30 September 2026

A walk down memory lane
along Jack Straw’s Lane in
Oxford, looking for signs of
a long-gone youth hostel

Jack Straw’s Lane in Headington still has a semi-rural, almost rustic, feeling to it (Photograph: Patrick Comerford, 2026)

Patrick Comerford

I was in Headington in Oxford twice last week, with an appointment for an ECG in John Radcliffe Hospital, and taking time to visit many of the churches in the Headington area and to explore some of the literary links in the area with CS Lewis and JRR Tolkien.

But there was a sentimental reason or a search for memories too during those visits. After I left school in 1969, I spent many weekends and much of my holiday time in my late teens hitchhiking around Ireland and England, usually staying in youth hostels. Some of the youth hostels in England I remember well were in Chester, Lichfield, Oxford, Cambridge, Stratford-on-Avon, Shrewsbury and London, and at Ilam Hall in Derbyshire and Wilderhope Manor in Shropshire.

I remember the youth hostel in Oxford because it was in Cowley House on Jack Straw’s Lane. In those days, youth hostelers could stay in any one hostel for no more than three nights and were expected at hostels run by An Oige and the YHA to arrive on foot or on bicycles. It seemed that among seasoned youth hostelers it was déclassé to be seen to arrive in a car, even a car one had hitched a lift in, and probably even to arrive by bus.

And so I remember arriving at the youth hostel in Oxford late in the afternoon on foot, and leaving again to enjoy an evening out in Oxford or setting out in the morning to explore the city, walking down Jack Straw’s Lane, with its peculiar name, and catching a bus into Oxford at the corner of Marston Road.

I retraced those youthful steps taken over 55 years ago last week when I walked from Headington down the hill along Jack Straw’s Hill, wondering whether I could recognise Cowley House, the former youth hostel where I stayed when I first visited Oxford in my late teens back around 1969 or 1970.

Jack Straw’s Lane is a residential road in suburban Oxford, but still has a rural, almost rustic, atmosphere to it, despite its proximity to the centre of Oxford. It runs from the north end of Pullens Lane on Headington Hill down to Marston Road.

That part of Headington was still in the parish of Saint Andrew’s Church until the 20th century, and the lands of the Lords of the Manor of Headington included the whole of Jack Straw’s Lane. Until well into the 20th century, the lane had no name. It was originally a track at the end of Pullen’s Lane that led to Jack Straw’s farmhouse or Jack Straw’s Castle. The name of the road only dates from about 1932, and was not officially adopted until 1954.

Cowley House on Jack Straw’s Lane opened as Oxford Youth Hostel 90 years ago in 1936 (Photograph: Patrick Comerford, 2026)

When I stayed at the youth hostel, Jack Straw was already well-known and the elected as President of the National Union of Students from 1969 to 1971, and he went on to become a prominent Labour politician and cabinet minister. But he was not the Jack Straw who gave his name of Jack Straw Lane.

Tradition says the Jack Straw of the lane had been a farmer who lived on Headington Hill. Although many highwaymen were active in the area, they had no one leader. But the story goes that when Jack Straw died, the cellars beneath his kitchen were found to have rolls of silk, gold, silver, spices and other valuable goods that had been stolen from travellers and merchants. Yet, no one named Jack Straw was ever buried at Saint Andrew’s Church.

By 1850, Jack Straw’s Castle and farmland were owned by the Lord of the Manor of Headington and leased to John Plowman, who also leased the brickyard on Marston Road and owned another house near the Britannia in central Headington.

Plowman was an architect who had lived in St Peter-in-the-East parish in Oxford, and he was a brickyard-owner rather than a farmer. By 1861, Jack Straw’s Farm covered 105 acres in Old Headington John Plowman was a farmer living in ‘Jack Straw’s Castle’ and employing five men and a boy. His son-in-law Joseph Jones Bickerton was the Town Clerk of Oxford.

The Ordnance Survey map in 1876 shows only three buildings pn Jack Straw’s Lane, with Jack Straw’s Farmhouse, popularly known as Jack Straw’s Castle, towards the north-west. The Plowman family left around 1879, and the castle was let as a private house and the land was farmed separately. The castle was renamed as Belle Vue Lodge. The Revd Charles Morris, the Vicar of Marston, lived there from 1893 until he died in 1899.

The house was known once more as Jack Straw’s Castle by 1901. Ten years later, in 1911, all the land to the north and east of Jack Straw’s Lane, including the farm, the brickworks, and six cottages on Marston Road were sold at auction. The site of Jack Straw’s Castle and Hillside is now occupied by the Rectory Homes development at No 35-43.

The former youth hostel on Jack Straw’s Lane is now a nursery for the children of university staff and children (Photograph: Patrick Comerford, 2026)

Cowley House and the adjoining Cowley Cottage were built on the south side of the lane in 1898. Cowley House was built in about 1898. It was occupied by Hugh Hall from 1899 to 1902, a Mrs Valpy lived there from 1903 to 1907, and Miss Michaelson from 1909 to after 1929.

YHA Oxford Regional Group was formed in the very early days of the Association, in December 1931. Cowley House on Jack Straw’s Lane in Headington had been unoccupied for four years when it was bought for £2,100 by the YHA. It opened as Oxford Youth Hostel on Maundy Thursday, 9 April 1936, with grants from the Carnegie Trust and the Cadbury Trust, and gifts of furniture from Jesus College.

A new annexe was completed in 1939, when the accommodation increased to 98. But the youth hostel was unavailable during World War II and was used as a school. To compensate for the wartime requisition a temporary summer hostel opened in a building on the corner of Mansfield Road and Holywell Street belonging to Manchester College.

The original hotels was returned to the YHA in June 1945 and reopened on 2 January 1946. For decades, it was one of the most popular youth hostels in England, often needing extra accommodation in temporary seasonal hostels in public or educational buildings that were loaned or hired.

The youth hostel on Jack Straw’s Lane eventually closed on 14 May 2001 when a purpose-built hostel opened on Botley Road near the railway station.

Bryant Homes planned to demolish the former youth hostel on Jack Straw’s Lane and replace it with flats in 2001, but this proposal was rejected. A year later, St Hilda’s College hoped to turn the building into flats in In 2002. But eventually it was converted into the college nursery, run by Kids Unlimited. It was renamed Dorothea Beale House after one of the college’s two founders, and its address is now 32B Jack Straw’s Lane.

Field House, to the right of Dorothea Beale House, was built in the late 1920s. It was designed by the architect Herbert Luck North (1871–1941), who had formerly been an assistant to Sir Edwin Lutyens.

Other houses on the lane include Hillside, now 69 Jack Straw’s Lane, was once the home of Henry Habberley Price (1899-1984), who was Wykeham Professor of Logic.

The Milham Ford School opened on a 16-acre site at Jack Straw’s Lane in 1938, and later became a maintained grammar school for girls then a girls’ comprehensive. The school closed in 2003, it was sold and became the site of the School of Health Care of Oxford Brookes University.

