22 May 2015

Wisteria brings the colour of spring and
the promise of summer to Farmleigh

Wisteria on the portico at the State Guest House in Farmleigh this afternoon (Photograph: Patrick Comerford, 2015)

Patrick Comerford

I have claimed my democratic privileges, exercised by franchise, done my civic duty and cast my ballot, voting in a way that I hope is going to do my country proud.

I spent much of the day marking undergraduate exam papers, working through lunchtime. By early afternoon I needed a break, and two of us headed into the city centre, across the river, and out to the Phoenix Park for a late lunch and double espressos in the Boat House Café at Farmleigh House.

Walking around the lake at Farmleigh with its water lilies and overhanging trees (Photograph: Patrick Comerford, 2015)

Later we walked around the small, tree-lined lake, with its artificial island and water-lilies. This was a boating lake for the Guinness family when they lived at Farmleigh, and then strolled through the Walled Garden.

A pair of elegant decorative wrought-iron gates lead into the four acres of the Walled Garden. Inside, a diagonal walk is lined with herbaceous borders backed by high yew hedges. South of the main crosswalk is a small orchard and potager while north of it there is a small rose and lavender garden.

The Walled Garden dates from the early 19th century, when Charles Trench owned Farmleigh. In the Victorian era, the walled garden had several glasshouses. The present cast-iron glasshouse was erected by Edward Cecil Guinness, 1st Earl of Iveagh and great-grandson of Arthur Guinness.

The walled garden was first planned by Charles Trench and redesigned by Lady Iveagh (Photograph: Patrick Comerford, 2015)

His daughter in-law, Lady (Gwendolen) Iveagh, later created a new layout in the early 20th century, dividing the walled garden into compartments with old-style garden plants and herbaceous borders. A new traditional path led from the wrought iron gateway connecting the Walled Garden to the broad walk at the back of the house. This new axis of the garden was reinforced by tall yew hedges backing the long double herbaceous borders that she also planted.

A stone temple was created as a focal point of the garden by Benjamin and Miranda Guinness in 1971: it has six antique columns of Portland stone with a copper roof and ornamental weather vane. The main cross path either side of the temple has metal structures designed by Lanning Roper for climbing roses and wisteria similar to those in the Bagatelle Garden in Paris.

A paved rose garden was laid out to the north east of the temple backed by a yew hedge and looking across a lawn to the small orchard and potage. Lanning Roper suggested planting a quince, a mulberry, a catalpa, and a magnolia, to complete what he described as a Carolingian Quartet on this lawn. Lady Iveagh later planted the double herbaceous borders, which include yuccas, phormiums, paeonies, astilbe and euphorbias.

Hannah Deacon’s Wedding Scene, inspired by ‘Fiddler on the Roof’ (Photograph: Patrick Comerford, 2015)

Hannah Deacon’s Sabbath Evening, inspired by ‘Fiddler on the Roof’ (Photograph: Patrick Comerford, 2015)

From the walled gardens, we walked back past the state guest house to the Gallery for the Intelligent Machinery Exhibition, with exhibits by Sofie Loscher, Jonathan Mayhew and Niamh O’Doherty.

Next door, the Cow Shed is hosting ‘Cross Over,’ this year’s end-of-year graduate exhibition for Ballyfermot College of Further Education. The exhibition opened last Tuesday and continues until Sunday.

I was particularly captivated by three scenes inspired by Fiddler on the Roof, the work of Hannah Deacon.

Wisteria in the Courtyard before leaving Farmleigh this afternoon (Photograph: Patrick Comerford, 2015)

Before we left, I lingered a while in the courtyard to admire the wisteria which is in full bloom there and throughout Farmeligh.

Naturally, I particularly associate wisteria with the Courts of Sidney Sussex College, Cambridge, where the wisteria has been in full bloom in recent weeks. The botanist Thomas Nuttall said he named wisteria in honour of Dr Caspar Wistar (1761–1818), an American physician and anatomist from Philadelphia, but I wonder why he changed the spelling.

Wisteria blooms in late spring, and is often at its fullest in early summer. Certainly, Farmeligh was filled with the promise of summer this afternoon.

Here are some extra photographs from the Walled Garden in Farmleigh this afternoon:


Going against the tide as I work on
a sermon for the Day of Pentecost

Ilam Hall in remote Staffordshire … far from Ilam in remote Iran

Patrick Comerford

The names of people and places can be engaging and distracting, and as I was preparing next Sunday’s sermon I was distracted by the names of people and the places they come from in the account of the first Day of Pentecost in the New Testament reading (Acts 2: 1-21).

The good news is heard that day by Parthians, Medes, Elamites, and residents of Mesopotamia, Judea and Cappadocia, Pontus and Asia, Phrygia and Pamphylia, Egypt and parts of Libya, visitors from Rome, Cretans and Arabs – each in our own languages.

I have been to so many of these places, including Jerusalem, Crete, Judea, Egypt, Asia Minor, Rome and – even last month – Cappadocia, or met so many of these people, including Arabs and residents of Mesopotamia.

