Showing posts with label hurling. Show all posts
Showing posts with label hurling. Show all posts

08 February 2026

Childhood memories of
waiting for Tomorrow
with Petticoat Loose by
the shores of Bay Lough

Bay Lough, the ‘bottomless’ lake near the Vee in the Knockmealdown Mountains … ‘Petticoat Loose’ and the monsters were condemned to its waters until ‘Tomorrow’ (Photograph: Patrick Comerford)

Patrick Comerford

I was musing a few evenings ago about the Greek word for tomorrow and how we can joke that the word avrio (αύριο) can never convey the same urgency that mañana has in Spanish.

Our anxieties about tomorrow are raised again in the Gospel reading tomorrow (Matthew 6: 25-34), when Jesus says: ‘But if God so clothes the grass of the field, which is alive today and tomorrow is thrown into the oven, will he not much more clothe you – you of little faith? … Therefore do not worry about tomorrow, for tomorrow will worry about itself. Each day has enough trouble of its own’ (Matthew 6: 30, 34).

Tomorrow seemed to be a far-away world to us as children on those Sunday afternoons when we were regularly brought on family outings to the ‘Vee’, a scenic, V-shaped hairpin bend in the Knockmealdown Mountains, with spectacular views across the Golden Vale and three counties, Waterford, Tipperary and Cork.

At the Vee we were halfway between Cappoquin and Clogheen, and only a few miles from my grandmother’s farm, we were entertained with stories and tales about Samuel Grubb and the grave where he was buried standing, and about ‘Petticoat Loose’ and the monsters in Bay Lough, the ‘bottomless’ lake, who came up and asked, day after day, ‘Is it tomorrow.’

The grave of Samuel Grubb overlooking the Vee and the Golden Vale (Photograph: Patrick Comerford)

Samuel Richard Grubb (1855-1921) was a wealthy landowner of Quaker descent and a former High Sheriff of Co Tipperary. His distinctive, beehive-shape grave stands on Sugarloaf Hill overlooking the Vee and the Golden Vale. He said he wanted to be buried on the mountainside, standing upright, so that he could keep watch over ‘his people’ and ‘his fields’ at Castle Grace, where he farmed over 1,600 acres.

Before he died, Grubb designed his grave of rubble stone, looking like one of the clochans on the Great Skellig. Some say he asked to be buried there because the Grubb family had been by the Society of Friends or Quakers before Samuel was born for attending ‘balls at which music and dancing form a chief part’.

Grubb died on 6 September 1921 and was buried four days later, with the Revd J Talbot of Clogheen conducting the burial service. Grubb was buried standing up, with his dog beside him, although some people in the area said the men who buried him put him in the grave upside down.

From his grave 2,000 ft up in the mountains, there are panoramic views across the Golden Vale, and of the Galtee Mountains, the Comeragh Mountains and Slievenamon. On clear summer days as we looked across the valley below, and the villages of Clogheen, Ardfinnan and Ballyporeen (later known as the ancestral home of Ronald Reagan) were pointed out to us, and the towns of Cahir and Clonmel. The Grubb family sold Castle Grace near Clogheen in 2019, although many of his descendants continue to live in the area, including Nicholas Grubb who lives in Dromana House at Villierstown, near Cappoquin.

The panoramic view from the Vee across south Tipperary (Photograph: Patrick Comerford)

Close to the Vee Gap, on the county boundaries of Waterford and Tipperary, Bay Lough is on the side of Knockaunabulloga in the Knockmealdown Mountains, close to Saint Declan’s Way, the path Saint Declan trod as he made his way from Ardmore to Cashel.

Bay Lough is easily accessed from a car park on the Co Waterford side of the lake. Many people believe it is a ‘bottomless’ lake and that it is not possible to swim across it, even though it is quite small. In late May and early June, the rhododendrons are in bloom at the lake, providing spectacular views from Bay Lough to Clogheen.

Folklore in South Tipperary and West Waterford says the lake is the place where Petticoat Loose was banished, condemned as penance to drain the ‘bottomless’ lake with a thimble until tomorrow came.

Local folklore portrays Petticoat Loose as a vengeful ghost, a banshee or a haunting witch and sometimes identify her as Mary Hannigan. She was said to be a 6-ft tall, strong woman who did a man’s work on the farm, drank like a man, fought like a man and wrestled and fought the local men when they mocked her. But she was known too for adulterating milk and for her wicked behaviour. They say she killed a bull with a single blow of her first, killed a farmhand with his own spade, and threatened to kill anyone who told on her.

Mary Hannigan was born in the early 19th century, the only child of a well-to-do farming family who lived in the townland of Colligan, near Clogheen, and she was known for her love of dancing and drinking. During one drunken dance, as she spun around, her skirt was caught on a nail and fell to the ground, causing mirth and leading to laughter and jeering. The incident raised her anger and left her with the name ‘Petticoat Lucy’ or ‘Petticoat Loose’.

She met her future husband on the dance floor, but the marriage lasted only a year, and he met an early death. Local people whispered that Mary’s lover, a local hedge-school teacher, had murdered him.

Then, one night during a drinking session in a pub in Dungarvan, Mary drank half a gallon of beer, suddenly slumped forward onto the table and died. There was a big wake but no priest was called, even for the burial.

Seven years after her death, there were several sightings of Petticoat Loose, seen as a ghost with red hair or as a monstrous horse-headed figure who had returned to haunt people on the Vee road. She was also seen in the pubs and dance halls and became the terror of the Vee road, although – for some inexplicable reason – she never harmed any man with the name John.

She continued to haunt the Vee road close to Bay Lough, and it became a common practice for people travelling at night to carry religious relics or hazel sticks as protection.

Finally, people who were living in fear of Petticoat Lucy called on a local priest to rid the area of Mary and her nightly visits. One night, the priest and two men spotted her coming across a field. When the priest asked her name, she replied ‘I’m Petticoat Loose’, telling him she would do evil wherever she was.

‘We will see’, the priest replied. ‘I will place you head downwards.’ He took out a bottle of holy water and sent her to the far banks of the deepest lake, telling her: ‘You shall be condemned until judgment day to empty it with a thimble!’

The priest is said to have died two weeks later – some say she had drained the life out of him.

Many people say Petticoat Loose still sits on the far bank of Bay Lough with her thimble, vainly trying to empty the lake, waiting for tomorrow. Some say she sometimes appears out of the water and asks the same questions over and over again: ‘When will judgment day come?’ ‘Is it tomorrow?’

She is often associated with other spirits and monsters trapped in the lake by Saint Patrick. He told them to stay there and wait, and that he would be back tomorrow. So, they are still there, deep in the dark waters, waiting for tomorrow. Petticoat Loose, or one of the monsters, is said to surface occasionally to ask ‘Is it tomorrow?’

It is only possible to walk about half way around Bay Lough and few ever swim in the lake (Photograph: Patrick Comerford)

Bay Lough is a favourite for walkers and family outings, although it is only possible to walk about half way around the lake, and few ever swim in it, frightened off by tales that Petticoat Loose waits below to grab your legs and pull you down.

Perhaps the idle tale that Samuel Grubb was buried upside down was conflated or confused with the story that Petticoat Loose had been sent head down into the lake. As children we revelled in those stories, pretending to be only slightly scared. But in the 1950s and the early 1960s, the men in the family had probably driven up to the Vee and Bay Lough to get better radio reception.

