The Crown Bar typifies the Victorian elegance that once graced Great Victoria Street in Belfast (Photograph: Patrick Comerford, 2024)
Patrick Comerford
It is said that great cities are defined by their great buildings and great streets. In Belfast, Great Victoria Street was once one of the city’s most elegant streets, lined with great buildings, although many of these disappeared in recent years, and the street is now pock-marked by vacant lots and building sites.
Like many journalists, I have mixed memories of the Europa Hotel. During my CND campaigning days and a student placement in Belfast in 1980s, I became familiar with places like the Crown Bar and neighbouring Robinson’s.
And everyone who has travelled into and out of Belfast has memories of Great Victoria Street Station, which closed permanently four months ago.
Despite some appearances of dereliction, Great Victoria Street remains one of the busiest streets in the heart of Belfast city centre and it is one of the main thoroughfares in and out of the City.
During our recent weekend stay in Belfast, we were staying off Botanic Avenue, and I walked a few times that weekend along Great Victoria Street, which begins at Shaftsbury Square, and runs straight down into College Square and the heart of central Belfast’s shopping district, including Royal Avenue and other streets off Donegall Square.
Great Victoria Street should not be confused with Victoria Street, another city centre street with a similar name. Victoria Street, which is marked by the Jaffe Memorial Fountain – which I was discussing last night – was created in 1843, linking Cromac Street and Corporation Street.
On the other hand, Great Victoria Street was built in 1823 and became known as Great Victoria Street in honour of Queen Victoria in 1848, after the opening of the new railway line connecting Belfast and Dublin. A year later, Queen Victoria and Prince Albert visited Belfast in 1849 during their first official engagement in Ireland.
The 1848 terminal building at Great Victoria Street was demolished to make way for the development of the Europa Hotel in 1971 (Photograph: Patrick Comerford, 2024)
The first railway terminus in Belfast opened on 12 August 1839 on the site of a former linen mill, beside where Durham Street crossed the Blackstaff River at the Saltwater Bridge, now Boyne Bridge.
A new terminal building, probably designed by the Ulster Railway engineer John Godwin, was completed in 1848. Godwin later founded the School of Civil Engineering at Queen’s College, later Queen’s University Belfast. The station was originally called Belfast but was renamed Belfast Victoria Street in 1852 and then Belfast Great Victoria Street in 1856.
The Ulster Railway became part of the Great Northern Railway (GNR) in 1876, making Great Victoria Street the terminus for a network that extended south to Dublin and west to Derry and Bundoran.
Great Victoria Street station was modernised in 1961, and a bus centre was incorporated into the facility. Then in 1968, a large section of the 1848 terminal building was demolished to make way for the development of the Europa Hotel, which opened in 1971.
The station was attacked several times during the ‘Troubles’, and the remaining parts of the station were damaged by two bombings in 1972. A car bomb on 22 March 1972 injured 70 people, a train was destroyed and the station was significantly damaged. Another bomb explosion on 21 July destroyed four busses but caused no casualties. It was one of 20 bombs planted by the IRA that day, which became known as Bloody Friday.
Northern Ireland Railways closed both Great Victoria Street station and the Belfast Queen’s Quay terminus of the Bangor line in April 1976, and replaced them both with a new Belfast Central Station, now known as Lanyon Place. The remainder of Great Victoria Street station was demolished.
A new development was commissioned for the site in the late 1980s and involved reintroducing the Great Northern Railway. The Great Northern Tower was built on the site of the old station terminus in 1992, and the second Great Victoria Street Station opened in 1995, metres away from the site of its predecessor.
Great Victoria Street was the busiest railway station in Northern Ireland when it closed, with a peak of 5,347,662 passengers passing through the station in 2018-2019.
The station closed four months ago (10 May 2024) to make way for a new public transport hub, Belfast Grand Central Station, that is to combine rail and bus services. The Europa Bus Centre, once Belfast’s main bus station, closed last month (7 September 2024), and bus services were transferred to the new station the following day. The Europa Bus Centre is being transformed into a new food market known as Great Victoria Street Market under plans by the developer McAleer and Rushe.