Today, Jack Straw’s Lane is a residential area with high-priced houses and lined with large mature trees. The former youth hostel is now Kids Planet, an exclusive nursery for staff and students at the University of Oxford.

I continued on down Jack Straw’s Lane that afternoon last week and visited Saint Michael and All Angels Church on the corner of Marston Road, before catching a bus back into the centre of Oxford.

Jack Straw’s Lane leads from Headington to New Marston in suburban East Oxford (Photograph: Patrick Comerford, 2026)

Daily prayer in Ordinary Time 2026:
145, Wednesday 30 September 2026

‘Disturb us, Lord … when we arrived safely because we sailed too close to the shore’ … after sunset on the shore below the Fortezza in Rethymnon in Crete (Photograph: Patrick Comerford)

Patrick Comerford

We have arrived at the end of September and we are continuing in Ordinary Time in the Church Calendar. The week began with Seventeenth Sunday after Trinity (Trinity XVII, 27 September 2026), and the calendar of the Church of England in Common Worship today remembers Saint Jerome (420), Translator of the Scriptures, Teacher of the Faith.

Before today begins, I am taking some quiet time this morning to give thanks, and for reflection, prayer and reading in these ways:

1, today’s Gospel reading;

2, a reflection on the Gospel reading;

3, a prayer from the USPG prayer diary;

4, the Collects and Post-Communion prayer of the day.

‘Disturb us, Lord … when we arrived safely because we sailed too close to the shore’ … sails and boats in the harbour in Rethymnon at sunset (Photograph: Patrick Comerford; click on image for full-screen viewing)

Luke 9: 57-62 (NRSVA):

57 As they were going along the road, someone said to him, ‘I will follow you wherever you go.’ 58 And Jesus said to him, ‘Foxes have holes, and birds of the air have nests; but the Son of Man has nowhere to lay his head.’ 59 To another he said, ‘Follow me.’ But he said, ‘Lord, first let me go and bury my father.’ 60 But Jesus said to him, ‘Let the dead bury their own dead; but as for you, go and proclaim the kingdom of God.’ 61 Another said, ‘I will follow you, Lord; but let me first say farewell to those at my home.’ 62 Jesus said to him, ‘No one who puts a hand to the plough and looks back is fit for the kingdom of God.’

Sir Francis Drake … ‘it is not the beginning, but the continuing of the same unto the end, until it be thoroughly finished, which yieldeth the true glory’

Today’s Reflections:

Saint Luke is a great story-teller, and we are all captivated by his stories of healing and his parables: the Good Samaritan, the Prodigal Son, the unjust steward, and so on.

So this morning’s Gospel reading at the Eucharist (Luke 9: 57-62) comes as a little surprise. The first impression is that there is no story here, no drama, no healing, no showing how society’s perceived underdog is really a model for our own behaviour, for my behaviour – indeed a model of how God behaves, and behaves towards us.

Instead, what we have what reads like a series of pithy statements from Jesus: like a collection of sayings from the Desert Fathers or even a collection of popular sayings from Zen masters.

Good stories about wayward sons and muggings on the roadside make for good drama, and healing stories are great soap opera. But they only remain stories and they only remain mini-stage-plays if all we want is good entertainment and forget all about what the main storyline is, what the underlying plot in Saint Luke’s Gospel is.

The context of today’s reading is provided a few verses earlier, when Saint Luke says the days are drawing near and Jesus is setting his face to go to Jerusalem (Luke 9: 51).

It is a challenge to us all. We are called to live not for the pleasure of a dramatic moment, but to live in the one great drama that is taking place: to set our faces on the heavenly Jerusalem; to live as if we really believe in the New Heaven and the New Earth.

We are called not to be conditional disciples – being a Christian when I look after everything else, sometime in the future. We are called to be committed disciples – to live as Christians in the here-and-now.

There is the man who wants to follow Jesus, but only if he can hold on to his wealth and property (Luke 9: 57-58). There is the man who wants to follow Jesus, but not until he has looked after burying his father (Luke 9: 59-60). There is the man who wants to follow Jesus, but who thinks first he must consider what his friends and those at home would think before he leaves them (Luke 10: 61-62).

Of course, it is good to have a home of my own and not to live in a foxhole. Of course, it is good that each of us should take responsibility for ageing parents and to bury them when they die. Of course, it is good that we should not walk out on our families, our friends and our responsibilities.

Of course, domestic security, filial duty and loyal affection are high ideals. But they are conditional, while the call of the kingdom is compelling, urgent and imperative. And it demands commitment in such a way that it puts all other loyalties in second place.

Christ is not saying that these men had the wrong values. But he sees how we can use values so that we can end up with the wrong priorities.

As GB Caird pointed out in his commentary on Saint Luke’s Gospel, sometimes the most difficult choices in life for most of us are not between good and evil, but between the good and the best. I am sure these three ‘wannabe’ disciples presented good excuses. But discipleship on my own terms is not what Christ asks of me. It can only be on his terms. There is no conditional discipleship, there is only committed discipleship.

As advertisers remind us constantly, there are terms and conditions attached to most things in life. But there can be no terms and conditions attached when it comes to being a disciple, to being a follower of Jesus.

As his ship, the Elizabeth Bonaventure, lay at anchor at Cape Sakar on 17 May 1587 after the sacking of Sagress, Sir Francis Drake wrote to Elizabeth I’s secretary of state, Sir Francis Walsingham: ‘There must be a begynnyng of any great matter, but the contenewing unto the end untyll it be thoroughly ffynyshed yeldes the trew glory.’

These words were later adapted by Eric Milner-White (1884-1963), who is credited with introducing the Service of Nine Lessons and Carols when he was the Dean of King’s College, Cambridge (1918-1941). In a collection of prayers he compiled and published in 1941 as he was moving from King’s to become Dean of York, he adapted Drake’s words in what has become a well-known prayer:

O Lord God,
when thou givest to thy servants
to endeavour any great matter,
grant us also to know that it is not the beginning,
but the continuing of the same unto the end,
until it be thoroughly finished, which yieldeth the true glory;
through him who for the finishing of thy work
laid down his life, our Redeemer, Jesus Christ.

— after Francis Drake (c. 1540-1596)

But there is another prayer that is also attributed to Francis Drake. After the Golden Hinde sailed from Portsmouth to raid Spanish Gold before sailing on to California, he is said to have written:

Disturb us, Lord,
when we are too well pleased with ourselves;
when our dreams have come true
because we have dreamed too little,
when we arrived safely
because we sailed too close to the shore.

Disturb us, Lord, when
with the abundance of things we possess
we have lost our thirst
for the waters of life;
having fallen in love with life,
we have ceased to dream of eternity
and in our efforts to build a new earth,
we have allowed our vision
of the new Heaven to dim.