Back on my grandmother’s farm near Cappoquin, in a valley below the Knockmealdowns, the mountains often blocked reception of what was then Radio Éireann. Instead, I grew up listening to the BBC Light Programme, nourished by a daily diet of programmes that included the Archers, Mrs Dales Diary, Hancock’s Half Hour, Housewives’ Choice, Listen with Mother, Woman’s Hour, and, of course, the Goons. Petticoat Loose may have been as far from Petticoat Lane as I could imagine, yet I understand how I grew up in rural Ireland with Received Pronunciation or ‘BBC English’ as my first language.

In those years, the Waterford hurlers were at their peak, reaching the All-Ireland finals in 1957, 1959 and 1963, and the men in the family needed better reception to hear the match commentaries. The ‘wireless’ was taken from the house, brought with us up to Bay Lough or Grubb’s Grave and connected to the car battery so my uncles could listen to Mícheál Ó hEithir’s match commenaties while we children played and picknicked by the lake shore or on the mountainside.

As a treat later, we were brought back to the ‘Cats’ near Melleray for lemonade and crisps, while the men celebrated the match result – or drowned their sorrows. Later we might even be allowed to listen to the music or watch the dancing at the ‘Stage’ … if we behaved ourselves.

The working week resumed on Monday morning. Cows were to be milked, animals had to be fed, there was shopping to do in Cappoquin, and children had to go to school. Tomorrow always came.

Tomorrow brought work, school and shopping in Cappoquin (Photograph: Patrick Comerford)

27 July 2024

Niall Comerford:
a young rugby player
at the Olympic Games
in Paris this week

Niall Comerford … scored a clinching try against Japan in Paris this week (Photograph: RTÉ)

Patrick Comerford

Last night's opening ceremony for the 2024 Olympics in Paris was beautiful and spectacular choreography, and an imaginative presentation of the Olympic values and principles. Niall Comerford is a young rugby player who played a key role in Ireland’s quest for an Olympic medal in Paris earlier this week as part of the Irish men’s Rugby Sevens. He is currently playing for United Rugby Championship and European Rugby Champions Cup side Leinster, and his preferred position is wing.

The 24-year-old is part of Ireland’s Rugby Sevens Olympic squad, who had their opening games against South Africa and Japan. On Wednesday night – before the games proper began officially – he scored himself a try in the Irish win over Japan, helping secure a quarter-final spot for Ireland.

Niall Comerford’s athletic pedigree is no surprise: his father Philip Comerford is from Co Kilkenny, where he is remembered for his achievements on the hurling field with John Locke’s of Callan. Philip Comerford lives in Kildare and he has been in Paris this week watching his son playing in the biggest sporting event in the world.

Ireland secured place in the quarter-finals of the men’s rugby sevens with wins over South Africa and Japan earlier this week. They were back in action on Thursday (25 July) against top seed New Zealand, when Ireland lost 19-15. Then, later in the day, Ireland faced Fiji in the quarter final, when Fiji came from behind to beat Ireland 19-15 at the Stade de France.

So there were no medal matches for Ireland today; instead Ireland was fighting it out for the minor placings. They have finished higher than the tenth place at Tokyo three years ago but the regrets of what could have been in the fight against Fiji and the battle with New Zealand will linger.

Niall Comerford, who is from Shankill, Co Dublin, was born on 6 April 2000. His first love of sport was in hurling, Gaelic football, and soccer, and one of his first memories is of holding a hurling stick. He played hurling and football with Kilmacud Crokes in his youth, and during his time with Kilmacud Crokes he first met and was coached by Fergal Keys.

He was first introduced to rugby when he entered Blackrock College in 2012. He found it an easy transition, and a good option since Blackrock has no tradition in Gaelic football. He went on to win a Junior Cup at Blackrock in 2016. Over the years, he tried various positions on the team from flanker in first year to winger on the senior cup team.

Leaving Blackrock College in 2019, Niall choose to study Commerce at University College Dublin (UCD), where he received a rugby scholarship, which allowed him to continue playing rugby alongside his studies.

He realised that rugby was more than a hobby and was something he wanted to do long-term. The UCD Ad Astra scholarship provided the student-player with an academic mentor and allowed Niall to split his final year academic load across two years.

During his time at UCD, he joined the Leinster Academy, the next step on his journey with school mates Joe McCarthy and Sean O’Brien and also current 7s squad member Andrew Smith all entering the academy together.

Niall was called to play for the Irish U20s for the first time in the Six Nations 2020, against France. He was thrilled to play for his country, but then Covid hit; it played havoc with everything and in the end the game was cancelled.

With the impact of Covid on all sports during 2020, training had to take place at home. He set up a home gym to stay fit while the Leinster Academy team communicated over Zoom. The Leinster winger made his debut for the Irish Sevens in Vancouver in 2021.

Through the UCD Rugby Club, Niall was put into contact with Ernst & Young (EY), who offered an internship programme for graduates seeking a career in taxation. He joined EY and was able to work on a hybrid basis, balancing rugby and work. However, last December, when the commitment to the rugby 7s training schedule increased, Niall was faced with a decision to playing full-time or not.

In the end, his employers at EY were understanding and effectively allowed him time out to focus on the game with a leave of absence. He has taken a career break to concentrate on the Paris games.

Sevens rugby, often simply called ‘7s’, is a fast-paced variant of rugby in which teams are made up of seven players, playing seven-minute halves, instead of the traditional 15 players playing 40-minute halves in rugby union. There are seven players on the pitch, but 13 squad members travel to each tournament.

It is a quick, high scoring game, and the emphasis is on speed and agility. Players face the same pitch size as the 15s but with fewer players to cover the area.

Niall Comerford is currently playing under head coach James Topping and also credits the support team with the performance of his team. Training is intensive, with the team training four days a week in the high-performance centre in Abbotstown.

The 2024 Olympics opened in Paris last night

12 December 2020

A childish dilemma for
Sunday’s hurling final

A small boy developed an enthusiasm for hurling in Cappoquin, Co Waterford, in the 1950s

Patrick Comerford

The Irish definition of where you are from must be who you want to win the next All-Ireland final. If where you are from was determined by where you were born, Meath would never have a decent team, with many of their footballers born in hospitals in Drogheda or Dublin, and even some of the Kilkenny hurlers were probably born in Waterford.

I want Wexford to win the next All-Ireland final. But that’s not possible: tomorrow’s hurling final is between Limerick and Waterford. And that poses a dilemma.

When it comes to rugby, I am a Leinster fan; when it comes to soccer, I am a fan of Aston Villa first and then Tottenham Hotspur. And I enjoy cricket too. But, I have to admit my interest in Gaelic football equals my interest in Golf – somewhere between nothing and nil.

However, when it comes to tomorrow’s Hurling final, I have a minor dilemma. And not just because Wexford is not playing.

I have been living in Askeaton in west Limerick for almost four years, and I was honoured to be counted in when the Limerick hurlers brought the Liam MacCarthy cup back to Limerick and to Askeaton in 2018.

But, in recent days, I came across a photograph that reminded of when and where I became enthusiastic about hurling.

Tucked into the back of a photograph album that had once been in the house of one grandmother who lived in Terenure, I found the only photograph in the album of me as a small child. Although none of us knows what we look like to other people, I recognised myself immediately.

I must have been only 12 to 15 months old in this photograph, and it was taken around 1953 at the home of another grandmother, on her farm outside Cappoquin, Co Waterford.