The Grand Opera House is one of the landmark Victorian buildings that survive on Great Victoria Street (Photograph: Patrick Comerford, 2024)
The landmark buildings that survive on Great Victoria Street include the Grand Opera House, Belfast, an ornate late Victorian theatre, the Crown and Robinson’s, ornate late Victorian pubs, the Europa Hotel, the most bombed hotel in Europe and Great Victoria Street Presbyterian Church – although the original, Victorian Great Victoria Street Baptist Church has been levelled in recent years, leaving yet another large car parking lot as a blight on the streetscape.
The Crown Bar, the most famous pub in Belfast, is at 46 Great Victoria Street. It was opened by Felix O’Hanlon as the Ulster Railway Tavern in 1849, facing the new railway terminus. It was later bought by Michael Flanagan. His son Patrick Flanagan, who had studied architecture in Spain and Italy, renamed it in 1885 and decided to replace the old interior with the glorious wood-pannelled version that survives to this day.
Flannigan had contracted the Belfast architects Edward and James Byrne to design the façade. The elaborate tiling, stained glass and woodwork were created by Italian craftsmen Flanagan had persuaded to work on the pub after hours. Many of these craftsmen had come to Belfast to work on the new churches being built in the city at the time. The high standards displayed in their work made the Crown one of the finest Victorian pubs.
Sir John Betjeman and others persuaded the National Trust to buy the Crown in 1978, and a £400,000 renovation and restoration project brought the bar back to its original Victorian state. Further restoration was carried out in 2007 at a cost of £500,000. Its fittings include 10 ‘snugs’ and it has been a location in many film and television productions.
A few doors away, Robinson’s dates from 1895 and has an interesting collection of memorabilia from the Titanic, including the ‘Philomena Doll’ recovered from the wreckage, letters and postcards written onboard and first and second class china used on all White Star Liners.
The Grand Opera House on Great Victoria Street has provided a variety of entertainers that have ranged from Charlie Chaplin and Laurel and Hardy to Nellie Melba, Vera Lynn and Luciano Pavarotti.
The building was designed by Frank Matcham,the most prolific theatre architect of the period, and it opened on 23 December 1895. It was originally called the New Grand Opera House and Cirque, but it was renamed the Palace of Varieties in 1904, and the name was changed to the Grand Opera House in 1909.
The stage has also welcomed Laurence Olivier, Lyn Redgrave, Albert Finney, Geraldine McEwan, Anthony Hopkins, Liam Neeson, Rowan Atkinson, Kenneth Branagh, Emma Thompson, Ian McKellen, Darcey Bussell and Lesley Garrett.
The building has been damaged by bombs on several occasions, usually when the nearby Europa Hotel had been targeted. It was badly damaged by bomb blasts in 1991 and 1993. More recently, the Grand Opera House was restored and developed, and reopened in 2020.
The Europa Hotel was bombed no less than 33 times during the ‘Troubles’. President Bill Clinton chose to stay at the Europa during his 1995 Christmas visit, a year after the 1994 ceasefire was signed. Bill and Hillary Clinton stayed in the hotel several times since, and their rooms have since been named the Clinton Suite. Today the hotel hides its tough past and shines bright like a beacon in its pride of place.
No 113 Great Victoria Street is the site of the Belfast’s first purpose-built synagogue, built by the merchant David Jaffe. He is commemorated by the Jaffe Memorial Fountain on Victoria Street – but more about Belfast’s synagogues in the days to come, hopefully.
Sir John Betjeman and others persuaded the National Trust to buy and renovate the Crown in 1978 (Photograph: Patrick Comerford, 2024)
21 September 2024
Daily prayer in Ordinary Time 2024:
134, Saturday 21 September 2024,
Saint Matthew the Evangelist
Saint Matthew depicted in a spandrel beneath the dome of the Analipsi Church in Georgioupoli in Crete (Photograph: Patrick Comerford)
Patrick Comerford
We are continuing in Ordinary Time in the Church Calendar and tomorrow is the Seventeenth Sunday after Trinity (Trinity XVII, 22 September 2024). Today, the Church Calendar celebrates Saint Matthew, Apostle and Evangelist.
