Monday, 20 July 2015
There is a difference between English pubs and Irish pubs that I find very difficult to put my finger on. I am staying at the High Leigh Conference Centre near Hoddesdon in Hertfordshire, taking part in the annual conference of the Anglican mission agency Us (formerly USPG, the United Society for the Propagation of the Gospel).
There are opportunities in the early mornings for walks in the countryside, and it is just 2 or 3 km walk along Lord Street into the centre of Hoddesdon.
Close to High Leigh, the King William IV at No 197 Lord Street is a 17th century timber-framed building, with modern brick and roughcast walls, and an old tile roof.
As for Hoddesdon, the town once had at least 30 inns at the end of the 16th century, apart from alehouses and taverns that did not provide accommodation. A document in the 1590s names five of those inns: the Lyon, the Bell, the Chequers, the George and the Swanne.
Of those five, the Bell, the Chequers and the George no longer exist, the Swanne is now the White Swan, and the Lyon was the Salisbury Arms, three or four doors further along the High Street.
In 1977, the architectural historian Sir Nikolaus Pevsner described theWhite Swan as “visually the most striking timber-framed inn in the district.” Most of the building dates from the late 16th century, although part of the rear wing was added in the 19th century.
However, the Salisbury Arms at 51-52 High Street, Hoddesdon, had been closed when I was at High Leigh last year, and had been bought out by the “cheap and cheerful” Wetherspoon chain of pubs.
As you may imagine, there fears about the future of this building which is a Grade II. When it was listed over half a century ago in 1961, it was believed to be a 16th century building that had been refronted in the 18th century, with ground floor details from ca 1820 and a rear extension from the 19th century.
Until recently, the Salisbury Arms was owned by Orchid Pubs, and in early 2013 the Salisbury re-branded itself as an establishment for over-21s only.
But three years after trying and failing to open a pub in Hoddesdon, the Watford-based JD Wetherspoon chain, which has more than 800 pubs and bars across the UK, finally got a foothold in the town when it bought the Salisbury Arms.
The old pub was closed down on 27 November 2013 and work began on refurbishing and redesigning the place in Wetherspoon style. On Facebook, one of the people opposing the planned changes posted: “Unfortunately I’m in the minority that prefer a good old English pub with traditional ales ... it’s a shame we have to give in to large chains.”
Then, as the refurbishment work continued last year [September 2014], a series of 16th century wall paintings of “national importance” was uncovered in September 2014.
The Tudor-era paintings, located on plasterwork the north wall of the bar, depict half-figures and biblical verses. The architects believed there might be more images on other walls and began further investigations as well as examining further details found on one of the beams supporting the ceiling.
The paintings depict fascinating examples of Elizabethan clothing and millinery and exhibit a high level of technique. At the time, it was said discoveries of this quality are extremely rare and that the implications for art history give them national importance.
Conservation work was carried out by the Perry Lithgow Partnership, which had undertaken a similar conservation project at a pub in Tewkesbury. The work involved surface cleaning of all the paintings, which had been hidden behind panelling for hundreds of years.
When they were discovered, the wall paintings were covered in thick layers of dirt and debris, hidden behind plaster boards, laths and plaster work, and some parts had been damaged by building work over the centuries and even by scratching rats. An air vent had inadvertently been inserted through the head of the central figure, much of the paint layer was flaking and there were many losses in the decorative scheme on the plaster and timber.
Richard Lithgow of the Perry Lithgow Partnership, said at the time: “It is rare. Lots of these paintings in domestic properties have been hidden behind panelling. People don’t know what they have found and they are destroyed.”
Five of the paintings depict half-figures, within tri-lobed frames, with Biblical texts in the associated spandrels. The figures are alternating male and female, and one of the females is holding a lap dog. The sixth panel, at the western (right) end of the series, is an earlier layer and has fragmentary remains of black decorative drawing.
The pub re-opened as ‘The Star’ shortly before last Christmas , and the paintings are now on public view, protected behind a glass screen, with informative descriptions of their importance on display boards alongside.
The highly-coloured decoration originally extended down to floor level, and onto the flanking timber posts, with a painted dado scheme of grotesques and scroll work, and it is thought that the scheme continued around at ground-floor level.
The conservation and restoration work now shows that the building is older than anyone had believed. An examination of the roof beams show that they date from the mid-15th century, and it is now thought the building was originally a mediaeval open hall.
Four timbers from the north wall and adjacent floor were dated and found to have been felled over a few seasons, from the Winter 1446-1447, through Spring 1447 to Spring 1448, or within a year or two after that date.
According to the Hoddesdon-based writer Stephen Poulter, who has written about the history of the town, the pub was known as the Star in the early 1500s. It was the Black Lion by the mid-16th century, when it was held from the Manor of Geddings, owned by the Cecil family later became Marquesses of Salisbury. Henry Barrell or Burwell, serjeant-at-arms and tenant of the ‘Black Lion,’ died in 1562.