From an early age, I was infected by the enthusiasm for hurling that is endemic in Co Waterford. Although my side of the Comerford family is from Co Wexford, I had uncles who brought me to many hurling matches when Waterford hurling was at another previous height in the late 1950s and 1960s, reaching its apex with the All-Ireland final win in 1959.

A caring uncle, knowing how infected I was, brought me to a number of All-Ireland finals in Croke Park, and I stil recall the Wexford final against Tipperary in 1962 and the Waterford final against Kilkenny in 1963.

My return visit to Cappoquin at the end of summer this year, complete with Blaas in Barrons and visits to Moonwee, Mount Mellary, Cappoquin House and Dromana, brought back many memories of uncles, hurling and the love that surrounded the small child in that photograph.

Perhaps I shall be a little childish and playful as I watch tomorrow afternoon’s final.

Lifting the Liam MacCarthy Cup with Willie O’Meara and Father Seán Ó Longaigh in Askeaton in 2018

12 November 2020

Five sculptures that
celebrate how hurling is
both a sport and an art

Sculptures and statues in Wexford, Kilkenny and Limerick celebrate the truth that hurling is both a sport and an art (Photograph: Patrick Comerford, 2020)

Patrick Comerford

My favourite sports are rugby and cricket – and if armchair spectators are counted in too, then soccer too. I am looking forward to a new tournament getting off to start with Ireland v Wales on Friday evening, and have been delighted with Aston Villa’s performance so far this season.

But since my childhood I have also had an enthusiasm for hurling, nurtured by kind uncles who brought me to see Waterford and Wexford playing.

I could never understand Gaelic football, but it was impossible to grow up in the south-east without being infected with the all-pervading enthusiasm for hurling.

This weekend promises to be gripping one for anyone interested in hurling, and I shall be keeping a keen eye on the performances of Wexford, Waterford, Limerick and Kilkenny.

During my ‘road trips’ in summer and autumn, I saw again a number of sculptures and statues that celebrate the truth that hurling is not only a sport but an art too.

The statue of Nicky Rackard on Selskar Square in Wexford (Photograph: Patrick Comerford, 2020)

The statue of Nicky Rackard, Wexford’s best-known hurler, is unusual because he is on one foot only. The statue on Selskar Square shows Wexford’s most famous sporting son in a typical all-action pose, sliotar in one hand, hurley in the other.

Nicky Rackard was the hurling hero of the 1950s and one of the greatest hurlers of all time. He is the leading championship goal scorer of all time with 59, and won two all-Ireland hurling titles with Wexford.

He played both hurling and football for Wexford from 1942 to 1957. With his brothers, he helped Wexford to two All-Irelands in the 1950s. He and his team are credited with revolutionising the game of hurling as the lifted Wexford to the top of the game. He died in 1976.

Wexford Borough Council commissioned the Ludlow-based portrait sculptor Mark Richards to cast a larger than life-size statue of Rackard in his hurling prime.

Mark Richards specialises in fine figurative work. He was taught by AJ Ayres who, in turn, had worked with Eric Gill. Johannes von Stumm, Past President of the Royal Society of Sculptors, describes him as ‘one of the finest figure and portrait sculptors in Great Britain.’ The €120,000 commission was funded through the Per Cent for Art scheme.

The sculptor travelled to Wexford to meet Rackard’s children and to learn about hurling. He also met Kevin Gore, ‘who showed me how to hold a hurl and hurler maker Philip Doyle, who made me a hurl like the one that Nicky would have used in the 1950s, so as to be accurate as possible.’

The statue was unveiled in Selskar Square, just off North Main Street and close to Selskar Abbey, in March 2012 as part of the Set the Heather Blazing Festival. It has been a very popular feature in the town centre since then.

Sadly, the statue has since suffered from bouts of damage since, and it has been fenced off a number of times when his hurley was damaged and repair works were carried out.

The ‘Pride of Kilkenny’ by Barry Wrafter in Kilkenny (Photograph: Patrick Comerford, 2020)

The ‘Pride of Kilkenny’ is a sculpture by Barry Wrafter on Canal Square in Kilkenny honouring Kilkenny’s hurlers. It was more than three years in the making and was unveiled on 26 May 2016.

This work beside John’s Bridge is a four-metre high, two-tonne sculpture. It shows three hurlers, in black and amber, with hurleys and helmets, reaching for a sliotar.

The sculptor Barry Wrafter from Ennis, Co Clare, has been immersed in the stone trade since his youth. The Wrafter family has been in the trade dating since the 18th century. They were renowned sculptors and have the distinction of being mentioned in Seamus Murphy’s book Stone Mad.

Wrafter has stressed that his sculpture, the ‘Pride of Kilkenny,’ does not depict a particular player, although the player fielding the sliothar bears a striking resemblance to Tommy Walsh.

The Kilkenny hurlers have won the All-Ireland Senior Championship 36 times. This ‘testament to both hurling’ was unveiled by the Kilkenny Senior Hurling manager Brian Cody.

Mick Mackey in a characteristic solo-run pose in Castleconnell (Photograph: Patrick Comerford, 2020)

A life-sized bronze statue of the Limerick hurler Mick Mackey (1912-1982) was unveiled by the President of the GAA, Liam O’Neill, in Castleconnell, Co Limerick, in May 2013.

The Clare-based sculptor Séamus Connolly, best known for his life-size statues of Richard Harris and John B Keane, was commissioned for the statue depicting Mackey in a characteristic solo-run pose.

Mackey is considered one of the all-time hurling greats. He was born in Castleconnell in 1912 and became known for his strength and skill on the pitch with Ahane GAA club. During his playing career over 20 years, he won three All-Ireland titles, five Munster championships, five National League titles and eight Railway Cup medals. He is also credited as the inventor of the solo-run in hurling.

He received the Texaco Hall of Fame Award in 1961 for his outstanding contribution to hurling. He was honoured again in 1980 with the inaugural All-Time All-Star Award. He died in 1982. Two years later he was named at centre-forward on the Centenary Team and in 2000 was chosen at number 11 on the team of the Millennium that also featured Christy Ring.

The Mick Mackey Stand at the Gaelic Grounds in Limerick was completed in 1988. Limerick County Council also named a roundabout on the main Limerick to Dublin road after the legendary hurler.

Jackie Power (1916-1994), the ‘Prince of Hurlers,’ in Annacotty, Co Limerick (Photograph: Patrick Comerford, 2020)

Jackie Power (1916-1994), known in Co Limerick as the ‘Prince of Hurlers,’ is commemorated with a statue near the mill and square in Annacotty, Co Limerick – the former Irish rugby international Peter Clohessy is also from Annacotty.

Jackie Power was born in Annacotty in 1916. He was prominent in hurling from 1933 to 1949, winning medals at club, county and province level. He also played Gaelic football. He died in 1994.

The life-size bronze statue of Jackie Power was erected in Annacotty in 1996. The inscription on the plinth of reads:

Jackie Power
The Prince of Hurlers
With Ahane, Limerick and Munster

Jackie was a hurling artist whose amazing skill technique courage dedication and sportsmanship ensured his place amongst hurling immortals
.

‘Ruck and Puck’ on O’Connell Street, Limerick, celebrates Limerick’s obsession with hurling and rugby (Photograph: Patrick Comerford)

‘Ruck and Puck’ is bronze statue outside the AIB Bank at 106 O’Connell Street, Limerick, and represents Limerick’s two sporting obsessions – hurling and rugby.

The initiative for this sport monument was taken by bank manager Paddy O’Callaghan.

