07 December 2017
I was writing yesterday [6 December] about the rich heritage in Lichfield of 50 or so timber-framed buildings dating from the 16th and 17th centuries, including Lichfield House or the Tudor café and Five Gables on Bore Street, and the Cruck House.
But the notable feature of houses in Lichfield in the early 18th century is the variety of baroque elements found in the decoration of the street façades.
The best example of this is probably Donegal House, beside the Guildhall, both of which are between the Tudor and the Five Gables on Bore Street.
Donegal House, now the offices of Lichfield City Council, was built in the earlier Georgian style in brick and stucco in 1730 for the Lichfield merchant James Robinson, probably to designs by the architect Francis Smith (1672-1738) of Warwick.
James Robinson’s great-grand-daughters, Ellen-Jane and Marianne Robertson, who died in 1812, are commemorated in a marble memorial sculpture by Sir Francis Chantrey (1817) in Lichfield Cathedral known as the ‘Sleeping Children.’ The architect Francis Smith of Warwick was involved with his brothers, William and Richard Smith, in building many cathedral, churches and country houses in the Midlands.
The front of Donegal House is five bays, with three storeys above the basement, and the ends are marked by pilasters that support a heavily moulded cornice.
The central doorway has a segmental pediment on Tuscan columns and supports the cill and architrave of the central window on the first floor. The window has a triangular pediment that also runs into the architrave of the corresponding window on the second floor. This has a shaped head flanking a prominent keystone that runs into the cornice.
The other windows are without architraves, but they have elaborately shaped stone heads with tabled keystones. The windows on the two upper floors also have aprons below the cills.
The house was used by the Marquess and Earl of Donegall, who lived at Fisherwick Hall from 1761 until his death in 1799. The Chichester family held large estates near Lichfield but who were a politically powerful family in Ireland, where they had the titles of Marquis of Donegall and Earl of Belfast.
Arthur Chichester (1739-1799), 5th Earl of Donegall, was educated at Eton and Oxford, and he became the 1st Marquess of Donegall in 1791. Through the properties he inherited from his father, he became the greatest landowner of his day in Ireland. His estates included 11,000 acres at Dunbrody, Co Wexford, almost 90,000 acres in Co Antrim, 160,000 acres in Co Donegal, the whole town of Belfast, and the townland of Ballynafeigh in Co Down, totalling over quarter of a million acres.
However, he never lived on his Irish estates. Instead, he made his principal residence in Staffordshire, tearing down the Skeffington family’s old Tudor manor house at Fisherwick, replacing it with a vast Palladian mansion set in a park of 4,000 acres, all designed and constructed by Capability Brown. At Fisherwick, he also collected an expensive library and rare specimens of natural history.
Before he ever inherited his Irish estates, he bought the Manors of Comberford and Wigginton, including lands in Hopwas and Coton, on 1 August 1789, from Viscount Weymouth – who was about to become the 1st Marquis of Bath – and his son, the Hon Thomas Thynne. Within a year, Lord Donegall had raised £20,000 from the banker Henry Hoare, using the Manors and Lands of Comberford and Wigginton as collateral security.
Lord Donegall is said to have rebuilt Comberford Hall, replacing the original half-timbered Tudor manor house dating back to the late 15th century, at the same time as he rebuilt neighbouring Fisherwick Hall. Eventually, the Chichester family, crippled by the gambling debts of a profligate son, would find it impossible to pay off this loan, and would be forced to sell Comberford Hall and the manorial rights and lands that went with it.
Donegal House was bought in 1910 to serve as an extension to the Guildhall. The clock on the façade with on enriched brackets dates from 1928.
Donegal House was refurbished in 1990. I understand that inside the house still has several of its original panelled rooms with window shutters, and that an original open-well staircase with slender turned balusters also survives.
Donegal House and the Guildhall next door were bought by Lichfield City Council in 2012 from Lichfield District Council, reportedly for £275,00.
The city council leader Terry Finn told Lichfield Live: ‘This decision will ensure that the historic Donegal House will remain in public ownership as an asset to the city and it will mean that we can save on the rent we presently pay for our offices in Wade Street. Donegal House is interconnected with the Guildhall, even sharing the same heating system, so it makes sense at the same time to purchase the freehold of the Guildhall instead of leasing it from the District Council.’
Today, Donegal House is the offices of Lichfield City Council, Lichfield Arts and the Lichfield Festival.
The architectural elements seen on the Bore Street façade of Donegal House can also be seen on several other houses, but nowhere else have they such richness. For example, less elaborate shaped window heads are features seen at 8-10 Bird Street, 17 Bird Street, and 15 Market Street.
After the mid-18th century, the most fashionable architectural element of Lichfield house fronts was the Venetian window, which was either centrally placed over the entrance, as at 73 Saint John Street, or used to light the principal rooms on the ground and first floors, as can be seen at Davidson House at 67 Upper Saint John Street and Darwin House on Beacon Street.
Darwin House, which dates from about 1760, has two other features that were common in Lichfield at the time and may have continued for the rest of the century. These are a string course that continues the line of the first-floor cills and a shallow cornice supported on curved brackets.
MW Greenslade, Victoria History of the County of Stafford, Lichfield, (Oxford: 1990-), pp 43, 83, 242-243.
Joss Musgrove Knibb, Lichfield in 50 Buildings (Amberley, 2016).
Nikolaus Pevsner, Buildings of England: Staffordshire (London, 1974), p 194.
This is the first week of Advent, and in many parts of the church today [7 December] is Feast of Saint Ambrose of Milan.
Throughout this season of Advent, I am spending a short time of Prayer and reflection each morning, using the prayer diary of the Anglican mission agency, USPG (United Society Partners in the Gospel) and the Advent and Christmas Devotional Calendar from Lichfield Cathedral.
USPG, founded in 1701, is an Anglican mission agency supporting churches around the world in their mission to bring fullness of life to the communities they serve.
Under the title Pray with the World Church, the current prayer diary (22 October 2017 to 10 February 2018), offers prayers and reflections from the Anglican Communion.
Introducing this week’s prayers, the Prayer Diary says: ‘Throughout Advent, as we remember the Nativity, we’re looking at how the world is reaching out to mothers and babies.’
This week, the diary follows the theme of the story told yesterday from the USPG-supported PMTCT (Prevention of Mother-to-Child Transmission) HIV programme run by the Church of Tanzania.
The USPG Prayer Diary:
Thursday 7 December 2017:
Pray for support for church-run health work in Tanzania, where there is often a lack of medicines, medical supplies and equipment, and skilled health personnel.
Lichfield Cathedral Advent and Christmas Devotional Calendar:
The calendar suggests lighting your Advent candle each day as you read the Bible and pray.
Today’s suggested reading is Matthew 11: 28-20.
The reflection for today suggests:
Jesus promises us rest for our souls but asks us to share his life. Think what this means. What’s the next step? Pray for those who cannot rest.
Readings (Revised Common Lectionary, the Church of Ireland, Holy Communion):
Isaiah 26: 1-6; Psalm 118: 18-77a; and Matthew 7: 21, 24-27.
The Advent Collect:
Give us grace to cast away the works of darkness
and to put on the armour of light
now in the time of this mortal life
in which your Son Jesus Christ came to us in great humility;
that on the last day
when he shall come again in his glorious majesty
to judge the living and the dead,
we may rise to the life immortal;
through him who is alive and reigns with you and the Holy Spirit,
one God, now and for ever.