Disturb us, Lord, to dare more boldly –
to venture on wider seas
where storms will show your mastery;
where losing sight of land,
We shall find the stars.

We ask you to push back
the horizons of our hopes;
and to push back the future
in strength, courage, hope, and love.

This we ask in the name of our Captain,
who is Jesus Christ.

This prayer exists in different versions, and many of these versions include lines that sound too modern to be Drake’s own words. Indeed, it is difficult to be certain whether any of this prayer was written or prayed by Drake himself, although, as the first person to circumnavigate the globe, he would certainly have understood its sentiment.

There is a well-known saying: ‘A ship in the harbour is safe, but that’s not what ships are built for.’ Food, shelter, and warmth are not enough on their own. In order to flourish, we need a dream – a sense of purpose. A dream come true is, by definition, not a dream any more. And when our dreams come true, we need to dream new dreams, for: ‘Where there is no vision, the people perish’ (Proverbs 28.19).

So often, it is true, church life is a tussle between young people who want to try new things and older people who so want to keep things as they are. But young adventurers also need older people with wisdom and perspective who can still retain and nurture a healthy sense of adventure.

Drake’s prayer expresses the excitement of faith. It is so easy for some to dismiss faith as a crutch for the weak and prayer as a sign of weakness. But if all our prayers were prayers for help, then would there be nothing more to life than merely coping with it and whatever it brings us?

‘No one who puts a hand to the plough and looks back is fit for the kingdom of God’ (Luke 9: 62) … sculpture in Kanturk, Co Cork, of Thady Kelleher (1935-2004), World and All-Ireland Ploughing Champion (Photograph: Patrick Comerford)

Today’s Prayers (Wednesday 30 September 2026):

In Pray with the World Church, the prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel), the theme this week, from 27 September to 3 October 2026 (pp 42-43), is ‘Power of Language’. This theme was introduced on Sunday with a reflection by Rachel Weller, Communications Officer, USPG.

The USPG Prayer Diary today (30 September 2026, International Translation Day) invites us to pray:

Gracious God, bless those who translate and interpret, making knowledge, scripture, and worship accessible to all.

The Collect of the Day:

Almighty God,
you have made us for yourself,
and our hearts are restless till they find their rest in you:
pour your love into our hearts and draw us to yourself,
and so bring us at last to your heavenly city
where we shall see you face to face;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.

The Post-Communion Prayer:

Lord, we pray that your grace
may always precede and follow us,
and make us continually to be given to all good works;
through Jesus Christ our Lord.

Additional Collect:

Gracious God,
you call us to fullness of life:
deliver us from unbelief
and banish our anxieties
with the liberating love of Jesus Christ our Lord.

Yesterday’s Reflections

Continued Tomorrow

‘Foxes have holes … but the Son of Man has nowhere to lay his head’ (Luke 9: 57) … a fox in street art in Lichfield (Photograph: Patrick Comerford)

Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org

29 September 2026

Saint Michael and All Angels,
New Marston: a 1950s church
in suburban Oxford with
important works of modern art

The Church of Saint Michael and All Angels on the corner of Jack Straw’s Lane and Marston Road, Oxford … today is the Feast of Saint Michael and All Angels (Photograph: Patrick Comerford, 2026)

Patrick Comerford

Today is the Feast Day of Saint Michael and All Angels (29 September), and in anticipation of this feast day, I visited the Church of Saint Michael and All Angels in New Marston in suburban Oxford last week when I was visiting churches in the Headington area last week.

During my two visits to Headington last week, and in between appointments in the John Radcliffe Hospital, Oxford, I visited some of the churches in the area, including Saint Andrew’s Church, Headington, Holy Trinity Church, Headington Quarry, Headington Baptist Church, Corpus Christi Catholic Church, and Saint Michael and All Angels, New Marston.

I found Saint Michael’s Church, which was built as a chapel of ease for Saint Andrew’s Church, Headington, at the bottom of Jack Straw’s Lane on the corner with Marston Road.

Inside Saint Michael and All Angels Church, New Marston, facing the High Altar, chancel and east end (Photograph: Patrick Comerford, 2026)

New Marston is a suburb about 2 km (1.25 miles) north-east of the centre of Oxford. The area is built on land that was originally part of the Manor of Headington, and it was rural until the 19th century, when housing began to develop along Marston Road from St Clement’s towards the village of Marston.

Saint Michael and All Angels Church was built 70 years ago in 1954-1956 on the corner of Marston Road and Jack Straw’s Lane as a chapel of ease for the parish of Saint Andrew, Headington. New Marston’s early Anglican needs were first met by a mission hall built on Ferry Road in 1919 until the new church was consecrated in September 1955.

Saint Michael and All Angels Church was designed in an Italianate style by the architect Thomas Lawrence Dale (1884-1959), who was the Oxford Diocesan Surveyor for 23 years. At first, Dale specialised in designing houses for private clients. From the 1930s, he was the Oxford Diocesan Surveyor and he was noted for designing, restoring and furnishing Church of England parish churches.

Like Charles Ponting (1850-1932) to whom he had been articled, Dale’s church architecture was strongly Anglo-Catholic. However, whereas Ponting continued to work in the Gothic Revival idiom long after it had passed out of fashion, Dale adopted Italianate architecture for his churches.

Inside Saint Michael and All Angels Church, New Marston, facing the west end … the church was designed in an Italianate style by the architect Thomas Lawrence Dale (Photograph: Patrick Comerford, 2026)

Dale was born in London and was educated at University College School, Hampstead. He began trained at the Architectural Association School of Architecture in 1900, was articled to Charles Ponting in Marlborough, Wiltshire (1901-1904), was assistant to the architect Edmund Buckle (1904-1906), and qualified as an architect in 1906.

He was a captain in the Army Cyclist Corps during World War I and was mentioned in despatches. After World War I, Dale moved to Banbury and designed a series of council houses in several villages. Two of his earlier works are Edwardian houses in Hampstead Garden Suburb, one of which has been described as ‘an excellent house of the Lutyens school’. Dale later moved to Oxford, where he designed his own house on Woodstock Road, and later moved again to Bradmore Road.

As Oxford Diocesan Surveyor, Dale designed at least four parish churches in the Oxford area, and also designed restoration work or new furnishings for a number of parish churches. His churches in the Diocese of Oxford include: Saint Francis of Assisi (1930-1931), Cowley, built on a site provided by Morris Motors as a temporary daughter church of Saint James, Cowley; Saint Alban the Martyr (1933), Oxford, replacing a chapel of ease built for Saint Mary and Saint John Church in 1889; Saint Michael and All Angels (1954-1956), New Marston, built as a chapel of ease for Saint Andrew’s Church, Headington; and Saint Swithun (1956-1958), Kennington.