But some of the other places are lost in time and antiquity, such as Phrygia and Pamphylia. Although I have been to the each of these too, their names have long been changed.

But, I wondered, where was Elam?

Elam was an ancient Pre-Iranic civilisation centred in the far west and south-west of what is now modern-day Iran, stretching from the lowlands of what is now Khuzestan and Ilam Province as well as a small part of southern Iraq.

Elamite states were among the leading political forces in the Ancient Near East, and in classical literature, Elam was more often known as Susiana. The Elamite civilisation was defeated and absorbed over time by its neighbours, but its memory survives today in the name of Ilam, a city and a province in western Ian, on the borders of Iraq, and the people living there are mainly Kurds.

Ilam Hall is nestled beside the River Manifold in the Staffordshire Peak District

But, distracted as I was by the names of ancient Elam and present-day Ilam, my mind also wandered back in time to Ilam (prounced Eye-Lamb) in the Staffordshire Peaks, where I spent a delightful few days many years ago in my late teens.

I had hitch-hiked from Lichfield, where I was staying, to Ashbourne and from there, following in the footsteps of Lichfield’s greatest writer, Samuel Johnson, it was another four or five-mile walk to Ilam, where I stayed at Ilam Hall, which has a stately tale to tell but was then (and still is) a youth hostel.

Ilam Park is a country park owned by the National Trust and stretching to 158 acres on both banks of the River Manifold in Dovedale.

The first Ilam Hall was built in 1546 by John Port and the Port family continued to own the estate for over 250 years.

Both William Congreve and Samuel Johnson stayed at Ilam Hall when it was owned by the Port family. Here Congreve wrote his first play, The Old Bachelor, first staged in 1693. In a later play, The Mourning Bride, he wrote the now-famous lines:

Heaven has no rage, like love to hatred turned,
Nor hell a fury, like a woman scorned.

Samuel Johnson often visited Ilam Hall, and went fishing at Dovedale. Part of the grounds is known as Paradise Walk, and it is said this valley inspired Johnson when he was writing his novel Rasselas, the story of an Abyssinian Prince who lived in Happy Valley. He wrote it hastily in 1759 to raise money for his mother who was seriously ill.

Johnson was back in Ilam again in July 1774, and with his biographer James Boswell in 1779, when they walked there from Ashbourne and were guests of the Port family.

Boswell would recall in his biography of Johnson: “Ilam has grandeur tempered with softness: the walker congratulates his own arrival at the place, and is grieved to think he must ever leave it.”

Later, Jean-Jacques Rousseau visited Ilam on his walks between Ellastone and Dovedale.

The Revd Bernard Port was both the lord of the manor and Vicar of Ilam in the 19th century. But in 1809, Ilam Hall was sold to the brewer David Pike Watts, and it was then inherited by his daughter Mary who married the wealthy industrialist Jesse Russell, who changed his name to Jesse Watts-Russell.

Ilam Hall was built in the Gothic style for Jesse Watts-Russell by James Trubshaw

Jesse Watts-Russell was High Sheriff of Staffordshire and Conservative MP for the rotten borough of Gatton. He decided to tear down the old Tudor half-timbered manor house and commissioned James Trubshaw (1777-1853) from Colwich, near Rugeley, to build a new Ilam Hall in the Gothic style (1821-1826).

As the new Gothic Hall was being built, John Edwards wrote his lengthy poem ‘The Tour of the Dove’ in 1821:

Ilam, thy ancient Hall is swept away!
A fairer soon shall lift its domes and towers;
While still thy fountain-deeps ebullient play,
And newborn rivers grace thy laurel bowers
And fossil grots. Strike on, and bring the hours,
Thou clock embosomed deep in ivy bloom!
Time holds the garland yet of Rousseau’s flowers;
Still broods antiquity o’er Bertram’s tomb,
And Congreve’s hermit cell, shrouded in sylvan gloom.

Lorde Byron once wrote of Dovedale to the Irish poet Thomas Moore saying: “I can assure you there are things in Derbyshire as noble as Greece or Switzerland.” Perhaps it was thoughts like this that led Watts-Russell to imagine that the valley and surrounding hills were like the Alps, and so he asked Sir George Gilbert Scott (1811-1878) to design new cottages in the style of Swiss chalets where he rehoused most of the villagers who were his tenants. He also built and funded the village school in 1857.

By the early 1930s, Ilam Hall had been sold for demolition. Demolition work was well under way, and all that was left was the entrance porch and hall, the Great Hall and the service wing when the flour magnate Sir Robert McDougal bought it for the National Trust.

It was agreed that the parts of Ilam Hall that had escaped demolition should be used as a youth hostel, and today Ilam Hall is a Grade II* listed building, owned by the National Trust. Since 1935, it has been run by the Youth Hostels Association.