This bronze statue of a rugby player and a hurler is the work of the sculptor is Robin Buick from Ballymena, Co Antrim. It was unveiled by President Mary Robinson on 18 May 1992.

A T-shirt boasting of Kilkenny’s hurling skills (Photograph: Patrick Comerford)

There is a well-known T-shirt in Kilkenny that reminds people that Carlsberg does not do Hurling … but if they did, Kilkenny would probably still beat them.

I have been honoured to lift the Liam McCarthy Cup with Limerick hurlers after Limerick won the All-Ireland final in 2008.

But at the weekend, I’ll be cheering for Wexford, and then for Waterford.

Wearing the Wexford colours (Photograph: Patrick Comerford)

08 October 2020

Discovering the charms of
Annacotty by the banks
of the River Mulkear

Annacotty, Co Limerick, developed around the mills and weir on the River Mulkear (Photograph: Patrick Comerford, 2020)

Patrick Comerford

The new lock-down is taking its toll on everyone in recent days, and it has put paid to plans for a visit to Dingle, Co Kerry, early next week.

I may be limited to travelling within Co Limerick for at least the next three weeks, if not more. But, as I found out during a visit to Annacotty last weekend, there are many more interesting and beautiful places for me to visit and explore in this county.

From the bus, I have often seen Annacotty, with its beautiful weir and former mills 7 km from Limerick city centre, and had been promising myself a visit for some time.

A mural below the N7 bridge celebrating life on the River Milkear in Annacotty (Photograph: Patrick Comerford, 2020)

Today, Annacotty (Áth an Choite, ‘the ford of the angling cots’) is a suburban town on the outskirts of Limerick. It is just off the old N7 Limerick-Dublin road, where it crosses the Mulkear River, 1 km upstream of where it flows into the River Shannon.

The village originally grew up around the grain mills built to take advantage of the water power of the River Mulkear. In the past, the mills were associated with nearby Clonkeen Church, established as a monastic site ca 600. One mill was beside the bridge itself and has now been restored as bar and restaurant, and the second mill was 1 km upstream at Ballyclough.

A railway station opened in Annacotty in 1858, bringing the promise of economic development. The village developed a strong co-operative movement with the setting up of the Annacotty Co-Operative Society in the 1890s, and the creamery became a major centre for the manufacture of butter and cheese.

Ballyclough Co-operative Creamery was founded in Annacotty in 1910 in opposition to the Cleeves Creamery that previously operated in the Mill at the turn of the century.

Annacotty railway station finally closed in 1963. But butter continued to be a major produce in Annacotty until the 1960s, when the creamery was taken over by Black Abbey Co-operative, based in Adare.

The AKZO Group opened the Ferenka factory in Annacotty in March 1972 to manufacture steelcord. However, it gained notoriety when its Dutch managing director, Tiede Herrema, was kidnapped by Eddie Gallagher and Marion Coyle of the IRA in October 1975. He was freed four weeks later after a protracted siege in Monasterevin, Co Kildare.

After continuing losses and experiencing industrial disputes from the day it opened, the Ferenka factory closed in December 1977, with the loss of over 1,400 full-time jobs.

The original bridge over the River Mulkear at Annacotty (Photograph: Patrick Comerford, 2020)

The N7 originally ran through the Main Street, but it by-passed Annacotty in 1980 when a new bridge was built over the River Mulkear 100 metres downstream. That, in turn, was superseded by the building of the Limerick Southern Ring Road, crossing the river 1 km upstream at Ballyclough.

Annacotty Industrial Estate was later built on the site of the former Ferenka factory. Meanwhile, with the expansion of Limerick from 1990 on, Annacotty was absorbed into the rapidly growing suburb of Castletroy.

After a succession of mergers, the co-op in Annacotty became part of the Dairygold Co-op was established in 1993 with the amalgamation of Mitchelstown and Ballyclough co-ops. The former creamery became a hardware store, but this too closed in 2009. The building is now the Irish-owned store Mr Price.

A sculpture in Annacotty of Jackie Power, the ‘Prince of Hurlers’ (Photograph: Patrick Comerford, 2020)

As Limerick city and suburban Castletroy expanded, Annacotty became a popular area for housing and industry , with its good infrastructure and transport links, and its easy access to the University of Limerick and the national technological park. Nearby facilities include the Castletroy neighbourhood park, Castletroy Golf Club, fishing on the Mulkear River, and the University of Limerick’s multi-purpose sports arena.

Annacotty became part of Limerick City at the local government elections in May 2014, when local councillors were elected as part of the Limerick City Metropolitan District.

Annacotty has a good variety of pubs and restaurants, including the Black Swan, a colourful pub on the Main Street. It was established over 100 years ago and has been owned and run by the Nicholas family for over 60 years.

The Black Swan is a colourful pub in Annacotty (Photograph: Patrick Comerford, 2020)

The Black Swan is unique, personal and traditional, a rare find like the sign outside that celebrates a rare bird – Rara Avis – the unique black swan. The Black Swan was refurbished in recent years and is known as a proud supporter of local teams, and for live music.

We had a late lunch at the Mill House, a beautifully restored building, and watched the climax to the Munster v Scarlets match, with a thrilling 30-27 win for Munster.

It seemed appropriate, as Annacotty has a strong sporting tradition as home to UL Bohemians, the local rugby club located on Mulkear Drive, and Aisling Annacotty, the local GAA club.

The former Irish rugby international Peter Clohessy is from Annacotty. The village is also the birthplace of the Limerick county hurler Jackie Power (1916-1994), the ‘Prince of Hurlers.’ A life-size bronze statue of Jackie Power was erected on the Main Street in Annacotty in 1996.

The Annacotty Sundial by the riverbank dates from 2019.

The Annacotty Sundial by the riverbank dates from 2019 (Photograph: Patrick Comerford, 2020)

04 May 2019

The spirit and the humour
that comes with the joys
of an afternoon of Cricket

At yesterday’s One Day International between Ireland and England at Malahide (Photograph: Patrick Comerford, 2019)

Patrick Comerford

Summer must be near when I find myself enjoying the best part of a day watching Cricket. I had a ticket for yesterday’s One Day International in Malahide between Ireland and England, and although play was delayed for two hours in the morning, the threatened rain only came in light showers.

Despite Ireland’s defeat by four wickets, it turned out to be a very pleasant way to look forward to the beginning of summer.

I was never one of the ‘jocks’ at school, and I was never very good at any sports I tried to take part in. But I was happy to try, and happy to stand on sidelines, whether it was Soccer, Hurling, Rugby or Cricket.

As a schoolboy, we enjoyed street cricket and beach cricket, and through English boys’ comics I studiously learned the meanings of terms from Googly to Silly Mid On and Silly Mid Off with all the effort a boy needed to become fluent in a new language. Indeed, I still played Cricket with The Irish Times – badly, very badly – when I was in my late 30s.

I’m still a happy supporter of Aston Villa – even happier than expected at the moment, of Leinster Rugby, of the Wexford hurlers, and of Irish Cricket. I also enjoy rowing on the River Deel occasionally, although I had no-one to share my joys with when Cambridge won the boat race last month.

Moving to Askeaton two years ago taught me to take an interest too in the Limerick hurlers, and last year I got to lift both the Liam McCarthy Cup (on two occasions) and the Sam Maguire Cup in West Limerick. But celebrations were not as enthusiastic when it came to Limerick Cricket Club’s run to the 2018 National Cup Final.