Before today begins, I am taking some quiet time this morning to give thanks, for reflection, prayer and reading in these ways:
1, today’s Gospel reading;
2, a reflection on the Gospel reading;
3, a prayer from the USPG prayer diary;
4, the Collects and Post-Communion prayer of the day.
A statue of Saint Matthew on the west front of Lichfield Cathedral (Photograph: Patrick Comerford)
Matthew 9: 9-13 (NRSVA):
9 As Jesus was walking along, he saw a man called Matthew sitting at the tax booth; and he said to him, ‘Follow me.’ And he got up and followed him.
10 And as he sat at dinner in the house, many tax-collectors and sinners came and were sitting with him and his disciples. 11 When the Pharisees saw this, they said to his disciples, ‘Why does your teacher eat with tax-collectors and sinners?’ 12 But when he heard this, he said, ‘Those who are well have no need of a physician, but those who are sick. 13 Go and learn what this means, “I desire mercy, not sacrifice.” For I have come to call not the righteous but sinners.’
The Triptych of Saint Matthew by Andrea di Cione (1343-1368), also known as Orcagna, in the Uffizi, Florence … Saint Matthew is also identified with Levi
Today’s Reflection:
Saint Matthew the Evangelist (מתי/מתתיהו, Gift of Yahweh; Ματθαίος) is one of the Twelve and is identified with both the author of the first of the four gospels and with Levi the publican or tax collector in the Gospels according to Saint Mark and Saint Luke.
According to tradition, Saint Matthew was the son of Alpheus, a publican or a tax collector by profession. He was the Levi in the Gospels according to Saint Mark and Saint Luke, and was called to be a disciple while he was sitting in the tax collectors’ place at Capernaum.
We know little about Saint Matthew’s subsequent career – what we do know is little more than speculation and legend. Saint Irenaeus says Matthew preached the Gospel among the Hebrews, Saint Clement of Alexandria claimed that he did this for 15 years, and Eusebius maintains that, before going into other countries, he gave them his Gospel in his mother tongue.
Some ancient writers say Matthew later worked in Ethiopia to the south of the Caspian Sea – not Ethiopia in Africa; others say he worked in Persia, Parthia, Macedonia or Syria. According to Heracleon, who is quoted by Clement of Alexandria, Matthew did not die a martyr, but other accounts, including the Roman Martyrology, say he died a martyr’s death in Ethiopia.
Like the other evangelists, Matthew is often depicted in Christian art as one of the four living creatures of Revelation (4: 7) – in Matthew’s case the winged man, carrying a lance in his hand. There are three paintings of Matthew by Carravagio in the church of San Luigi del Francesci in Rome. Those three paintings, which are among the landmarks of Western art, Matthew, depict Saint Matthew and the Angel, Matthew being called by Christ, and the Martyrdom of Matthew.
Caravaggio, in depicting the calling of Matthew, shows Levi the tax collector sitting at a table with four assistants, counting the day’s proceeds. This group is lighted from a source at the upper right of the painting. Christ, his eyes veiled, with his halo the only indication of his divinity, enters with Saint Peter. A gesture of Christ’s right hand – all the more powerful and compelling because of its languor – summons Levi.
Surprised by the intrusion and perhaps dazzled by the sudden light from the just-opened door, Levi draws back and gestures toward himself with his left hand as if to say: ‘Who, me?’ His right hand is still on the coin he had been counting before Christ’s entrance.
Today, Saint Matthew is regarded as the patron saint of accountants and bankers. Given the unsaintly performance of many bankers in recent years, I do not know that I would be particularly happy with the prospect of being the patron saint of bankers being put to me as a good career move in heaven. But then Christ came not to call the righteous but sinners to salvation.