The youth hostel at Ilam underwent an extensive £2 million refurbishment programme in 2008/2009 and now offers an excellent standard of accommodation for families, individuals and school groups. The majority of bedrooms offer en-suite accommodation with a mixture of double, four and six bedded rooms. There are two ground floor bedrooms with en-suite disabled facilities. The restaurant serves food made from produce sourced locally from Staffordshire and the Derbyshire Dales. The bar serves wines, draught and bottle beers and soft drinks and is open to non-residents. The grounds are open to the public, and are a starting point for a river walk.

It is said that Ilam dates from Saxon times or earlier. The Church of the Holy Cross was originally Saxon, although the church is now mainly 17th and 19th century. Some of its Saxon origins can be seen in its carved stone Saxon font, the round bowl carved with humans and dragons, and in two stone cross shafts in the churchyard. The base of the church tower dates from the 13th century.

The church, with three chapels, was also restored in the 19th century by Sir George Gilbert Scott. The Chapel of Saint Bertram, built in 1618 by the Meverell, Port and Hurt families, has the remains and shrine of the Saint Bertram or Bertelin. He was an eighth century son of a Mercian king who renounced his royal heritage for prayer and meditation after his wife and child were killed by wolves. He is said to have converted many to Christianity, and his shrine was a point of pilgrimage in the Middle Ages.

The church also houses a majestic mausoleum chapel for members of the Pike Watts family, with a dramatic sculpture by Francis Chantrey of David Pike Watts on his deathbed blessing his daughter Mary and her three children. Some visitors find this monument overwhelming, while the architectural historian Sir Nikolaus Pevsner has described it as “theatrical ... but not at all without meaning.” Chantrey also designed the statue of the Sleeping Children in Lichfield Cathedral.

The former vicarage, Dovedale House, stands near the entrance to Ilam Hall. This was once the vicarage where the Revd Bernard Port once lived, and has been run by the Diocese of Lichfield as a residential youth centre since 1967.

The Dovedale Fete, which takes place next Monday [25 May 2015] always takes place on the Bank Holiday Monday at the end of May, always in the country garden of Dovedale House.

Ilam Cross … ‘one of the finest Gothic revival monuments in the country’

A prominent landmark is the Grade II* listed Mary Watts Russell Memorial Cross, at a roundabout at a junction where a lane branches off towards Blore. This ornate, Gothic-style obelisk of local limestone was designed by the architect John Macduff Derick, in consultation with Scott. It stands on a three-step plinth, has two tiers of statues and is surmounted by a spire topped with a cross. The cross includes six statues of angels carved in Caen stone by Richard Westmacott (1799-1872).

llam Cross was originally erected by Jesse Watts Russell in 1841 in memory of his wife Mary, and has been described as “one of the finest Gothic revival monuments in the country.” It is in the style of an Eleanor Cross and is modelled on one of the crosses which Edward I had erected at each stopping place of the body of his queen, Eleanor of Castile, on its progress from Nottinghamshire, where she died, to her tomb in Westminster Abbey, in 1290.

It bears some resemblance in style to the decorated façade of Lichfield Cathedral, which was renovated and restored by Scott.

Before I returned to Lichfield from Ilam all those years ago, I was introduced for the first time to the writings of Izaak Walton (1594-1683). Like Samuel Johnson, he too fished in Dovedale, and he is remembered in the name of the Izaak Walton hotel between Ilam and Dovedale.

Out of his experiences in Ilam and Dovedale, Izaak Walton first published the The Compleat Angler in 1653, and he continued to add to it for a quarter of a century. There was a second edition in 1655, a third in 1661, a fourth in 1668 and a fifth in 1676. In this last edition the original 13 chapters had grown to 21, and a second part was added by his friend Charles Cotton.

But I became more interested in Walton’s Lives, a collection of short biographies published as Lives of John Donne, Henry Wotton, Rich’d Hooker, George Herbert, &c.

As a young man living in London, Walton befriended John Donne, who was then Vicar of of Saint Dunstan’s. Walton also married into interesting Church circles: his first wife, Rachel Floud, was a great-great-niece of Archbishop Thomas Cranmer, while his second wife, Anne Ken, was a half-sister of Thomas Ken, later bishop of Bath and Wells, and then a leading Nonjuror.

Walton had contributed an Elegy to the 1633 edition of Donne’s poems, and he completed and published his biography of Donne in 1640. His biography of Sir Henry Wotton was published in 1651, his life of Richard Hooker in 1662, that of George Herbert in 1670, and that of Bishop Richard Sanderson in 1678. At least three of these subjects – Donne, Wotton and Herbert – were anglers.

In 1674, Izaak Walton visited Rome with Thomas Ken, who was then teaching at Winchester and a canon of the cathedral.

In The Compleat Angler, Walton points out that fishing can teach us patience and discipline. Fishing takes practice, preparation, discipline; like discipleship, it has to be learned, and learning requires practice before there are any results. And sometimes, the best results can come from going against the current.

Perhaps that in itself is a message infused with the spirit of Pentecost.

Photographs: YHA Ilam Hall

Click to see The Ilam Story, an 18 metre folk art painting of the history of Ilam.