Wednesday, 27 October 2021
During my visit to Coventry Cathedral earlier this month, Jacob Epstein’s triumphant bronze figures of the Archangel Michael vanquishing the Devil were covered for repair work and was not visible.
However – apart from the effigy of Bishop Huyshe Wolcott Yeatman-Biggs by Sir William Hamo Thornycroft – three sculptures in particular drew my attention in the ruins of the Old Cathedral: Jacob Epstein’s statue Ecce Homo; a Statue of Christ by Alain John when he was an 18-year-old pupil at Blundell’s School; and the ‘Choir of Survivors’ by Helmut Heinze, a gift from Dresden.
The ‘Choir of Survivors’ by Helmut Heinze, in the ruins of Coventry Cathedral, is a gift from the Frauenkirche Foundation in Dresden. The Frauenkirche church in Drseden was destroyed by allied bombing during World War II.
The 2.77 metre sculpture, known in German as Chor der Überlebenden (Choir of Survivors), is in memory of the lost civilian lives on both sides of the conflict during World War II. It was unveiled at the west end of the cathedral ruins on Sunday 20 May 2012 as part of the new cathedral’s fiftieth anniversary celebrations.
The ‘Choir of Survivors’ is dedicated to civilians killed or injured in aerial bombing during wars past and present. During the act of dedication, specific reference was made to German civilians killed in the allied bombings in 1940-1945. A delegation and choir from the bombed German city of Dresden, led by the Bishop of Saxony, took part in the ceremony.
Bishop Christopher Cocksworth of Coventry said at the unveiling that this was a ‘very significant sculpture.’ He described it as ‘a symbol of hope; of new life rising out of destruction.’
Bishop Cocksworth added: ‘An amazing story of reconciliation has happened over the years between Coventry and Dresden, particularly between Coventry Cathedral and the Frauenkirche.’
The statue is the work of the German artist and sculptor Helmut Heinze, who was born on 24 April 1932. He also designed a memorial for the victims of the Bombing of Dresden in World War II.
Heinze interrupted his studies in 1953-1955 for a stone sculptor apprenticeship under Werner Hempel. During this time, Heinze took part in restoring the Dresden Kreuzkirche and Meissen Cathedral. He was professor for plastic arts at the Dresden Academy of Fine Arts from 1979 to 1997.
Yesterday: ‘Statue of Christ’ by Alain John
Before the day begins, I am taking a little time this morning for prayer, reflection and reading. Each morning in the time in the Church Calendar known as Ordinary Time, I am reflecting in these ways:
1, photographs of a church or place of worship;
2, the day’s Gospel reading;
3, a prayer from the USPG prayer diary.
My theme for this week is churches in Lichfield, where I spent part of the week before last in a retreat of sorts, following the daily cycle of prayer in Lichfield and visiting the chapel in Saint John’s Hospital and other churches.
In this series, I have already visited Lichfield Cathedral (15 March), Holy Cross Church (26 March), the chapel in Saint John’s Hospital (14 March), the Church of Saint Mary and Saint George, Comberford (11 April), Saint Bartholomew’s Church, Farewell (2 September) and the former Franciscan Friary in Lichfield (12 October). The theme of Lichfield churches, which I began with Saint Chad’s Church on Sunday, Saint Mary’s Church on Monday, and Saint Michael’s Church, yesterday, continues this morning (27 October 2021) with photographs from Christ Church, Leomansley.
Christ Church was built in 1846 on Christchurch Lane in Leamonsley, just off Walsall Road in the south-west corner of Lichfield. It serves a parish that includes the areas around Leamonsley, Sandfields and Lower Sandford Street.
The church was photographed extensively and described beautifully (13 January 2013) by the Lichfield blogger and local historian Kate Gomez. It has connections with two great Gothic Revival architects, Thomas Johnson and George Frederick Bodley, and its Hardman and Kempe windows and interior decorations bring together a truly delight expression of the late period of Gothic Revival architecture and art in Staffordshire.
My recent visit to the church was arranged by the Revd Janet Waterfield, Vicar of Christ Church, Lichfield, and Saint James’s, Longdon, and I was shown around the church by the verger, Margaret Beddoe.
Christ Church is a fine example of the Decorated Gothic revival style of the 19th century. The church is a Grade II* listed building. On the ceiling of the chancel are some unique Pre-Raphaelite canvas panels painted by John Dickson Batten (1860-1932).
A growing population in the west of Lichfield created the need for a new church in the area. Building work on Christ Church began in 1844 and it was completed by 1847, making it the first new parish church in Lichfield since mediaeval times.