Since then, there is a new interest in Cricket in the south-west, and a second Limerick club, Limerick City CC, is taking part in competitions this year. I noticed in the programme yesterday that two Limerick schools – Villers School and CBS Sexton Street – are taking part in Munster schools competitions this year.

It is hard to explain to friends who have little or no interest in Cricket that the game has a much wider appeal than they can imagine. Malahide is at the heart of north Dublin cricket, which spreads from Balrothery and Balbriggan through Skerries, Rush and Donabate to Malahide and Clontarf.

England’s captain Eoin Morgan began playing for the Rush Under-9s at Kenure, was first capped for Ireland at the age of 16. England’s seam pace bowler Tom Curran was born in Cape Town but also qualifies to play for Ireland. Ireland’s Boyd Rankin played for England before returning to Ireland in in 2016.

It is hard too to explain to the fans of other games the good atmosphere at Cricket matches. The Barmy Army was in fine form at Malahide yesterday, although their repertoire was limited to ‘Karma Chameleon,’ a hit for Boy George and Culture Club in 1983, Tony Christie’s ‘Amarillo,’ and one single rendition on a trumpet of ‘In the Bleak Mid-Winter’ – perhaps a reference to the threat of rain throughout the day rather than an act of piety – and a moving and well-choreographed rendition of Jerusalem, the real English national anthem.

Although I often say in jest that I am so tired after busy Sunday mornings I am fit for nothing better on a Sunday afternoon than to sit peacefully through Choral Evensong or to sit watching Cricket, there are, of course, links between piety and Cricket.

When I was working on doctoral research on Irish Anglican missionaries in South Africa, one of the people I came to know as ‘my missionaries’, Canon (William) Patrick ‘Pat’ Glyn McCormick (1877-1940), worked in the Transvaal in 1903-1910. His father, Canon Joseph McCormick (1834-1914), played Cricket for Ireland under the alias of J Bingley, the name of one of the schools he had attended, to disguise his participation from his parishioners in Dunmore East, Co Waterford.

Away from Cricket, McCormick was distinguished in other sports. He rowed in the Cambridge Boat in March 1856, helping to defeat Oxford in 22 minutes 45 seconds.

His son Pat McCormick played for Devon and had one first class match for MCC in 1907, and also played Rugby for Transvaal. He later succeeded Dick Shepherd as Vicar of Saint Martin in the Fields in London, and continued his work among the ‘down and outs.’ Another son, Joseph Gough McCormick (1874-1924) became Dean of Manchester, and also played with distinction for Norfolk 1899 to 1909, scoring four hundreds.

But how do I explain the pleasures of Cricket to those who refuse to understand it?

An amusing and entertaining explanation from the 1970s put it this way:

Cricket: As explained to a foreigner ...

You have two sides, one out in the field and one in.

Each man that’s in the side that’s in goes out, and when he’s out he comes in and the next man goes in until he’s out.

When they are all out, the side that’s out comes in and the side that’s been in goes out and tries to get those coming in, out.

Sometimes you get men still in and not out.

When a man goes out to go in, the men who are out try to get him out, and when he is out he goes in and the next man in goes out and goes in.

There are two men called umpires who stay out all the time and they decide when the men who are in are out.

When both sides have been in and all the men have out, and both sides have been out twice after all the men have been in, including those who are not out, that is the end of the game!

03 May 2019

Clare Museum recalls
Sisters of Mercy school
and convent in Ennis

Clare Museum is housed in part of the former Sisters of Mercy convent and school in Ennis, Co Clare (Photograph: Patrick Comerford, 2019)

Patrick Comerford

As Easter approached, I took a short time off to visit the Clare Museum in Ennis, which is in the former Convent of the Sisters of Mercy in the centre of Ennis.

The museum building in was originally a convent school and chapel dating from 1854.

The convent, in turn, was built on the site of Row House, once the home of Charles O’Connell (1792-1874), a lawyer and a cousin of Daniel O’Connell (1775-1847). Charles O’Connell was also known as Charles Dandy. Daniel O’Connell often visited the house during his campaign for Catholic Emancipation in the 1820s, and stayed there in 1828, the year he was elected MP for Clare.

Dean John Kenny (1792-1879), parish priest of Kilrush and Killimer (1827-1848) and then of Ennis from 1848, invited six Sisters of Mercy from Limerick to move to Ennis in 1854 and to establish a convent.

The site of the Sisters of Mercy convent and school was once the home of the lawyer Charles O’Connell (Photograph: Patrick Comerford, 2019)

They bought Rowe House and four other houses in Arthur’s Row, where they established Saint Xavier’s Convent. Arthur’s Row is named after the Arthur family, a Limerick merchant and political family who also gave their name to Arthur’s Quay in Limerick. Members of the Arthur family were Mayors of Limerick on 61 occasions between 1218 and 1635. Anne Arthur O’Brien was Mayor of Ennis in 1987 and 1988.

The foundation stone of the school and convent for the Sisters of Mercy was laid on 11 April 1861, and most of the building was completed by 1865. A chapel and classrooms were added in 1869.

The architect was Maurice Fitzgerald of Market Street, Ennis, who was active in the 1850s and 1860s.

A new gable-fronted Gothic Revival convent chapel was built in 1895, and had lancet windows with stained glass by Meyer of Munich, depicting the ‘Corporal Works of Mercy.’

The porch of the convent has been incorporated into the entrance lobby and bar of the Temple Gate Hotel (Photograph: Patrick Comerford, 2019)

Most of Saint Xavier’s convent was demolished in 1995. The porch of the convent has been incorporated into the entrance lobby and bar of the Temple Gate Hotel. A separate block of the school is now a residential property.

A remaining wing houses the Ennis Tourist Information Bureau and the Clare Museum. The museum tells the history of Co Clare over a period of 6,000 years, using artefacts, text panels and audio-visual presentations.

The exhibition, the Riches of Clare, is spread across two galleries. The exhibition is divided into the themes of Earth, Power, Faith, Water and Energy and includes a large collection of objects on loan from the National Museum of Ireland.

The objects included are from archaeological sites, social history, religious sites, agricultural history, Clare’s association with the Spanish Armada, Clare’s musical tradition, and collections relating to Éamon de Valera. The display also includes an exhibition of the 1914 All-Ireland Hurling Championship Senior and Junior teams.

A chalice and vestments donated to the Sisters of Mercy are now among exhibits in the museum (Photograph: Patrick Comerford, 2019)

Two exhibits connect the Museum in an interesting way with the Sisters of Mercy who once had their convent on this site.

Hand-made rose vestments, made of Chinese silk, were hand-embroidered by Chinese women and presented by the Columban Sisters in the 1930s to Michael Fogarty (1859-1955), Bishop of Killaloe (1904-1955). Bishop Fogarty later donated them to the Sisters of Mercy in Ennis.

A silver gilt chalice, inset with semi-precious stones, was willed to the Sisters of Mercy by Bishop Fogerty’s brother, Father Daniel Fogarty, Parish Priest of Toomevara, Co Tipperary, when he died in 1903.

The Museum’s former role as a convent is also alluded to in the sculpture in oak and limestone, ‘Celtic Rest’ (2004) by Mary McNamara.