Perhaps Matthew should be the patron saint of those who answer the call to ministry. I hope none of us will be worried about how we are remembered, whether people get it right about where we worked in ministry and mission, or whether they even get my name right. As long as I answered that call when it came, and abandoned everything else, including career prospects and the possibility of wealth, to answer that call faithfully and fully.
Saint Matthew depicted in a window in Saint Mary’s Church, Badby, Northamptonshire (Photograph: Patrick Comerford)
Today’s Prayers (Saturday 21 September 2024, Saint Matthew):
The theme this week in ‘Pray With the World Church,’ the Prayer Diary of the Anglican mission agency USPG (United Society Partners in the Gospel), has been ‘The 5-finger prayer from the Diocese of Kuching, Malaysia.’ This theme was introduced on Sunday in reflections as told to Rachel Weller, Communications Officer, USPG.
The USPG Prayer Diary today (Saturday 21 September 2024, Saint Matthew) invites us to pray:
Let us give thanks for the life and works of Matthew the Apostle. May we be a faithful witness to Christ just as he was.
The Collect:
O Almighty God,
whose blessed Son called Matthew the tax collector
to be an apostle and evangelist:
give us grace to forsake the selfish pursuit of gain
and the possessive love of riches
that we may follow in the way of your Son Jesus Christ,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
The Post Communion Prayer:
Almighty God,
who on the day of Pentecost
sent your Holy Spirit to the apostles
with the wind from heaven and in tongues of flame,
filling them with joy and boldness to preach the gospel:
by the power of the same Spirit
strengthen us to witness to your truth
and to draw everyone to the fire of your love;
through Jesus Christ our Lord.
Collect on the Eve of Trinity XVII:
Almighty God,
you have made us for yourself,
and our hearts are restless till they find their rest in you:
pour your love into our hearts and draw us to yourself,
and so bring us at last to your heavenly city
where we shall see you face to face;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
Yesterday’s reflection
Continued tomorrow
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
Saint Matthew the Evangelist represented in a carving on the choir stalls in the Church of Saint Michael and All Angels, Penkridge, Staffordshire (Photograph: Patrick Comerford)
Patrick Comerford
We are continuing in Ordinary Time in the Church Calendar and tomorrow is the Seventeenth Sunday after Trinity (Trinity XVII, 22 September 2024). Today, the Church Calendar celebrates Saint Matthew, Apostle and Evangelist.
Before today begins, I am taking some quiet time this morning to give thanks, for reflection, prayer and reading in these ways:
1, today’s Gospel reading;
2, a reflection on the Gospel reading;
3, a prayer from the USPG prayer diary;
4, the Collects and Post-Communion prayer of the day.
A statue of Saint Matthew on the west front of Lichfield Cathedral (Photograph: Patrick Comerford)
Matthew 9: 9-13 (NRSVA):
9 As Jesus was walking along, he saw a man called Matthew sitting at the tax booth; and he said to him, ‘Follow me.’ And he got up and followed him.
10 And as he sat at dinner in the house, many tax-collectors and sinners came and were sitting with him and his disciples. 11 When the Pharisees saw this, they said to his disciples, ‘Why does your teacher eat with tax-collectors and sinners?’ 12 But when he heard this, he said, ‘Those who are well have no need of a physician, but those who are sick. 13 Go and learn what this means, “I desire mercy, not sacrifice.” For I have come to call not the righteous but sinners.’
The Triptych of Saint Matthew by Andrea di Cione (1343-1368), also known as Orcagna, in the Uffizi, Florence … Saint Matthew is also identified with Levi
Today’s Reflection:
Saint Matthew the Evangelist (מתי/מתתיהו, Gift of Yahweh; Ματθαίος) is one of the Twelve and is identified with both the author of the first of the four gospels and with Levi the publican or tax collector in the Gospels according to Saint Mark and Saint Luke.
According to tradition, Saint Matthew was the son of Alpheus, a publican or a tax collector by profession. He was the Levi in the Gospels according to Saint Mark and Saint Luke, and was called to be a disciple while he was sitting in the tax collectors’ place at Capernaum.