The ¾-acre site for the church was a gift in 1844 from Richard Hinckley, a Lichfield solicitor and the owner of Beacon Place and its surrounding estate grounds. The site was about 500 metres south of Beacon Place at the edge of the grounds of the Hinckley estate and could be seen by the Hinckleys from their home.
The church was built in the corner of the park surrounding Beacon House. Because the church had no parish, a new parish was created by annexing parts of the parishes of Saint Michael and Saint Chad.
The church was built and endowed by the generosity of Richard Hinckley’s wife, Ellen Jane Hinckley, the daughter of John Chappel Woodhouse (1780-1815), Dean of Lichfield (1807-1833). She was a niece of the Lichfield hymn-writer, Frederick Oakeley (1802-1880), best known as the translator of ‘O come, all ye faithful.’
Ellen had suffered tragic family losses. Her first husband was Canon William Robinson, and they had two daughters, Ellen-Jane and Marianne, who died in their childhood in 1813 and 1814. These two children are the subject of the memorial in Lichfield Cathedral carved by Sir Francis Chantry and known as ‘The Sleeping Children.’
Canon Robinson died in 1812 while he was still in his 30s. Ellen married her second husband, Hugh Dyke Acland (1791-1834), in Lichfield Cathedral in 1817. But she was widowed a second time when he died in 1834. A year later, in 1835, she married her third husband, Richard Hinckley. They moved into Beacon Place in 1837, and soon after donated a corner of their estate for building a new church.
Christ Church was built of sandstone quarried in Lichfield and was designed by the Lichfield architect, Thomas Johnson, who lived in 67 Upper John Street, later known as Davidson House.
The church was built with local red sandstone in a decorated Gothic revival style under the design of Thomas Johnson of Lichfield. When the church was completed in 1847, it consisted of a chancel, nave and west tower with a bell cast in 1845 by CG Mears of London. The tiles are by Herbert Minton, whose firm also worked closely with AWN Pugin and donated tiles to about 40 or 50 churches and vicarages throughout the Diocese of Lichfield.
The church was consecrated on 26 October 1847 by the Bishop of Lichfield, the Right Revd John Lonsdale. The first incumbent was Canon Thomas Alfred Bangham (1819-1876). He been ordained priest only a few months earlier in May 1847, but he stayed at Christ Church until his death.
Over the decades, the church has been richly endowed with many treasures and more practical items such as a modern heating system due to the generosity of local benefactors.
The north and south chancel windows, transept east window and nave south window date from the 1870s and 1880s and were designed by Hardman & Co, the Birmingham firm founded by John Hardman (1811-1867) of Handsworth, who worked closely with AWN Pugin.
The church was enlarged to designs by Matthew Holding of Northampton in 1887, when the north and south transepts and the bays were added. The north extension consisted of a Lady Chapel and the south extension provided the church with an organ chamber and vestry. The extensions were partly funded by Samuel Lipscombe Seckham, who had bought Beacon House from the Hinckley family in 1881, and partly by public subscription.
Samuel Lipscomb Seckham (1827-1901) was a prosperous architect, developer, magistrate and brewer. He was employed by Saint John’s College, Oxford, to develop parts of North Oxford, including Park Town, Walton Manor and Norham Manor. From 1877 to 1883, he owned Bletchley Park, later known as the location for the codebreakers in World War II. In 1889, he bought Whittington Old Hall, a 16th-century country house outside Lichfield.
The chancel screen in Christ Church was presented by Seckham’s wife, Kinbarra Sweene (nee Smith), in 1888, but this has since been removed to the former choir gallery.
To celebrate the 50th anniversary of the church in 1897, the vicar and churchwardens commissioned the decoration of the chancel ceiling and walls by John Dickson Batten, better known as an illustrator, and his work for Joseph Jacob’s various editions of fairy tales in the 1890s display his talent for design and creativity.
Batten painted his canvases for Christ Church in the Pre-Raphaelite style, depicting Old Testament figures with symbols of the Passion and the Eucharist. In these canvasses, Batten represents the Biblical figures pointing to Christ as the promised and hoped-for Messiah and the Eucharist as the Christian’s means of union with him.
The paintings on the north side of the sanctuary represent (viewed from left to right):
● Adam and Eve in the Garden of Eden;
● Noah, with the rainbow, the sign of God’s promise and blessing;
● the Archangel Gabriel guarding the gates of Paradise until Paradise should be regained by Christ;
● Abraham with Jacob, with Jacob’s vision of a ladder between Heaven and Earth;
● Moses, the leader and lawgiver, with Aaron, the High Priest who offers sacrifice to God.