‘Celctic Rest’ by Mary McNamara, beside the Clare Museum and the Temple Gate Hotel in Ennis, Co Clare (Photograph: Patrick Comerford, 2019)

The convent and school were designed by the Ennis architect Maurice Fitzgerald

17 March 2019

The murders in Christchurch
remind us that eternal vigilance
remains the price of liberty

Saint Patrick in a stained-glass window in Saint Mary’s Roman Catholic parish church, Askeaton, Co Limerick (Photograph: Patrick Comerford, 2019)

Patrick Comerford

Sunday 17 March 2019: Saint Patrick’s Day (the Second Sunday in Lent)

11.30 a.m.: The Parish Eucharist (Holy Communion 2), Saint Brendan’s Church, Kilnaughtin (Tarbert), Co Kerry

Readings: Tobit 13: 1b-7; Psalm 145: 1-13; II Corinthians 4: 1-12; John 4: 31-38.

May I speak to you in the name of God, + Father, Son and Holy Spirit, Amen.

For the past week or two there has been an interesting debate in the newspapers and on RTÉ on Protestant identity.

In two separate features in The Irish Times, Professor Roy Foster of Oxford and the historian Dr Ida Milne, co-editor with Ian d’Alton of Protestant and Irish, gave two very different accounts of growing up in the 1960s and the 1970s as Protestants in Waterford and Wexford, two parts of the south-east that I associate with much of my own growing up, and which I returned to on Thursday and Friday.

Roy Foster says that by the 1970s the sense of difference between Protestant and Catholic cultures in the Republic was eroding fast.

He writes that ‘the Protestant accent,’ ‘if anyone even remembers it, is now gone (along with Protestant cuisine – an unregretted subculture of a subculture).’

He goes on to say that by the time a Republic was declared in 1948, ‘the identity of southern Protestants was more or less uncomplicatedly Irish.’

Both writers describe the deep differences between Protestants north and south, and note the different attitude of Protestants north and south of the border towards the GAA, towards the 1798 Rising, or towards Irish national identity.

Despite large-scale Protestant emigration in the early 1920s, southern Irish Protestants moved away from an initial fear of becoming what Ian d’Alton calls ‘a beached people’ and avoided withdrawing into an ‘inner emigration.’

In the 1950s, Hubert Butler described the Church of Ireland as ‘a poor old phoenix, moulting and blind and bedraggled, gazing mesmerised into the fire, but unable to summon up the courage to take the last leap.’ Yet, he continued: ‘I still think it has the power to lay a very fine egg.’

By the 1980s, the late Victor Griffin, Dean of Saint Patrick’s Cathedral, Dublin (1968-1991), spoke openly of the position of Protestants in Irish public life and challenged the modern Ireland that was emerging ‘to choose between republicanism and confessionalism.’

Throughout all those years, we had a shared pride in our Irish rugby team – despite yesterday’s result. I have no problem of showing my support too for the Wexford hurlers and – since I moved to this parish – for Kerry and Limerick too.

We are defined not by the sports we play, the way we vote, the houses we live in, what we eat, or the religious festivals we celebrate. We are confident in our Irish identity, and, I hope, would be vocal in challenging any efforts to return to the days when people sought to use religious affiliation as a key marker for Irish identity.

Despite some lingering perceptions among a tiny minority of our neighbours, we can be equally proud too of Saint Patrick and his legacy, which we are celebrating today.

But if we are to celebrate Saint Patrick with integrity and honesty today, there are key parts of his story that we must continue to emphasise so Saint Patrick’s Day can retain its core meaning and values.

During the past week, I have been looking at the city centre preparations in both Dublin and Limerick for Saint Patrick’s Day, which has been turned into a five-day festival, running from last Thursday [14 March 2019] until tomorrow [18 March 2019].

The organisers of ‘Saint Patrick’s Festival’ and The Irish Times produced an attractive, glossy 44-page festival programme giving details of much though not all that is on offer this weekend.

There are events that celebrate music and photography, we can choose between poetry and pirates, parades and parties, we can upskill our Irish language skills or dance away the evening at a Céilí Mór. There are myths and monsters, bands and bicycles, walks and pints, games, funfairs and the circus, and a call to ‘Believe in Science.’

But nowhere is there any mention of who Saint Patrick was, what he did, or why we might celebrate him as our national, patron saint.

And nowhere, in a very attractive and full programme, is there any reference to any of the cathedral and church services today that celebrate the life, faith and witness of Saint Patrick.

It is worth remembering this morning that Saint Patrick is a figure of unity on this island. He was sent not so much as a missionary but to unite the Church on this island, which was scattered throughout Ireland, without any sense of unity.

He is an ecumenical figure, shared by Catholic, Protestant and Dissenter.

But under the dark cloud of events in New Zealand in the past two or three days, there are a few other details about Saint Patrick’s life that are worth remembering and celebrating:

1, Saint Patrick was an outsider and a stranger. He was born in Roman Britain and had no Irish family background, and was seen as a migrant or immigrant.

2, Despite the presence of pre-Patrician Christianity in Ireland, Patrick was a member of a religious minority … a religious community that was seen as strange and foreign and rather than being accepted as a religion of peace was seen as a threat to the social and political order of the day.

3, Saint Patrick had first-hand experience of slavery and violent oppression. He was trafficked and he was able to escape only because of a network of people who risked their own personal safety by breaking the laws of the day and providing his safe passage to escape.

The context for this morning’s Gospel reading [John 4: 31-38] is Christ’s meeting with the Samaritan woman at the well [see John 4: 1-42].

Saint Patrick too was affirmative of the women who came into his life with their questions about religion, but who had been marginalised and who had been kept out of religious society and debate.

But we should also remember that the reaction in society at the time of Christ to the Samaritans is similar to the reaction to Muslims in many places today. Both Samaritans and Muslims are monotheists who worship the same God as Jews and Christians believe in, but so often they were or are seen as having a strange, unrelated and even threatening faith community.

In an island community, everyone who is either an immigrant or a descendant of immigrants – no matter how recent or distant those ancestors may be, we all share a multiplicity of identities. But the labels Catholic, Protestant and Christian were never intended to be ethnic identities. Nor is Muslim an ethic label or identity.

The rise of antisemitism across Europe and the tacit acceptance of Islamophobia should disgust all decent Christians. We should be heard to speak out when Jewish graves are toppled and spray-painted with graffiti, when Jews and Muslims are taunted, when synagogues and mosques are attacked.

It is embarrassing, to say the least, that the man who carried out the attacks boasted that he was partly Irish in background. Does he not realise the irony and incongruity of an Australian, with mixed Irish, Scottish and English background, being opposed to immigration to New Zealand?

The sadness of Friday’s attacks in New Zealand is made even sadder by the name of the city where they took place, for violence must never be in the name of Christ or in the name of the Church. What a meaning and significance to give to the name of Christchurch!

In so many ways Ireland is like New Zealand and Canada: despite all our economic and political problems and difficulties, these three countries on three continents are emerging as voices for tolerance, diversity and pluralism.

What happened in these recent days in New Zealand must be warning to us all. We have a similar-sized Muslim population in Ireland, and for most people they are a respected and a valued minority, with a valued place in the mosaic that is this beautiful society.

But we cannot take our religious communities, majorities or minorities, for granted.

The saying, ‘Eternal vigilance is the price of Liberty’ is often attributed to the Irish lawyer and politician John Philpot Curran (1750-1817). What he actually said in 1790 was: ‘It is the common fate of the indolent to see their rights become a prey to the active. The condition upon which God hath given liberty to man is eternal vigilance; which condition if he break, servitude is at once the consequence of his crime and the punishment of his guilt.’

We must speak out when our neighbours are victimised or discriminated against. Like Christ at the well, we must listen and learn from the people who are the equivalent of Samaritan women among us today. Like Saint Patrick, we must be willing to keep alight the flame of the Gospel that speaks against oppression, slavery and discrimination.