The sculpted reliefs on the main front include a small figure of Saint Michael and two large reliefs of angels, by John Bunting and Michael Groser (Photograph: Patrick Comerford, 2026)

Dale died in 1959 and was buried in Wolvercote Cemetery, Oxford. His son Simon Dale (1919-1987) was also an architect. He was beaten to death at The Heath, the house he and Susan had restored at Hopton Castle, Herefordshire.

The only suspect, Dale’s former wife, Baroness Susan de Stempel, was cleared of his murder due to insufficient physical evidence. The case remains ‘one of West Mercia Constabulary’s relatively few unsolved murders’. But that’s a story for another evening, perhaps.

TL Dale’s churches reflect the various brands of classicism popular in church architecture in England in the mid-20th century and Saint Michael and All Angels, New Marston, is perhaps his most ambitious. It is an interesting essay in a sort of stripped Italian baroque manner, typical of Anglo-Catholic taste from the 1920s on.

The statue of Saint Michael by the sculptor Michael Groser (Photograph: Patrick Comerford, 2026)

Saint Michael’s was built as a chapel of ease for Saint Andrew’s Church, Headington. Although the building is slightly limited by its corner site, it is substantial in scale and has been described as being in a ‘vaguely Italian renaissance style’. Its notable features include its campanile, its elliptical windows and its tall, box-like chancel.

The sculpted reliefs on the main front include a small figure of Saint Michael in a niche at the top of the gable, and two large reliefs of angels flanking the oval window, by John Bunting (1927-2002) and Michael Groser (1918-2009). The Latin wording above the west door says: Gloria in Altissimis Deo et in Terra Pax (‘Glory to God in the Highest and on Earth Peace’).

Bunting and Groser were probably responsible for the carvings inside the church, including a suspended rood with the Crucified Christ flanked by figures of the Virgin Mary and Saint John, the frontal to the altar and the Stations of the Cross. The statue of Saint Michael is by Groser, the painting of the Annunciation and a series of reliefs are by Bunting, and the reredos above the High Altar was painted by Leon Underwood (1890-1975).

The suspended rood, with figures of the Crucified Christ, the Virgin Mary and Saint John, is by John Bunting and Michael Groser (Photograph: Patrick Comerford, 2026)

John Bunting was one of Leon Underwood’s students. He later taught for many decades at Ampleforth College in Yorkshire, where his students included Antony Gormley, creator of the ‘Angel of the North’, Martin Jennings, whose works include the statue of John Betjeman at St Pancras station and the statue of Philip Larkin in Hull, and the painter Andrew Festing.

Michael Groser was born in his grandfather’s rectory in St Winnow, Cornwall. His father, the Revd St John Beverley Groser (1890-1966), was an Anglican priest and a prominent Christian socialist. He was said to be ‘the best-known priest in the East End’ and Kenneth Leech said that he was ‘one of the most significant Christian socialist figures in 20th century Britain’. He was present at the Battle of Cable Street in 1936. He was appointed the Warden of the Royal Foundation of Saint Katharine in 1948. He played Thomas Becket, Archbishop of Canterbury, in the 1951 film adaptation of TS Eliot’s Murder in the Cathedral, produced and directed by George Hoellering.

Michael Groser moved to London with his parents in the 1920s and attended the Mercers’ School. After a degree in English Literature at Leeds University, he studied for the priesthood at the College of the Resurrection in Mirfield, Yorkshire, where his father had once been a student. As a conscientious objector during World War II, he was sent to a coalmine near Huddersfield, but managed to study sculpture part-time at Leeds School of Art.

He later moved to Kirtlington, Oxfordshire, and then to Banbury, and sang occasionally with the choir at New College, Oxford. As an actor, he played the Third Priest in Murder in the Cathedral (1951), alongside his father. He moved to Co Cork in 2004, and when he died in Bantry in 2009, he was buried at Church Cross, near Skibbereen.

The painting of the Annunciation by John Bunting above the altar in the Lady Chapel (Photograph: Patrick Comerford, 2026)

Saint Michael's Church, New Marston, was consecrated in September 1955 and superseded the Ferry Road mission hall, which was then deconsecrated and sold for secular use.

Saint Michael’s became a parish church in its own right in the Diocese of Oxford in 1963, with a new parish formed from parts of Headington, Marston and Saint Clement’s parishes.

The church built by Kingerlee & Sons. The ground for the new vicarage in Jack Straw’s Lane was bought in 1952, but the vicarage was not built until 1966-1967.

In recent years, a problem with subsidence has left the church needing extensive repairs and when I visited the church last week much of the south side of the building was covered in scaffolding.

The campanile at the Church of Saint Michael and All Angels, New Marston (Photograph: Patrick Comerford, 2026)

• The Revd Elaine Bardwell has been the Vicar of Saint Michael and All Angels, New Marston since 1996. Saint Michael’s uses modern Catholic worship and has a smallish congregation that welcomes all comers. The main Sunday service is the Parish Eucharist at 10 am, and there is a short said Eucharist on Wednesday mornings at 10:30 am.

The tall, box-like chancel and south side of Saint Michael’s Church seen from Jack Straw’s Lane (Photograph: Patrick Comerford, 2026)

For my guide to churches, chapels and religious buildings and sites in Oxford, visit here

59 million metres of waterways,
59 million tonnes of waste food,
59 million pages in a dictionary,
59 million readers of this blog

There are 59,000 km (59 million metres) of total waterways in England … boats on the Trent and Mersey Canal in Rugeley, Staffordshire (Photograph: Patrick Comerford, 2026)

Patrick Comerford

This month has been an exceptionally busy time on this blog, with a steady, overwhelming rise in viewing and reading figures. These figures reached 59 million late yesterday afternoon (28 September), having reached 58 million five days before that (23 September), 57 million five days earlier (18 September), and 56 million three days before that (15 September).

This is the eleventh time these figures have passed the million mark since the end of last month. In a steady climb, the figures reached 55 million on 12 September, 54 million two nights before that (10 September 2026), 53 million hits the day before that (9 September 2026), 52 million hits two days previously (7 September), 51 million on 5 September, 50 million on 4 September and 49 million on 31 August.

These viewing and readership figures are still overpowering, and this blog continues to reach volumes of readers I never expected when I first started blogging 16 years ago. At the end of last year, this blog had 21 million hits (31 December 2025). So far this year, there have been more than 38 million hits or visitors in 2026 alone, and 10 million so far this month (September) soon after 10 pm last night.

This means half of all hits or reader figures have been within the past six months or so, with 29.5 million hits since 27 March 2026. I first began blogging in 2010, and it took almost two years until July 2012 to reach half a million readers. Throughout this year, the daily figures have often been overwhelming. September is already the busiest month for traffic on this blog, with 10 million hits so far in September, the highest total in any single month since I began blogging.

