Wednesday, 4 November 2015
Readings and hymns to
celebrate All Saints’ Day
I am presiding at the Community Eucharist in the Church of Ireland Theological Institute this evening [4 November 2015], and the preacher is my colleague, the Revd Dr Patrick McGlinchey.
Last Sunday [1 November 2015] was All Saints’ Day, and this evening we are using the Readings, Penitential Kyries, Collect and Post-Communion Prayer of All Saints’ Day, and hymns that are appropriate for this festival.
The readings are: Wisdom 3:1-9; Psalm 24; Revelation 21: 1-6a; and John 11: 32-44.
These illustrations and the following notes appear on this evening’s booklet:
A note on this evening’s service and hymns:
This evening’s readings, collect and post-communion prayer are those for All Saints’ Day, which we have translated from last Sunday. This evening, three hymns are from the new supplemental hymnal, Thanks & Praise.
Processional Hymn: ‘God, whose city’s sure foundation’ (Church Hymnal, 464) was written by Cyril A. Allington (1872-1955), a former headmaster of Eton, while he was Dean of Durham for a service of the Friends of Durham Cathedral. The hymn is generally sung to the majestic tune ‘Westminster Abbey’ by Henry Purcell (ca 1659-1695), the first official Organist of Westminster Abbey. Until the arrival of Edward Elgar, he was regarded as the greatest English composer.
Gloria: ‘Glory to God’ (Thanks & Praise, 196) is a Peruvian liturgical version of the canticle Gloria in Excelsis Deo, set to a Peruvian traditional chant. It was collected by John Ballantine.
Gradual: ‘Christ is surely coming, bringing his reward’ (Thanks & Praise, 23) is by the Revd Christopher Idle, who has written hundreds of hymns and now lives in retirement in Bromley. The tune ‘Land of hope and glory’ is by Sir Edward Elgar (1857-1934) and is arranged by Derek Verso.
Offertory: ‘God everlasting, wonderful and holy’ (Thanks & Praise, 43) is by Harold Riley (1903-2003). The tune Coelites plaudant is a melody from the Rouen Antiphoner (1728) and was harmonised by Ralph Vaughan Williams (1872-1958), originally for ‘Christ, the Fair Glory of the Holy Angels’ by Athelstan Riley in the English Hymnal, co-edited by Vaughan Williams and Percy Dearmer.
Communion Hymn: As we receive Holy Communion, we sing ‘Jesus, remember me’ (Church Hymnal, 617), by Jacques Berthier (1923-1994) and the Taizé Community.
Post Communion Hymn: ‘For all the saints, who from their labours rest’ (Church Hymnal, 459) was written by Bishop William Walsham How (1823-1897) as a processional hymn for All Saints’ Day. Bishop How, who was known as ‘the poor man’s bishop,’ was the first Bishop of Wakefield, and died in Leenane, Co Mayo, in 1897. The saints recalled in this hymn are ordinary people in their weaknesses and their failings. In its original form, it had 11 verses, although three are omitted from most versions – the verses extolling ‘the glorious company of the Apostles,’ ‘the godly fellowship of the prophets’ and ‘the noble army of martyrs’ were inspired by the 1662 Book of Common Prayer version of the canticle Te Deum. The tune ‘Sine Nomine’ (‘Without Name,’ referring to the great multitude of unknown saints) was written for this hymn by Vaughan Williams while he was editing the English Hymnal (1906).
Patrick Comerford, 4 November 2015
you have knit together your elect
in one communion and fellowship
in the mystical body of your Son Christ our Lord:
Grant us grace so to follow your blessed saints
in all virtuous and godly living
that we may come to those inexpressible joys
that you have prepared for those who truly love you;
through Jesus Christ our Lord. Amen.
God, the source of all holiness
and giver of all good things:
May we who have shared at this table
as strangers and pilgrims here on earth
be welcomed with all your saints
to the heavenly feast on the day of your kingdom;
through Jesus Christ our Lord. Amen.