We must be careful that everything we say may be interpreted as the word of Christ and the word of the Church. In our words and our deeds we are called to show the love of God and to love our neighbours as ourselves.

And so, may all we think, say and do be to the praise, honour and glory of God, + Father, Son and Holy Spirit, Amen.

Saint Patrick depicted in a window in Saint Patrick’s Church, Waterford (Photograph: Patrick Comerford, 2019)

John 4: 31-38 (NRSVA):

31 Meanwhile the disciples were urging him [Jesus], ‘Rabbi, eat something.’ 32 But he said to them, ‘I have food to eat that you do not know about.’ 33 So the disciples said to one another, ‘Surely no one has brought him something to eat?’ 34 Jesus said to them, ‘My food is to do the will of him who sent me and to complete his work. 35 Do you not say, “Four months more, then comes the harvest”? But I tell you, look around you, and see how the fields are ripe for harvesting. 36 The reaper is already receiving wages and is gathering fruit for eternal life, so that sower and reaper may rejoice together. 37 For here the saying holds true, “One sows and another reaps.” 38 I sent you to reap that for which you did not labour. Others have laboured, and you have entered into their labour.’

Saint Patrick … an icon received as present in Crete last year and now in the Rectory in Askeaton, Co Limerick (Photograph: Patrick Comerford)

Liturgical Colour: White

Penitential Kyries:

O taste and see that the Lord is good;
happy are those who trust in him.
Lord, have mercy.
Lord, have mercy.

The Lord ransoms the live of his servants
and none who trust in him will be destroyed.
Christ, have mercy.
Christ, have mercy.

Come my children, listen to me:
I will teach you the fear of the Lord.
Lord, have mercy.
Lord, have mercy.

Collect:

Almighty God,
in your providence you chose your servant Patrick
to be the apostle of the Irish people,
to bring those who were wandering in darkness and error
to the true light and knowledge of your Word:
Grant that walking in that light
we may come at last to the light of everlasting life;
through Jesus Christ our Lord.

The Lenten Collect:

Almighty and everlasting God,
you hate nothing that you have made
and forgive the sins of all those who are penitent:
Create and make in us new and contrite hearts
that we, worthily lamenting our sins
and acknowledging our wretchedness,
may receive from you, the God of all mercy,
perfect remission and forgiveness;
through Jesus Christ our Lord.

Introduction to the Peace:

Peace be to you, and peace to your house, and peace to all who are yours (I Samuel 25: 6).

Preface:

To this land you sent the glorious gospel
through the preaching of Patrick.
You caused it to grow and flourish in the life of your servant Patrick and in
the lives of men and women, filled with your Holy Spirit,
building up your Church to send forth the good news to other places:

Post Communion Prayer:

Hear us, most merciful God,
for that part of the Church
which through your servant Patrick you planted in our land;
that it may hold fast the faith entrusted to the saints
and in the end bear much fruit to eternal life:
through Jesus Christ our Lord.

Blessing:

God, who in days of old gave to this land the benediction of his holy Church,
fill you with his grace to walk faithfully in the steps of the saints
and to bring forth fruit to his glory:

A fading statue of Saint Patrick in the grounds of Saint Patrick’s Church, Waterford (Photograph: Patrick Comerford, 2019)

Hymns:

459: For all the saints, who from their labours rest (CD 27)
611: Christ be beside me (CD 35)
666: Be still my soul: the Lord is on thy side (CD 39)

The reliquary made for relics of Saint Patrick, now in the Hunt Museum, Limerick (Photograph: Patrick Comerford)

Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org

Material from the Book of Common Prayer is copyright © 2004, Representative Body of the Church of Ireland.

Why we should remember
that Saint Patrick was
an outsider and a stranger

Saint Patrick depicted in a window in Saint Patrick’s Church, Waterford (Photograph: Patrick Comerford, 2019)

Patrick Comerford

Sunday 17 March 2019: Saint Patrick’s Day (the Second Sunday in Lent)

9.30 a.m.: The Parish Eucharist (Holy Communion 2), Saint Mary’s Church, Askeaton, Co Limerick

Readings: Tobit 13: 1b-7; Psalm 145: 1-13; II Corinthians 4: 1-12; John 4: 31-38.

May I speak to you in the name of God, + Father, Son and Holy Spirit, Amen.

For the past week or two there has been an interesting debate in the newspapers and on RTÉ on Protestant identity.

In two separate features in The Irish Times, Professor Roy Foster of Oxford and the historian Dr Ida Milne, co-editor with Ian d’Alton of Protestant and Irish, gave two very different accounts of growing up in the 1960s and the 1970s as Protestants in Waterford and Wexford, two parts of the south-east that I associate with much of my own growing up, and which I returned to on Thursday and Friday.

Roy Foster says that by the 1970s the sense of difference between Protestant and Catholic cultures in the Republic was eroding fast.

He writes that ‘the Protestant accent,’ ‘if anyone even remembers it, is now gone (along with Protestant cuisine – an unregretted subculture of a subculture).’

He goes on to say that by the time a Republic was declared in 1948, ‘the identity of southern Protestants was more or less uncomplicatedly Irish.’

Both writers describe the deep differences between Protestants north and south, and note the different attitude of Protestants north and south of the border towards the GAA, towards the 1798 Rising, or towards Irish national identity.

Despite large-scale Protestant emigration in the early 1920s, southern Irish Protestants moved away from an initial fear of becoming what Ian d’Alton calls ‘a beached people’ and avoided withdrawing into an ‘inner emigration.’

In the 1950s, Hubert Butler described the Church of Ireland as ‘a poor old phoenix, moulting and blind and bedraggled, gazing mesmerised into the fire, but unable to summon up the courage to take the last leap.’ Yet, he continued: ‘I still think it has the power to lay a very fine egg.’

By the 1980s, the late Victor Griffin, Dean of Saint Patrick’s Cathedral, Dublin (1968-1991), spoke openly of the position of Protestants in Irish public life and challenged the modern Ireland that was emerging ‘to choose between republicanism and confessionalism.’

Throughout all those years, we had a shared pride in our Irish rugby team – despite yesterday’s result. I have no problem of showing my support too for the Wexford hurlers and – since I moved to this parish – for the Limerick hurlers too.

We are defined not by the sports we play, the way we vote, the houses we live in, what we eat, or the religious festivals we celebrate. We are confident in our Irish identity, and, I hope, would be vocal in challenging any efforts to return to the days when people sought to use religious affiliation as a key marker for Irish identity.

Despite some lingering perceptions among a tiny minority of our neighbours, we can be equally proud too of Saint Patrick and his legacy, which we are celebrating today.

But if we are to celebrate Saint Patrick with integrity and honesty today, there are key parts of his story that we must continue to emphasise so Saint Patrick’s Day can retain its core meaning and values.

During the past week, I have been looking at the city centre preparations in both Dublin and Limerick for Saint Patrick’s Day, which has been turned into a five-day festival, running from last Thursday [14 March 2019] until tomorrow [18 March 2019].

The organisers of ‘Saint Patrick’s Festival’ and The Irish Times produced an attractive, glossy 44-page festival programme giving details of much though not all that is on offer this weekend.

There are events that celebrate music and photography, we can choose between poetry and pirates, parades and parties, we can upskill our Irish language skills or dance away the evening at a Céilí Mór. There are myths and monsters, bands and bicycles, walks and pints, games, funfairs and the circus, and a call to ‘Believe in Science.’