The Manor Court was held on the premises for about 200 years, until 1826, when it was still the Black Lion, but by the late 1830s it had become the Salisbury Arms, and for a time it was also an hotel.
I realised during my visit that there can be few pubs, and certainly few Wetherspoon pubs, where you find yourself sipping a glass of white wine on a summer afternoon and realise you are in a mediaeval hall that has once served as a manor court, enjoying exposed late mediaeval timber beams and admiring late Tudor plaster wall paintings with Biblical quotations.
I was saddened to hear the news in Cambridge yesterday of the death of one of the great inspirational Church Historians, Professor William Owen Chadwick, in his 100th year. He was one of the most distinguished historians and theologians of his time, and was known for his work on the Victorian Church of England, Cardinal Newman and Michael Ramsey, and for collaborating on two of the great English-published collections on Church History.
The news of his death last Friday [17 July 2015] was announced by the Revd Anna Matthews before the Sung Eucharist in Saint Bene’t’s Church, Cambridge, on Sunday morning.
Owen Chadwick was Master of Selwyn College, Cambridge, from 1956 to 1983, and he held two university chairs at Cambridge: he was Dixie Professor of Ecclesiastical History from 1958 to 1968, and Regius Professor of History from 1968 to 1983. He was also a skilled rugby player.
Professor Chadwick was born in Bromley, Kent, on 20 May 1916. He was the elder brother of the Very Revd Professor Henry Chadwick, also a distinguished church historian of the early Church and a former Dean of Christ Church, University of Oxford, and younger brother of Sir John Chadwick, who was once the British Ambassador in Romania.
Owen Chadwick was educated at Tonbridge School and Saint John’s College, Cambridge, where he studies classics, history and theology. He received three Blues in rugby when he played for Cambridge in the annual Varsity Match against Oxford in 1936, 1937 and 1938.
In his first year at Cambridge, he was selected to tour with a British team in their third trip to Argentina in 1936. Although there were no caps for this tour, he played as hooker in the one match against the full Argentina side in a 23–0 victory. In the 1937/1938 season, he played for the Barbarians.
After receiving a First in History at Cambridge, he attended Cuddesdon Theological College for ordination training.
During World War II, he was a curate in Huddersfield and then chaplain of Wellington College.
He became a Fellow of Trinity Hall, Cambridge, in 1947. He was elected Master of Selwyn College, Cambridge in 1955. In 1976, Selwyn became one of the first Cambridge colleges to admit women, and he remained there until he retired in 1983, making him the longest-serving master of Selwyn. In 1958, he was named Dixie Professor of Ecclesiastical History, and he chaired the Archbishops’ Commission on Church and State (1966-1970).
He was elected an Honorary Fellow of Saint John’s College in 1964. In 1968, Harold Wilson appointed him Regius Professor of Modern History at Cambridge, a position he retained until 1982. He was instrumental in a major reform of the history curriculum in Cambridge, and as Vice-Chancellor of Cambridge University from 1969 to 1971, he guided the university through difficult times.
He was also President of the British Academy or a time in the early 1980s, and he was Chancellor of the University of East Anglia from 1984 to 1994. He was knighted in 1982 and was appointed to the Order of Merit in 1983.
This great man of letters was the General Editor of the Penguin History of the Church (1967-1992), to which he contributed Volume 3 (The Reformation) and Volume 7 (The Christian Church in the Cold War, 1992). His brother, Professor Henry Chadwick wrote Volume 1 in the series (The Early Church, 1967).
With Henry Chadwick, he also edited the Oxford History of the Christian Church (1981-2010), and contributed three of its 12 volumes.
He was the author of many other books, including works on the formation of the papacy in the modern world, on the secularisation of European thought and culture, on the Reformation, and on the history of the Church of England.
His first book was a brief study of John Cassian, the spiritual writer who brought ideas from Egypt to the west at the beginning of the fifth century, and whose writings transformed monastic life, especially through his influence on Saint Benedict.
He also published on Lancelot Andrewes, Izaak Walton, the Oxford Movement, the saintly Bishop Edward King of Lincoln, the historian Lord Acton, the young Gladstone, and John Henry Newman.
In Mackenzie’s Grave (1959), he told the story of the missionary bishop sent to lead a mission up the Zambesi and whose disappearance brought out the best and the worst in Victorian Christianity and public life.
It is an appropriate story to be reminded of as I was in Cambridge yesterday on my way to High Leigh for the annual conference of the Anglican mission agency Us – formerly USPG, the United Society for the Propagation of the Gospel and incorporating the work of the Universities’ Mission to Central Africa.
Professor Chadwick retired to Cley-next-the-Sea, Norfolk, where he was priest in charge. His wife (Ruth Hallward) died last year (2014), and they are survived by their two sons and two daughters.