We know little about Saint Matthew’s subsequent career – what we do know is little more than speculation and legend. Saint Irenaeus says Matthew preached the Gospel among the Hebrews, Saint Clement of Alexandria claimed that he did this for 15 years, and Eusebius maintains that, before going into other countries, he gave them his Gospel in his mother tongue.
Some ancient writers say Matthew later worked in Ethiopia to the south of the Caspian Sea – not Ethiopia in Africa; others say he worked in Persia, Parthia, Macedonia or Syria. According to Heracleon, who is quoted by Clement of Alexandria, Matthew did not die a martyr, but other accounts, including the Roman Martyrology, say he died a martyr’s death in Ethiopia.
Like the other evangelists, Matthew is often depicted in Christian art as one of the four living creatures of Revelation (4: 7) – in Matthew’s case the winged man, carrying a lance in his hand. There are three paintings of Matthew by Carravagio in the church of San Luigi del Francesci in Rome. Those three paintings, which are among the landmarks of Western art, Matthew, depict Saint Matthew and the Angel, Matthew being called by Christ, and the Martyrdom of Matthew.
Caravaggio, in depicting the calling of Matthew, shows Levi the tax collector sitting at a table with four assistants, counting the day’s proceeds. This group is lighted from a source at the upper right of the painting. Christ, his eyes veiled, with his halo the only indication of his divinity, enters with Saint Peter. A gesture of Christ’s right hand – all the more powerful and compelling because of its languor – summons Levi.
Surprised by the intrusion and perhaps dazzled by the sudden light from the just-opened door, Levi draws back and gestures toward himself with his left hand as if to say: ‘Who, me?’ His right hand is still on the coin he had been counting before Christ’s entrance.
Today, Saint Matthew is regarded as the patron saint of accountants and bankers. Given the unsaintly performance of many bankers in recent years, I do not know that I would be particularly happy with the prospect of being the patron saint of bankers being put to me as a good career move in heaven. But then Christ came not to call the righteous but sinners to salvation.
Perhaps Matthew should be the patron saint of those who answer the call to ministry. I hope none of us will be worried about how we are remembered, whether people get it right about where we worked in ministry and mission, or whether they even get my name right. As long as I answered that call when it came, and abandoned everything else, including career prospects and the possibility of wealth, to answer that call faithfully and fully.
Saint Matthew depicted in a window in Saint Mary’s Church, Badby, Northamptonshire (Photograph: Patrick Comerford)
Today’s Prayers (Saturday 21 September 2024, Saint Matthew):
The theme this week in ‘Pray With the World Church,’ the Prayer Diary of the Anglican mission agency USPG (United Society Partners in the Gospel), has been ‘The 5-finger prayer from the Diocese of Kuching, Malaysia.’ This theme was introduced on Sunday in reflections as told to Rachel Weller, Communications Officer, USPG.
The USPG Prayer Diary today (Saturday 21 September 2024, Saint Matthew) invites us to pray:
Let us give thanks for the life and works of Matthew the Apostle. May we be a faithful witness to Christ just as he was.
The Collect:
O Almighty God,
whose blessed Son called Matthew the tax collector
to be an apostle and evangelist:
give us grace to forsake the selfish pursuit of gain
and the possessive love of riches
that we may follow in the way of your Son Jesus Christ,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
The Post Communion Prayer:
Almighty God,
who on the day of Pentecost
sent your Holy Spirit to the apostles
with the wind from heaven and in tongues of flame,
filling them with joy and boldness to preach the gospel:
by the power of the same Spirit
strengthen us to witness to your truth
and to draw everyone to the fire of your love;
through Jesus Christ our Lord.
Collect on the Eve of Trinity XVII:
Almighty God,
you have made us for yourself,
and our hearts are restless till they find their rest in you:
pour your love into our hearts and draw us to yourself,
and so bring us at last to your heavenly city
where we shall see you face to face;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
Yesterday’s reflection
Continued tomorrow
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
Saint Matthew the Evangelist represented in a carving on the choir stalls in the Church of Saint Michael and All Angels, Penkridge, Staffordshire (Photograph: Patrick Comerford)
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