Of the 10 days of busiest traffic on this blog, seven of them have been in this month alone (1, 5, 7, 8, 9, 11 and 12 September), two were in May (1 and 14 May) and one was in April (29 April):

• 1,124,925 (1 May 2026)
• 671,341 (10 September 2026)
• 647,187 (5 September 2026)
• 618,234 (8 September 2026)
• 583,320 (11 September 2026)

• 563,301 (9 September 2026)
• 557,448 (12 September 2026)
• 525,719 (14 May 2026)
• 513,725 (7 September 2026)
• 509,644 (29 April 2026)

Although traffic has slowed down in the past week or so, the daily average this month has been more than 350,000 hits a day. Yet, I recall how 10 years ago, back in 2016, the daily average was around 1,000, or 30,000 a month.

The second edition of the Oxford English Dictionary was published in 20 volumes in 1989, with 59 million words of text (Photograph: Dan, mrpolyonymous on Flickr / CC BY 2.0 Wikimedia)

Some curious though random statistics help to put this new figure of 59 million into perspective:

Measles vaccination saved almost 59 million people, mainly children, from death between 2000 and 2024, according to figures from the World Health Organisation.

In Europe, 59 million tonnes of food are either lost or wasted every year. At the same time, 42 million people cannot afford a nutritious meal every other day.

The OED2, the second edition of the Oxford English Dictionary, was published on paper in 20 volumes in 1989, with 59 million words of text, 21,730 pages and 290,500 entries.

Italy has an estimated population of 59 million people.

It is estimated that 59 million adults in the United States are unpaid family caregivers for aging members of their families.

An estimated 59 million people require urgent protection and assistance in the Middle East and North Africa region.

There are 59 million millionaires in the world today and about 2,780 billionaires.

59 million metres is 59,000 km. There are 59,000 km of total waterways in England, but public access is highly restricted and heavily contested. While the total network spans tens of thousands of kilometres, the vast majority consists of non-navigable streams, tributaries, and rivers flowing through private land.

According to advocacy groups like Paddle UK (formerly British Canoeing), only 3.4% of rivers in England and Wales have an uncontested public right of navigation. Under English law, the banks and beds of most non-tidal rivers are privately owned, with landowners holding the right to restrict access for paddlers, swimmers and other recreational users.

Out of the 59,000 km, only 4,500 km are classified as Statutory Navigations. These include most managed canals and major rivers, such as the River Thames and River Trent, where legislation explicitly grants public access, usually managed through a licensing system.

59 million minutes amounts to 112 years, 2 months and 4 days. This means that if this blog was receiving just one hit a minute, I would need to have started blogging back in early July 1914, before the beginning of World War I.

I retired from active parish ministry 4½ years ago, on 31 March 2022. These days, though, about 150 people on average are reading my daily prayer diary posted on this blog each morning, or more than 1,000 people each week. As this blog moves beyond 59 million hits, I am truly grateful today to the real readers among that 59 million. In particular, I am thankful for the faithful core group of people who join me in prayer, scripture reading and reflections each day.


How can tourists behave responsibly in Venice? … Italy has an estimated population of 59 million people (Patrick Comerford)

Daily prayer in Ordinary Time 2026:
144, Tuesday 29 September 2026,
Saint Michael and All Angels

‘Archangel Michael The Protector’ by Emily Young at Saint Pancras Church, London … today is the Feast of Saint Michael and All Angels (Photograph: Patrick Comerford, 2026)

Patrick Comerford

We are continuing in Ordinary Time in the Church Calendar. This week began with the Seventeenth Sunday after Trinity (Trinity XVII, 27 September 2026) and today is the Feast of Saint Michael and All Angels (29 September 2026). Many churches are holding special events to mark this day. In Pusey House, Oxford, the preacher at Evensong and High Mass this evening is my friend, the Revd Dr Jonathan Lewis-Jong, Vicar of Saint Mary Magdalene Church, Oxford. Later this evening, I plan to write about my visit to the Church of Saint Michael and All Angels in New Marston, Oxford.

Meanwhile, this morning, before this day begins, I am taking some quiet time to give thanks, and for reflection, prayer and reading in these ways:

1, today’s Gospel reading;

2, a reflection on the Gospel reading;

3, a prayer from the USPG prayer diary;

4, the Collects and Post-Communion prayer of the day.

Angel I by Emily Young (2003), Paternoster Square, London (Photograph: Patrick Comerford)

John 4: 47-51 (NRSVA):

47 When Jesus saw Nathanael coming towards him, he said of him, ‘Here is truly an Israelite in whom there is no deceit!’ 48 Nathanael asked him, ‘Where did you come to know me?’ Jesus answered, ‘I saw you under the fig tree before Philip called you.’ 49 Nathanael replied, ‘Rabbi, you are the Son of God! You are the King of Israel!’ 50 Jesus answered, ‘Do you believe because I told you that I saw you under the fig tree? You will see greater things than these.’ 51 And he said to him, ‘Very truly, I tell you, you will see heaven opened and the angels of God ascending and descending upon the Son of Man.’

Angel II by Emily Young (2003), Paternoster Square, London (Photograph: Patrick Comerford)

Today’s Reflections:

Like many people, I never cease to be fascinated by the Caryatids that make Saint Pancras Church facing Euston Station in London a unique and captivating church. But I wonder how many pass by in the daily commute and miss the opportunity to appreciate Emily Young’s ‘Archangel Michael The Protector’ in the church gardens.

I stopped to look again at ‘Archangel Michael The Protector’ yesterday between train journeys to and from Euston when I was meeting a long-standing friend for coffee. This sculpture in onyx and can be viewed in the church grounds from Upper Woburn Place, around the corner from Euston Road. An inscription on a plaque between the sculpture and the railings reads: ‘In memory of the victims of the 7th July 2005 bombings and all victims of violence. ‘I will lift up my eyes unto the hills’ Psalm 121.’

Nothing moves in this image, a silent reminder of what is being commemorated in the sculpture. Because Saint Michael’s face has only one eye, and this is closed, some critics have wondered whether the quotation is ill-chosen. But the full context is provided in Psalm 121: 1-2:

1 I lift up my eyes to the hills –
from where will my help come?
2 My help comes from the Lord,
who made heaven and earth.

The London bombings over 20 years ago on 7 July 2005, often referred to as 7/7, were a series of four co-ordinated suicide attacks that targeted commuters on the public transport system in the morning rush hour.

Three homemade bombs packed into backpacks were detonated in quick succession on Underground trains on the Circle line near Aldgate and at Edgware Road, and on the Piccadilly line near Russell Square; later, a fourth bomb went off on a bus in Tavistock Square, near Upper Woburn Place and Saint Pancras Church.

Apart from the four bombers, 52 people of 18 different nationalities were killed and more than 700 people were injured in the attacks. It was Britain’s deadliest terrorist incident since the 1988 bombing of Pan Am Flight 103 near Lockerbie, and the first Islamist suicide attack in the UK.

Emily Young has been described as ‘Britain’s foremost female stone sculptor’ and ‘Britain’s greatest living stone sculptor.’ On different occasions, as I have strolled through London, I stopped and taken time at an open-air exhibition at ENO Southbank of works by Emily Young.