But nowhere is there any mention of who Saint Patrick was, what he did, or why we might celebrate him as our national, patron saint.

And nowhere, in a very attractive and full programme, is there any reference to any of the cathedral and church services today that celebrate the life, faith and witness of Saint Patrick.

It is worth remembering this morning that Saint Patrick is a figure of unity on this island. He was sent not so much as a missionary but to unite the Church on this island, which was scattered throughout Ireland, without any sense of unity.

He is an ecumenical figure, shared by Catholic, Protestant and Dissenter.

But under the dark cloud of events in New Zealand in the past two or three days, there are a few other details about Saint Patrick’s life that are worth remembering and celebrating:

1, Saint Patrick was an outsider and a stranger. He was born in Roman Britain and had no Irish family background, and was seen as a migrant or immigrant.

2, Despite the presence of pre-Patrician Christianity in Ireland, Patrick was a member of a religious minority … a religious community that was seen as strange and foreign and rather than being accepted as a religion of peace was seen as a threat to the social and political order of the day.

3, Saint Patrick had first-hand experience of slavery and violent oppression. He was trafficked and he was able to escape only because of a network of people who risked their own personal safety by breaking the laws of the day and providing his safe passage to escape.

The context for this morning’s Gospel reading [John 4: 31-38] is Christ’s meeting with the Samaritan woman at the well [see John 4: 1-42].

Saint Patrick too was affirmative of the women who came into his life with their questions about religion, but who had been marginalised and who had been kept out of religious society and debate.

But we should also remember that the reaction in society at the time of Christ to the Samaritans is similar to the reaction to Muslims in many places today. Both Samaritans and Muslims are monotheists who worship the same God as Jews and Christians believe in, but so often they were or are seen as having a strange, unrelated and even threatening faith community.

In an island community, everyone who is either an immigrant or a descendant of immigrants – no matter how recent or distant those ancestors may be, we all share a multiplicity of identities. But the labels Catholic, Protestant and Christian were never intended to be ethnic identities. Nor is Muslim an ethic label or identity.

The rise of antisemitism across Europe and the tacit acceptance of Islamophobia should disgust all decent Christians. We should be heard to speak out when Jewish graves are toppled and spray-painted with graffiti, when Jews and Muslims are taunted, when synagogues and mosques are attacked.

It is embarrassing, to say the least, that the man who carried out the attacks boasted that he was partly Irish in background. Does he not realise the irony and incongruity of an Australian, with mixed Irish, Scottish and English background, being opposed to immigration to New Zealand?

The sadness of Friday’s attacks in New Zealand is made even sadder by the name of the city where they took place, for violence must never be in the name of Christ or in the name of the Church. What a meaning and significance to give to the name of Christchurch!

In so many ways Ireland is like New Zealand and Canada: despite all our economic and political problems and difficulties, these three countries on three continents are emerging as voices for tolerance, diversity and pluralism.

What happened in these recent days in New Zealand must be warning to us all. We have a similar-sized Muslim population in Ireland, and for most people they are a respected and a valued minority, with a valued place in the mosaic that is this beautiful society.

But we cannot take our religious communities, majorities or minorities, for granted.

The saying, ‘Eternal vigilance is the price of Liberty’ is often attributed to the Irish lawyer and politician John Philpot Curran (1750-1817). What he actually said in 1790 was: ‘It is the common fate of the indolent to see their rights become a prey to the active. The condition upon which God hath given liberty to man is eternal vigilance; which condition if he break, servitude is at once the consequence of his crime and the punishment of his guilt.’

We must speak out when our neighbours are victimised or discriminated against. Like Christ at the well, we must listen and learn from the people who are the equivalent of Samaritan women among us today. Like Saint Patrick, we must be willing to keep alight the flame of the Gospel that speaks against oppression, slavery and discrimination.

We must be careful that everything we say may be interpreted as the word of Christ and the word of the Church. In our words and our deeds we are called to show the love of God and to love our neighbours as ourselves.

And so, may all we think, say and do be to the praise, honour and glory of God, + Father, Son and Holy Spirit, Amen.

Saint Patrick … an icon received as present in Crete last year and now in the Rectory in Askeaton, Co Limerick (Photograph: Patrick Comerford)

John 4: 31-38 (NRSVA):

31 Meanwhile the disciples were urging him [Jesus], ‘Rabbi, eat something.’ 32 But he said to them, ‘I have food to eat that you do not know about.’ 33 So the disciples said to one another, ‘Surely no one has brought him something to eat?’ 34 Jesus said to them, ‘My food is to do the will of him who sent me and to complete his work. 35 Do you not say, “Four months more, then comes the harvest”? But I tell you, look around you, and see how the fields are ripe for harvesting. 36 The reaper is already receiving wages and is gathering fruit for eternal life, so that sower and reaper may rejoice together. 37 For here the saying holds true, “One sows and another reaps.” 38 I sent you to reap that for which you did not labour. Others have laboured, and you have entered into their labour.’

The reliquary made for relics of Saint Patrick, now in the Hunt Museum, Limerick (Photograph: Patrick Comerford)

Liturgical Colour: White

Penitential Kyries:

O taste and see that the Lord is good;
happy are those who trust in him.
Lord, have mercy.
Lord, have mercy.

The Lord ransoms the live of his servants
and none who trust in him will be destroyed.
Christ, have mercy.
Christ, have mercy.

Come my children, listen to me:
I will teach you the fear of the Lord.
Lord, have mercy.
Lord, have mercy.

Collect:

Almighty God,
in your providence you chose your servant Patrick
to be the apostle of the Irish people,
to bring those who were wandering in darkness and error
to the true light and knowledge of your Word:
Grant that walking in that light
we may come at last to the light of everlasting life;
through Jesus Christ our Lord.

The Lenten Collect:

Almighty and everlasting God,
you hate nothing that you have made
and forgive the sins of all those who are penitent:
Create and make in us new and contrite hearts
that we, worthily lamenting our sins
and acknowledging our wretchedness,
may receive from you, the God of all mercy,
perfect remission and forgiveness;
through Jesus Christ our Lord.

Introduction to the Peace:

Peace be to you, and peace to your house, and peace to all who are yours (I Samuel 25: 6).

Preface:

To this land you sent the glorious gospel
through the preaching of Patrick.
You caused it to grow and flourish in the life of your servant Patrick and in
the lives of men and women, filled with your Holy Spirit,
building up your Church to send forth the good news to other places:

Post Communion Prayer:

Hear us, most merciful God,
for that part of the Church
which through your servant Patrick you planted in our land;
that it may hold fast the faith entrusted to the saints
and in the end bear much fruit to eternal life:
through Jesus Christ our Lord.

Blessing:

God, who in days of old gave to this land the benediction of his holy Church,
fill you with his grace to walk faithfully in the steps of the saints
and to bring forth fruit to his glory:

A fading statue of Saint Patrick in the grounds of Saint Patrick’s Church, Waterford (Photograph: Patrick Comerford, 2019)

Hymns:

459: For all the saints, who from their labours rest (CD 27)
611: Christ be beside me (CD 35)
666: Be still my soul: the Lord is on thy side (CD 39)

Saint Patrick in a stained-glass window in Saint Mary’s Roman Catholic parish church, Askeaton, Co Limerick (Photograph: Patrick Comerford, 2019)

Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org

Material from the Book of Common Prayer is copyright © 2004, Representative Body of the Church of Ireland.