reset against the south wall.
The panel above the arch to the south-east chapel apse shows Christ with the Doctors, in coloured and gilded opus sectile and in a moulded and carved alabaster frame. The south chancel window (1896) with a nativity scene is also by Kempe.
The pulpit (1875) on the north side of the chancel arch was designed by JP St Aubyn. The organ case (1892-1893) is attributed to Arthur Bloomfield. The vicar’s stall and choir stalls (1897) are by Bridgeman of Lichfield. The elaborately carved foliated corbels are attributed to Samuel Cundy, Thomas Cundy’s nephew.
The outer aisles, west porch and south-east chapel were added in 1896-1897 by the architects Baker and Turrill.
The south side of Saint Gabriel’s Church on Warwick Square, Pimlico (Photograph: Patrick Comerford, 2026)
Few alterations have taken place since then, although the church suffered damage from a World War II flying bomb on 29 July 1944.
Father Owen Higgs is the Vicar of Saint Gabriel’s, Pimlico. The regular Sunday services are: 8 am, Holy Communion (traditional language); 10:30 am, Sung Mass; 6 pm, Choral Evensong and Benediction. Choral Evensong is at 5:30 on Wednesdays.
Meanwhile, more in the days to come, hopefully, about my visits to Saint Saviour’s and Saint Peter’s during my stroll around Pimlico.
Saint Gabriel’s Church on Warwick Square, Pimlico, is in the Anglo-Catholic tradition, with said Holy Communion at 8 am and Sung Mass at 10:30 on Sundays (Photograph: Patrick Comerford, 2026)
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