A number of her works have formed a sculpture trail or garden at the NEO Bankside development on South Bank in ‘Emily Young: Sculptor Trail.’ The exhibition was both a continuation and a broadening of her presence on the South Bank, echoing three large-scale works on long-loan facing the Tate Modern from NEO Bankside.

Emily Young’s sculptures of five angel heads in stone stand on five columns in Saint Paul’s Churchyard, London. The sequence of heads are mounted on columns under the arcade of a new classical-inspired building to the north west side of Saint Paul's, redeveloped as part of the redesign of Paternoster Square at the top of Ludgate Hill.

Her five angels’ heads are placed dramatically on columns in the arcade of Juxon House and almost face the west front of Saint Paul’s Cathedral.

Emily Young’s works are instantly recognisable and accessible. She deals in spectacular lumps of stone – quartzite, onyx, marble, alabaster – to which she gives an identity by carving a face but leaving the remainder of the rock displayed in its raw, craggy intensity, as if the face had grown or evolved organically. The Financial Times says: ‘Her sculptures meditate on time, nature, memory, man’s relationship to the Earth.’

Emily Young was born in London in 1951 into a family of writers, artists and politicians. Her grandmother, the sculptor Kathleen Scott (1878-1947), was a colleague of Auguste Rodin, and the widow of the Polar explorer, Captain Robert Falcon Scott, ‘Scott of the Antarctic’. Her works include a statue of Edward Smith, the captain of the Titanic, now in Beacon Park, Lichfield. She later married Emily Young’s paternal grandfather, the politician and writer Edward Hilton Young, 1st Lord Kennet.

Emily Young’s father, Wayland Hilton Young, 2nd Lord Kennet, was also a politician, conservationist and writer. Her mother was the writer and commentator Elizabeth Young; her uncle was the ornithologist, conservationist and painter, Sir Peter Scott.

She was still a student when she achieved fame (or notoriety) in 1971 as the inspiration for the Pink Floyd song See Emily Play written by Syd Barrett of Pink Floyd. But the song had earlier origins in the 1960s. She was 15 when she met Syd Barrett at the London Free School in 1965. ‘I used to go there because there were a lot of Beat philosophers and poets around,’ she said many years later. ‘There were fundraising concerts with The Pink Floyd Sound, as they were then called. I was more keen on poets than rockers. I was educating myself. I was a seeker. I wanted to meet everyone and take every drug.’

As a young woman, Emily Young worked primarily as a painter while she was studying at Chelsea School of Art in 1968 and later at Central Saint Martins. She travelled around the world in the late 1960s and 1970s, spending time in the US, Afghanistan, Pakistan, India, France, Italy, Africa, South America, the Middle East and China, encountering a variety of cultures and developing her experiences of art.

In the early 1980s, she abandoned painting and turned to carving, sourcing stone from all over the world. Travelling from a London childhood, to a European education, to a life lived as an artist round the world, she began to interact with the timeless quality of stone to produce breath-taking sculptures of luminous intensity and great beauty.

As well as marble, she carves in semi-precious stone – agate, alabaster, lapis lazuli. These not only reflect and refract the light – but glow with a passionate intensity (as Winged Golden Onyx Head), revealing the hidden crystalline structure of the material and the subtle layers the time has laid down, showing the liquid qualities of hard rock.

The primary objective of her sculpture is to bring the natural beauty and energy of stone to the fore. Her sculptures have unique characters because each stone has an individual geological history and geographical source. Her approach allows the viewer to comprehend a deep grounding across time, land and cultures. She combines traditional carving skills with technology to produce work that is both contemporary and ancient, with a unique, serious and poetic presence.

Emily Young now divides her time between her studios in London and Italy. Her permanent installations and public collections can be seen in many places, including Saint Paul’s Churchyard, Saint Pancras Church, NEO Bankside, and the Imperial War Museum in London; La Defense, Paris; Salisbury Cathedral, Wiltshire; the Whitworth Art Gallery, Manchester; and the Cloister of Madonna Dell’Orto, Venice.

After years of being feted as ‘Britain’s foremost female stone sculptor,’ the art critic of the Financial Times called her ‘Britain’s greatest living stone sculptor.’ The Daily Telegraph has written: ‘Emily Young has inherited the mantle as Britain’s greatest female stone sculptor from Dame Barbara Hepworth.’

She recently explained: ‘So my work is a kind of temple activity now, devotional; when I work a piece of stone, the mineral occlusions of the past are revealed, the layers of sediment unpeeled; I may open in one knock something that took millions of years to form: dusts settling, water dripping, forces pushing, minerals growing – material and geological revelations: the story of time on Earth shows here, sometimes startling, always beautiful.’

She told an interviewer: ‘I carve in stone the fierce need in millions of us to retrieve some semblance of dignity for the human race in its place on Earth. We can show ourselves to posterity as a primitive and brutal life form – that what we are best at is rapacity, greed, and wilful ignorance, and we can also show that we are creatures of great love for our whole planet, that everyone of us is a worshipper in her temple of life.’

The American composer Fran Schultz, who lives in Howell, New Jersey, said some years ago that my writing about Emily Young’s angels have inspired her composition and recording, ‘How Many Angels Can Dance on the Head of a Pin.’

Fran describes the composition as in the genre of rock, instrumental and digital electronic music. The musical instruments include a Steinway Grand Piano, Oak Piano Dream Synthesiser, Stutter Stack and Classic D6.

She is generous on her website when she extends ‘special thanks to Patrick Comerford for his writing and his allowing me use of his photos.’ She said she wrote ‘How Many Angels Can Dance on the Head of a Pin’ because of my ‘inspirational writing.’

She added: ‘I also enjoyed reading all the links he provided about the artist, Emily Young, his thoughts and quotes by her. I thank him very much for letting me make use of his photographs for this piece of music and to the artist Emily Young for making them.’

She continued: ‘The connection point for me in his writing was immediate in his succinct and direct insightful recognition of such questions and in my seeing how in social media distracts us into questions that are essentially “A metaphor for wasting time discussing trivial topics that have no practical value, or asking questions whose answers hold no practical value, or asking questions whose answers hold no consequence, at times when we have more urgent concerns to debate”.’

She was unexpectedly generous when she said my ‘writing has many layers of depth to it that I particularly am drawn to in the subjects of architecture, sculptures, history, theology, questions, the deeper meaning of things and the beauty of things we might not have noticed or fully appreciated before. I love his thoughtful responses to the questions and what brought those very questions up upon reflecting the sculptures made by Emily Young as he was taking a walk in London … and taking photos. Hope you enjoy his writing and enjoy my music too!’

She then offered a link to my website and my article of 25 February 2023, ‘Emily Young’s Five Angels on Columns,’ HERE.