The paintings on the south side of the sanctuary (viewed from left to right) represent:
● Joshua leading God’s army into the Promised Land;
● David, the king and psalmist from whose royal house the Messiah would come;
● Solomon, the builder of the Temple in Jerusalem;
● Elijah, the prophet of God’s judgment, with Isaiah, speaking of comfort;
● the Archangel Gabriel, with Saint John the Baptist, calling the Virgin Mary to be the mother of Christ.
The original watercolours used by Batten as cartoons for his work on the ceiling paintings were discovered in the tower of Christ Church in the early 1980s. At first, it was thought they were the work of the Birmingham stained-glass artist Florence Camm (1874-1916). But this was disputed while the watercolours were being restored at the Birmingham Museum and Art Gallery. Art historians and the BMAG and the Victoria and Albert Museum now agree that they are the work of Batten.
The Tractarian artist Charles Eamer Kempe (1837-1907) designed the glass for the north transept west window in 1894. Kempe, who studied architecture under George Frederick Bodley, also designed the colourful triptych that forms the reredos of the altar in the Lady Chapel in Lichfield Cathedral.
The reredos and marble sanctuary floor were presented to Christ Church in 1906 by Thomas Cox, a churchwarden, and his daughters in memory of Sarah Cox, wife and mother.
The sanctuary refurbishings were designed by George Frederick Bodley (1827-1907), and were built by Robert Bridgeman and Son of Quonians Lane, Lichfield.
Bodley was a lifelong friend of Kempe, and he was the first major patron of William Morris’s stained glass. He is closely associated with the Gothic Revival and High Anglican aesthetics, and his biographer Michael Hall argues he ‘fundamentally shaped the architecture, art, and design of the Anglican Church throughout England and the world’ (George Frederick Bodley and the Later Gothic Revival in Britain and America, Yale University Press, 2012). The Church Historian, Owen Chadwick, says Kempe’s work represents ‘the Victorian zenith’ of church decoration and stained glass windows.
Bodley’s other works in the Diocese of Lichfield include the Church of the Holy Angels, Hoar Cross (1871-1872), the Mission Church in Hadley End (1901) and Saint Chad’s Church, Burton-on-Trent (1903-1910).
Other churches designed by Bodley include All Saints’ Church on Jesus Lane, Cambridge, close to Westcott House and Sidney Sussex College; and the Chapel of Queens’ College, Cambridge. He also designed the statue of a sailor from HMS Powerful, carved by Bridgeman, on the wall of Lichfield’s former museum and library, now the city Register Office, at Beacon Park.
The clock on the tower of Christ Church, installed in 1913, was presented by the Burton brewer by Albert Octavius Worthington of Maple Hayes in memory of his wife Sarah. He was the vicar's warden in Christ Church, and after he died on Ascension Day 1918 the east window was installed by his children in his memory in 1920.
The churchyard was enlarged twice, in 1895 and again in 1929. Three tombs of the Hinckley and Acland families at the rear of the church also have Grade II listing as monuments.
Today, Christ Church stands serenely in a beautiful and peaceful churchyard. It has a very village-like feeling to it in this quiet corner of Lichfield. The church is an active parish church with regular Sunday morning services 9.30 am and Evening Prayer at 6 pm on the second and fourth Sunday.
Luke 13: 22-30 (NRSVA):
22 Jesus went through one town and village after another, teaching as he made his way to Jerusalem. 23 Someone asked him, ‘Lord, will only a few be saved?’ He said to them, 24 ‘Strive to enter through the narrow door; for many, I tell you, will try to enter and will not be able. 25 When once the owner of the house has got up and shut the door, and you begin to stand outside and to knock at the door, saying, “Lord, open to us”, then in reply he will say to you, “I do not know where you come from.” 26 Then you will begin to say, “We ate and drank with you, and you taught in our streets.” 27 But he will say, “I do not know where you come from; go away from me, all you evildoers!” 28 There will be weeping and gnashing of teeth when you see Abraham and Isaac and Jacob and all the prophets in the kingdom of God, and you yourselves thrown out. 29 Then people will come from east and west, from north and south, and will eat in the kingdom of God. 30 Indeed, some are last who will be first, and some are first who will be last.’
The Prayer in the USPG Prayer Diary today (27 October 2021) invites us to pray:
We remember those who bought our freedom at great cost, and we pray for those who continue to uphold it, praying especially for all those who work to gather and spread reliable news.
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org