You can listen to Fran Schultz’s composition, ‘How Many Angels Can Dance on the Head of a Pin’, HERE.

Angel III by Emily Young (2003), Paternoster Square, London (Photograph: Patrick Comerford)

Today’s Prayers (Tuesday 29 September 2026, Saint Michael and All Angels):

In Pray with the World Church, the prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel), the theme this week, from 27 September to 3 October 2026 (pp 42-43), is ‘Power of Language’. This theme was introduced on Sunday with a reflection by Rachel Weller, Communications Officer, USPG.

The USPG Prayer Diary today (Tuesday 29 September 2026, Saint Michael and All Angels) invites us to pray:

Lord God, through the example of Saint Michael, defend and guide those who work for reconciliation. Give them courage so every voice may be heard and every community united in peace.

Angel IV by Emily Young (2003), Paternoster Square, London (Photograph: Patrick Comerford)

The Collect:

Everlasting God,
you have ordained and constituted
the ministries of angels and mortals in a wonderful order:
grant that as your holy angels always serve you in heaven,
so, at your command,
they may help and defend us on earth;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.

The Post Communion Prayer:

Lord of heaven,
in this eucharist you have brought us near
to an innumerable company of angels
and to the spirits of the saints made perfect:
as in this food of our earthly pilgrimage
we have shared their fellowship,
so may we come to share their joy in heaven;
through Jesus Christ our Lord.

Yesterday’s Reflections

Continued Tomorrow

Angel V by Emily Young (2003), Paternoster Square, London (Photograph: Patrick Comerford)

Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org

‘Archangel Michael The Protector’ by Emily Young in the gardens of Saint Pancras Church near Euston Station (Photograph: Patrick Comerford, 2026)

28 September 2026

Two contrasting churches
in Headington, Baptist
and Catholic, illustrate
church diversity in Oxford

Headington Baptist Church is celebrating the 20th anniversary of the present building this year, but the church dates back to early 19th century (Photograph: Patrick Comerford, 2026)

Patrick Comerford

During my visits to Headington in Oxford last week, in between visits to the John Radcliffe Hospital, I visited a number of churches in the area, including Saint Andrew’s Church, Headington, Holy Trinity Church, Headington Quarry, Saint Michael and All Angels, New Marston, Headington Baptist Church and Corpus Christi Catholic Church.

Headington Baptist Church is celebrating the 20th anniversary of the present building later this year. But the story of the congregation dates back to the early 19th century, when New Road Baptist Church in Oxford started one of its first ‘mission stations’ for dissenters in Old Headington. This means the Baptist Chapel was the first nonconformist chapel in Headington, until a Methodist chapel was built in Trinity Road, Quarry, in 1830.

Headington’s first purpose-built Baptist chapel opened 1836 in what is now a private house known as Croft Hall. Croft Hall stood on land owned by the Latimer family, then the lords of the Manor of Headington and the owners of Headington House, and the freehold was acquired in 1841.

The chapel acquired more land In 1875 to extend its burial ground. However, the chapel was no longer big enough by the end of the 19th century, and the Baptists built a new chapel in Old High Street in 1901.

The cottage to the south of the new chapel was demolished in 1916, and two years later the vacant plot was bought by the Baptist Chapel. Most of the male members of the congregation were then away at war, and women and children helped to clear the site to grow vegetables. The site was to remain a vegetable plot for 16 years.

After World War I, a war memorial organ by Martin & Coate of Oxford was installed in the church in 1920.

The chapel was extended for the first time In 1934 over part of the vegetable plot, and the rest of the plot was turned into a garden. The garden was lost In 1971 when the church was extended again, and the new enlarged church was used for another 23 years until 2004.

The old church was demolished in August 2004 and the first service in the new church took place 20 years ago, on Sunday 5 November 2006.

The Baptist Church continued to own the old chapel in the Croft until the mid-1970s. Initially it was used as a Sunday school, but this was closed in 1924 because the building had fallen into disrepair.

The Freemasons offered to refurbish the building in 1937 as part of a leasing arrangement, and the continued to use the building until 1944. After that, the Exclusive Brethren used the building, and it was then used by a carpet shop. Croft Hall was sold in 1976 and has been converted into a private house.

Corpus Christi Church on the corner of Margaret Road, was built in two phases, beginning 90 years ago in 1936 (Photograph: Patrick Comerford, 2026)

Corpus Christi Church on the corner of Margaret Road and Wharton Road in Headington was built in two stages in the 1930s and 1950s. The first Mass in Headington was said by Father Fabian of Greyfriars in 1932, and for about three years a Sunday Mass was celebrated at 9 am for a congregation of 30 to 40 in a café in New High Street.

Father William Flint had been sent to Headington by the Archbishop of Birmingham in November 1935 and Mass was celebrated for the first time in the new Parish Hall on the Feast of Corpus Christi, 12 June 1936. The construction of the church began that month.

Cardinal Arthur Hinsley (1865-1943), Archbishop of Westminster (1935-1943), laid the foundation stone on 1 October 1936. The first stage of the church – the east end – was blessed and opened on 18 February 1937 by Thomas Williams (1877-1946), Catholic Archbishop of Birmingham (1929-1946).

The church was designed by Gilbert Thomas Francis Gardner (1880-1955), who was an architect in Oxford for many years. His projects included the Oxford War Memorial (1921), Twinings shop, Oxford (1924), and shops and flats in Park End Street, Oxford (1925).

Corpus Christ Church in Headington was built in two phases: the east half was built in 1936-1937, and the second phase, the west half, was completed in 1953, although without the tower shown on the original plans. The break between the two parts can still be seen in the different coloured roof tiles and the different types of timber used for the woodblock floor.

The church is built with brick laid in English garden wall bond with a tiled roof and aluminium windows. The plan consists of a longitudinal aisleless nave with a narrower chancel, and a short west tower flanked by transepts. Above the moulded west doorway is a niche with a statue of Christ in Majesty.

The south elevation has gables over five of the central nave bays which project above the roofline. The central gable is wider, presumably due to the original porch below, which is now a niche with a Sacred Heart statue. The east end has a shallow curved extension of the early 1970s to the original blind east wall.

Inside, the church has a tunnel vaulted seven-bay nave. The lobby at the north-west was originally the baptistery, and retains its wrought-iron gates. The sanctuary is flanked by two side chapels. The stone altar, tabernacle stand and lectern date from the reordering in 1980. In the early 1970s, the east end was remodelled, with the addition In the 1970s of a curved dalle de verre window by Leslie Sheels, depicting the Forty Martyrs of England and Wales.

The north chapel has an icon of Mary Mother of God by the icon writer Alexander Gormatiuk of Moscow, installed in 2000. The south chapel has a copy of Michelangelo’s Pietà. Only the north side chapel retains its altar rails.

The Stations of the Cross (1985-1988) are circular reliefs in bronze by the Oxford sculptor Faith Tolkien (1928-2017), first wife of Christopher John Reuel Tolkien (1924-2020), a lecturer in New College, Oxford. Faith Tolkien’s bust of her father-in-law, JRR Tolkien, is in the English Faculty Library at Oxford University. Her other subjects include Iris Murdoch and CS Lewis.

When the church was refurbished in 2022/2023, the Oxford Preservation Society presented Corpus Christi Church with its 2023 Award for small projects.

• The Revd Ian McDonald is the Minister at Headington Baptist Church, where Sunday morning services begin at 10:30 am. Corpus Christi parish is part of the Roman Catholic Archdiocese of Birmingham, and Canon Mervyn Tower is the parish priest. Sunday Masses are at 9 am, 11 am and 6:30 pm.

The first service in the new Headington Baptist Church was held on 5 November 2006 (Photograph: Patrick Comerford, 2026)


For my guide to Oxford churches and chapels, visit here

Daily prayer in Ordinary Time 2026:
143, Monday 28 September 2026

Jesus … took a little child and put it by his side (Luke 9: 47) … a window in the chapel of Saint John’s Hospital, Lichfield (Photograph: Patrick Comerford)

Patrick Comerford

We are continuing in Ordinary Time in the Church Calendar, and this week began with the Seventeenth Sunday after Trinity (Trinity XVII). Later this morning I plan to meet a long-standing friend in London, and tomorrow is Michaelmas, the Feast of Saint Michael and All Angels (29 September).

Before today begins and before I set off for London, I am taking some quiet time this morning to give thanks, and for reflection, prayer and reading in these ways:

1, today’s Gospel reading;

2, a reflection on the Gospel reading;

3, a prayer from the USPG prayer diary;

4, the Collects and Post-Communion prayer of the day.

The Preaching of the Kingdom of God … an icon in the Lady Chapel in Lichfield Cathedral (Photograph: Patrick Comerford)

Luke 9: 46-50 (NRSVA):

46 An argument arose among them as to which one of them was the greatest. 47 But Jesus, aware of their inner thoughts, took a little child and put it by his side, 48 and said to them, ‘Whoever welcomes this child in my name welcomes me, and whoever welcomes me welcomes the one who sent me; for the least among all of you is the greatest.’

49 John answered, ‘Master, we saw someone casting out demons in your name, and we tried to stop him, because he does not follow with us.’ 50 But Jesus said to him, ‘Do not stop him; for whoever is not against you is for you.’

‘Whoever welcomes this child in my name welcomes me’ (Luke 9: 48) … a window in Saint Mary’s Church, Lichfield (Photograph: Patrick Comerford)

Today’s Reflections:

Today’s lectionary reading for the Eucharist is Saint Luke’s account of a story we also hear in two other Gospels (see Mark 9: 30-37; Matthew 18: 1-14).

In Saint Matthew’s version of this story, Christ tells us: ‘Take care that you do not despise one of these little ones; for, I tell you, in heaven their angels continually see the face of my Father in heaven … it is not the will of your Father in heaven that one of these little ones should be lost’ (verses 10-14).

The disciples are arguing with one another about who is the greatest. Christ tells them not to seek position or prestige.

Then, one of the Twelve, John, complains that someone who is not part of their inner circle has been casting out demons in Christ’s name. But did the disciples welcome him? Did they praise him for bringing comfort to distressed people and for restoring them to a good quality of life?

Christ now rebukes the disciples for attempting to stop this exorcist who is curing in his name, a reminder that that God can work through those who are not followers of Christ.

Instead of being smug among themselves, arguing about who among them was the greatest, the disciples should have been like this man, bringing comfort to those who were in trouble, looking after those who were thirsty both physically and spiritually.

I worked for almost 30 years as a journalist with The Irish Times. The Revd Stephen Hilliard, a former colleague there who was ordained a priest in the Church of Ireland a few years before me, was visiting me one evening, when I asked him what the difference was between the two – being a journalist and being a priest. With a wry grin, he told me: ‘Not much. I continue to afflict the comfortable and comfort the afflicted.’

Perhaps not in so many words, but in this Gospel reading Christ tells the disciples that they should be afflicting the comfortable and comforting the afflicted.

At the end of last year (2025), an estimated 45 million children under the age of 18 were forcibly displaced globally due to conflict, violence, persecution, and human rights violations, according to UN data. They include 32.7 million internally displaced children and over 19 million refugee and asylum-seeking children.

In the year to June 2026, 4,275 applications for asylum were received in the UK from unaccompanied children, making up 6% of total asylum applications. The UNHCR estimates that 2.4 million children were born into refugee life between 2018 and 2025, equivalent to some 338,000 children per year, meaning that their parents fled and became refugees before they were born.

All children in these situations and these dilemmas are innocent. There is no such thing as a child being the wrong person in the wrong place at the wrong time. All children should feel safe, in all places, at all times.

But we need to move from Victorian Sunday School images of the children being brought to Jesus, and ask how he would hear the voices of children today and how he would respond to those who plot to do them harm.

Would Christ challenge us to hear the cries of children in the refugee camps, the children needing humanitarian assistance, the children in the slums, in the sweat shops and in the brothels, to hear the cries of children suffering behind the bedroom doors of respectability?

‘Whoever welcomes this child in my name welcomes me’ (Luke 9: 48) … a window by Alfred Bell of Clayton and Bell in Saint John-at-Hampstead (Photograph: Patrick Comerford)

Today’s Prayers (Monday 28 September 2026):

In Pray with the World Church, the prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel), the theme this week, from 27 September to 3 October 2026 (pp 42-43), is ‘Power of Language’. This theme was introduced yesterday with a reflection by Rachel Weller, Communications Officer, USPG.

The USPG Prayer Diary today (Monday 28 September 2026) invites us to pray in these words:

Lord God, help us listen carefully and speak with care, so our words build understanding and bring life.

The Collect of the Day:

Almighty God,
you have made us for yourself,
and our hearts are restless till they find their rest in you:
pour your love into our hearts and draw us to yourself,
and so bring us at last to your heavenly city
where we shall see you face to face;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.

The Post-Communion Prayer:

Lord, we pray that your grace
may always precede and follow us,
and make us continually to be given to all good works;
through Jesus Christ our Lord.

Additional Collect:

Gracious God,
you call us to fullness of life:
deliver us from unbelief
and banish our anxieties
with the liberating love of Jesus Christ our Lord.

Collect on the Eve of Michael and All Angels:

Everlasting God,
you have ordained and constituted
the ministries of angels and mortals in a wonderful order:
grant that as your holy angels always serve you in heaven,
so, at your command,
they may help and defend us on earth;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.

Yesterday’s Reflections

Continued Tomorrow

Jesus … took a little child and put it by his side (Luke 9: 47) … a detail in the window in the Comberford Chapel in Saint Editha’s Church, Tamworth (Photograph: Patrick Comerford)

Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org